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37
result(s) for
"Animated television programs Japan."
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Anime world
by
Marcovitz, Hal, author
in
Animated films Japan Juvenile literature.
,
Animated television programs Japan Juvenile literature.
,
Animated films
2024
\"The culture of anime is not limited to Japan. Anime is among Japan's most popular exports. Given the growth and popularity of anime over the past several decades, there is no question that anime's influence can now be found well beyond the TV sets and cinemas in Japan\"-- Provided by publisher.
Anime’s Media Mix
by
Marc Steinberg
in
Animated films
,
Animated films -- Japan -- History and criticism
,
Animated television programs
2012
In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Engaging with film, animation, and media studies, as well as analyses of consumer culture and theories of capitalism, Steinberg offers the first sustained study of the Japanese mode of convergence that informs global media practices to this day.
Cultural guide to anime and manga
by
Gossin, Pamela, author
,
Hairston, Marc, author
,
ReferencePoint Press, publisher
in
Animated television programs Japan Juvenile literature.
,
Animated films Japan Juvenile literature.
,
Manga (Comic books) Juvenile literature.
2024
\"This book is intended to help American anime and manga fans understand the meaning of important references to aspects of Japanese life and culture as they appear in favorite films and graphic novels\"-- Provided by publisher.
Japanese Animation
by
Yokota, Masao
,
Hu, Tze-yue G
in
Animated films
,
Animated films -- Japan -- History and criticism
,
Animated television programs
2013
Japanese Animation: East Asian Perspectives makes
available for the first time to English readership a selection of
viewpoints from media practitioners, designers, educators, and
scholars working in the East Asian Pacific. This collection not
only engages a multidisciplinary approach in understanding the
subject of Japanese animation but also shows ways to research,
teach, and more fully explore this multidimensional world.
Presented in six sections, the translated essays cross-reference
each other. The collection adopts a wide range of critical,
historical, practical, and experimental approaches. This variety
provides a creative and fascinating edge for both specialist and
nonspecialist readers. Contributors' works share a common
relevance, interest, and involvement despite their regional
considerations and the different modes of analysis demonstrated.
They form a composite of teaching and research ideas on Japanese
animation.
The anime boom in the United States : lessons for global creative industries
\"Drawing on in-depth interviews with Japanese and American animation industry professionals, field research, and market surveys, this book investigates the ways anime has been exported to the U.S. since the 1960s, exploring the transnational networks of anime production and marketing while also investigating the cultural and artistic processes it inspired\"-- Provided by publisher.
Mechademia 4
2009
The themes of war and time are intertwined in unique ways in Japanese culture, freighted as that nation is with the multiple legacies of World War II: the countrys militarization, its victories and defeats, Hiroshima and Nagasaki, and the uneasy pacifism imposed by the victors. Delving into topics ranging from the production of wartime propaganda to the multimedia adaptations of romance narrative, contributors to the fourth volume in the Mechademia series address the political, cultural, and technological continuum between war and the everyday time of orderly social productivity that is reflected, confronted, and changed in manga, anime, and other forms of Japanese popular culture.Grouped thematically, the essays in this volume explore the relationship between national sovereignty and war (from the militarization of children as critically exposed in Grave of the Fireflies to reworkings of Japanese patriotism in The Place Promised in Our Early Days), the intersection of war and the technologies of social control (as observed in the films of Oshii Mamoru and the apocalyptic vision of Neon Genesis Evangelion), history and memory as in manga artists working through the trauma of Japans defeat in World War II and the new modalities of storytelling represented by Final Fantasy X), and the renewal and hybridization of militaristic genres as a means of subverting conventions (in Yamada Futaros ninja fiction and Miuchi Suzues girl knight manga).Contributors: Brent Allison; Mark Anderson; Christopher Bolton, Williams College; Martha Cornog; Marc Driscoll, U of North Carolina, Chapel Hill; Angela Drummond-Mathews, Paul Quinn College; Michael Fisch; Michael Dylan Foster, Indiana U; Wendy Goldberg; Marc Hairston, U of Texas, Dallas; Charles Shiro Inouye, Tufts University; Rei Okamoto Inouye, Northeastern U; Paul Jackson; Seth Jacobowitz, San Francisco
State U; Thomas Lamarre, McGill U; Tom Looser, New York U; Sheng-mei Ma, Michigan State U; Christine Marran, U of Minnesota; Zilia Papp, Hosei U, Tokyo; Marco Pellitteri; Timothy Perper; Yoji Sakate; Chinami Sango; Deborah Scally; Deborah Shamoon, U of Notre Dame; Manami Shima; Rebecca Suter, U of Sydney; Takayuki Tatsumi, Keio U, Tokyo; Christophe Thouny; Gavin Walker; Dennis Washburn, Dartmouth College; Teresa M. Winge, Indiana U.
The essential anime guide : 50 iconic films, standout series, and cult masterpieces
by
Macias, Patrick, 1972- author
,
Sattin, Samuel, author
in
Animated films Japan History and criticism.
,
Animated films Western countries History and criticism.
,
Animated television programs Japan History and criticism.
2023
Featuring 50 of the most influential and essential Japanese animated series and films - from Akira to Cowboy Bebop to Sailor Moon - this expert guide is the must-have book for anime fans young and old. Organised by release date and with entries by experts in the anime field, this guide provides a comprehensive, behind-the-scenes look into the history and impact of these classic anime. Both casual fans and serious otaku alike will discover a fun and surprisingly touching portrait of the true impact of anime on pop culture.
The rise of anime and manga : from Japanese art form to global phenomenon
by
Steffens, Bradley, 1955- author
in
Manga (Comic books) Japan Juvenile literature.
,
Manga (Comic books) United States Juvenile literature.
,
Manga (Comic books) Influence Juvenile literature.
2024
\"Manga and anime have risen from obscure art forms with cult followings to mainstream cultural forces. This book traces the development of manga and anime from their roots in medieval Japanese artwork to their record-shattering success on bestseller lists and in box office receipts. It also discusses their impact beyond the page and screen--in conventions, cosplay, toys, games, apparel, and accessories.\"-- Provided by publisher.
Mechademia 9
If the source of manga and anime is physically located in Japan, the temptation for many critics and scholars is to ask what aspects of Japanese culture and history gave rise to these media. This ninth volume of Mechademia-an annual collection of critical work on anime and manga-challenges the tendency to answer the question of origins by reductively generalizing and essentializing \"Japaneseness.\" The essays brought together in Mechademia 9 lead us to understand the extent to which \"Japan\" might be seen as an idea generated by anime, manga, and other texts rather than the other way around. What is it that manga and anime produce that no other medium can precisely duplicate? Is anime its own medium or a genre of animation-or something in between? And how must we adapt existing critical modes in order to read these new kinds of texts? While the authors begin with similar questions about the roots of Japanese popular culture and media, they invoke a wide range of theoretical work in the search for answers, including feminist criticism, disability studies, poststructuralist textual criticism, postcolonialism, art history, film theory, phenomenology, and more. Richly provocative and insightful, Mechademia 9 both enacts and resists the pursuit of fixed starting points, inspiring further creative investigation of this global artistic phenomenon. Contributors: Stephen R. Anderson; Dale K. Andrews, Tohoku Gakuin U; Andrew Ballús; Jodie Beck; Christopher Bolton, Williams College; Kukhee Choo, Tulane U; Ranya Denison, U of East Anglia; Lucy Fraser; Fujimoto Yukari, Meiji U, Japan; Forrest Greenwood; Imamura Taihei; Seth Jacobowitz, Yale U; Kim Joon Yang; Thomas Lamarre, McGill U; Margherita Long, U of California, Riverside; Matsumoto Nobuyuki, Tokyo National Museum; Laura Miller, U of Missouri-St. Louis; Alexandra Roedder; Paul Roquet, Stanford U; Brian Ruh; Shun'ya Yoshimi, U of Tokyo; Alba G. Torrents.