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The wedding
After more than twenty years of marriage, Wilson Lewis, son-in-law of Allie and Noah Calhoun is forced to admit that the romance has gone out of his marriage. Desperate to win back his wife Jane's heart, he must figure out how to make her fall in love with him again.
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Editorial
Both Chris and Brian took up this claim but, although motivated by a similar scepticism towards pulp sf, they extended it in several ways. Chriss The Prestige (1995), the first science fiction novel to win both a major genre prize and a major literary award, poses the question, can one write a genuine Gothic romance after science fiction? and answers with a resounding yes. Brian was also a regular at the early conferences of the London Science Fiction Research Community, ensuring a continuity between generations of scholars.
Journal Article
The end of Orson Eerie?
\"Eerie Elementary is planning a big Halloween-type celebration for Eerie Day, including hosting a \"haunted house\" at the school itself; but the spirit of the evil scientist Orson Eerie sees this as the chance to finally triumph over the intrepid hall moniters, Sam, Lucy, and Antonio--and it is up to them to prevent a catastrophe and perhaps even defeat Orson and banish him from the school forever.\"-- Publisher's description.
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EDITOR'S NOTE
Just this week (as I write this), one week after the autumnal equinox, Limón will deliver her inaugural reading as the 24th Poet Laureate Consultant in Poetry to the Library of Congress. In her role as standard bearer while fulfilling her role as US poet laureate, Limón will naturally serve as a national spokesperson for the genre, but she also identifies as a \"citizen of the planet,\" declaring her allegiance to both the natural world as well as to an international range of poets from throughout the Americas and beyond: \"Singing Back to the World,\" for Limón, means not only singing the world but also enlarging the American literary landscape with the poetry of Sor Juana Inés de la Cruz, Federico García Lorca, Gabriela Mistral, Pablo Neruda, Alejandra Pizarnik, and others. [...]as she sings the \"world\" in world literature, Limón further reflects the diversity of her recent poet laureate predecessors with songs that resonate on a global scale. With this latest offering of WLT, we are excited to launch an ambitious new editorial initiative to offer a greater number of shorter pieces to help further diversify the magazine's coverage and facilitate reader engagement from a wider variety of cultural angles-in addition to our usual lineup of essays, poetry, fiction, and creative nonfiction, the editors invite you to check out the \"5 Questions\" mini-interviews with Xochitl Gonzalez and Mónica Lavín; three bookish visits to Seoul in South Korea, Valdivia in Chile, and Victoria in British Columbia; the Bauhaus textile art of Anni Albers; Bunmi Ishola's dispatch from Santa Fe in our new \"Postcards\" series; and the must-read works of historical fiction recommended by Rilla Askew, who pays tribute to the late Hilary Mantel's mastery of the genre (and whose own new novel, Prize for the Fire, is reviewed on page 61).
Journal Article
A big bunch of flowers
Biff, Chip and Kipper Stories : Decode and Develop More A are exciting new titles in the Oxford Reading Tree series. The stories continue to provide storylines full of humour and drama, with familiar settings and all your favourite characters with some new friends for Biff, Chip and Kipper. They also support children's transition from fully decodable readers, such as Floppy's Phonics, to a richer, wider reading experience with high-interest vocabulary. The inside cover notes provide advice to help adults read and explore the story with the child, supporting their decoding and language comprehension development.
Vanuatu's Growing Body of Literature
Of the twelve poets, three were women and one of them was Mildred Sope, who, when I interviewed her in 2018, recalled writing her widely anthologized poem \"Chusum/Choice\" in Wendt's class at the University of the South Pacific in Fiji. The dearth of published literature does not, however, reflect the number of individuals who write or harbor literary ambitions. In the Pacific, self-published poetry pamphlets tend to fall victim to shoestring budgets, printed on lowquality paper that doesn't do the work full justice and eventually succumbs to tropical conditions. Published in 2021 by Victoria University Press in New Zealand, it is the result of collaboration across geographical, linguistic, and ethnic borders-an effort to complement literature and historical narratives with contemporary poetry, fiction, essay, memoir, and song covering a wide range of women's perspectives.
Journal Article
The vacationers
Celebrating their thirty-fifth anniversary and their daughter's high-school graduation during a two-week vacation in Mallorca, Franny and Jim Post confront old secrets, hurts, and rivalries that reveal sides of themselves they try to conceal.
Book
The Revolutionary Legacy of City Lights' s Literary Gathering Place
Marking its seventieth birthday in Feb 2023, two years after the death of its founder Lawrence Ferlinghetti, City Lights remains one of America' s most celebrated independent bookstores. Equally integral to the life of the store is City Lights Publishers, the small press with which it forms a countercultural center and community gathering space for writers, readers, and activists. In 1955, Ferlinghetti launched City Lights Publishers with the Pocket Poets Series, eventually producing over two hundred fiction and nonfiction titles in seven decades, with a dozen or so new books published each year. Specializing in world literature, poetry, and left-wing nonfiction, City Lights has long been associated with its commitment to innovative form and progressive activism, specifically its resistance to censorship and unapologetic antiauthoritarian politics. This bookstore/publisher combination is integral to Ferlinghetti's vision of a \"literary meeting place\" inspired by Paris's Shakespeare and Company, bringing cutting-edge and emerging writers to everyday readers. \"It is as if,\" he says, \"the public were being invited, in person and in books, to participate in that 'great conversation' between authors of all ages, ancient and modern.\"
Magazine Article
Silver anniversary murder : a Lucy Stone mystery
\"As Tinker's Cove, Maine, buzzes over a town-wide silver wedding anniversary bash, Lucy is reminded of her nuptials and ponders the whereabouts of Beth Gerard, her maid of honor. Lucy never would have made it down the aisle without Beth's help, and although the two friends lost touch over the years, she decides to reach out. It only takes one phone call for Lucy to realize that a reunion will happen sooner than later--at Beth's funeral. Beth, who was in the process of finalizing her fourth divorce, had a reputation for living on the edge--but no one can believe she would jump off a penthouse terrace in New York City. The more Lucy learns about Beth's former husbands, the more she suspects one of them committed murder\"-- Provided by publisher.
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Editor's Notes
The teleological arc of the essay is rendered nuanced by the sensitive and sophisticated contextualized close readings of eleven poems from six different volumes staging diverse modes of interaction between Gunn's verbal art and the visual domains of painting, cinema, photography, and sculpture. The next three essays focus on cultural representations pertaining to Northern Ireland, which, located on the island of Ireland, but politicaUy belonging to the United Kingdom, is a border country in multiple (political, social, and cultural) senses. Since the 2016 Brexit referendum, significant global attention has been directed onto the region, focusing especially on how the United Kingdom's leaving the European Union would impact the structures set out by the 1998 Belfast/Good Friday Agreement, and on the issue of the Border between Northern Ireland and the Republic of Ireland-militarized before 1998, but having become almost invisible since then-which Brexit has turned into the only land border between the United Kingdom and the European Union. Informed by contemporary theories of screenwriting and relying on archival research in RTE, the analysis focuses on McCabe's screenplays and their interaction with the final broadcast and prose fiction versions, this way providing valuable insights into the institutional and political contexts of production as well as into RTE director Deirdre Friel's role in realizing the scripts for the screen. Locating her analysis in the rapidly growing scholarly field focusing on literary constructions of childhood and teenhood, Kurdi offers acute contextualized close readings of three plays from three different decades of the post-Agreement period-Gary Mitchell's Trust (1999), Lucy Caldwell's Heaves (2007), and Owen McCafferty's Quietly (2012)-that dramatize in different ways how the disabling legacies of the Northern Irish conflict negatively impact teenagers' identity development and how middle-aged characters are still haunted by traumatic memories from their most formative years:
Journal Article