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result(s) for
"Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536"
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Vertue betray'd, or, Anna Bullen a tragedy : acted at His Royal Highness, the Duke's Theatre / written by John Banks
by
Banks, John
in
Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536
,
Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536 - Drama
,
Drama
1682
Book Chapter
Vertue betray'd, or, Anna Bullen a tragedy acted at His Royal Highness the Duke's theatre / written by John Banks
by
Banks, John
in
Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536
,
Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536 - Drama
,
Drama
1682
Book Chapter
Vertue betray'd, or, Anna Bullen a tragedy acted at His Royal Highness, the Duke's Theatre / written by John Banks. Crescit sub pendere virtus
by
Banks, John
in
Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536
,
Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536 - Drama
,
Drama
1692
Book Chapter
The noble tryumphaunt coronacyon of quene Anne wyfe vnto the moost noble kynge Henry the .viij
by
Anon
in
Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536
,
Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536 - Early works to 1800
,
History and chronicles
1533
Book Chapter
Anne Boleyn
by
G.W. BERNARD
in
16th century
,
Anne Boleyn [Queen]
,
Anne Boleyn, Queen, consort of Henry VIII, King of England, 1501?–1536
2010
In this groundbreaking new biography, G. W. Bernard offers a fresh portrait of one of England's most captivating queens. Through a wide-ranging forensic examination of sixteenth-century sources, Bernard reconsiders Boleyn's girlhood, her experience at the French court, the nature of her relationship with Henry, and the authenticity of her evangelical sympathies.
He depicts Anne Boleyn as a captivating, intelligent, and highly sexual woman whose attractions Henry resisted for years until marriage could ensure legitimacy for their offspring. He shows that it was Henry, not Anne, who developed the ideas that led to the break with Rome. And, most radically, he argues that the allegations of adultery that led to Anne's execution in the Tower could be close to the truth.