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From site to sight : anthropology, photography, and the power of imagery
From Site to Sight, Thirtieth Anniversary Edition is a facsimile reprint with expanded content of one of the first publications devoted to the long and creative intersection of anthropology and photography. In the catalogue of a groundbreaking 1986 exhibition the authors focus on materials from the vast holdings of the Photographic Archives at Harvard University's Peabody Museum of Archaeology and Ethnology, from daguerreotypes to satellite images. The original text is a wide-ranging investigation into how anthropologists have used the camera as a recording, analytic, and aesthetic medium, and it explores the broader implications of the uses--and misuses--of visual imagery within the human sciences. Ira Jacknis's comprehensive review of this foundational text in the field of visual anthropology traces the volume's influence on subsequent literature and developments in the field. An important contribution to the literature on the relationship between still photography and the discipline of anthropology, Jacknis's in-depth introductory essay serves to update and reintroduce Banta and Hinsley's work to a new generation of students and scholars. With fresh relevance in this age of ubiquitous visual media, From Site to Sight demonstrates the enduring value of the archive and informs readers about the ways in which the photographic image reflects changing perceptions of anthropologists toward their subjects.-- Provided by publisher
Book
Foreign Exchange
Founded in 1904, Frankfurt's Weltkulturen Museum houses a remarkable collection of ethnographic artifacts from Asia, Africa, Oceania, and the Americas, with the aims of advancing public education and fostering innovative anthropological research across a wide variety of contemporary artistic practices.
eBook
Museum, Magic, Memory
In 2012, a chance encounter between a curator and a century-old expedition journal occurred in the archives of a Cambridge museum. The journal was written by a young anthropologist, Paul Denys Montague, and recorded his travels in the South Pacific Islands of New Caledonia in 1914, where he became fascinated with the culture of the local Kanak people. Returning to Cambridge at the outbreak of World War One, Montague deposited his journal and a collection of Kanak objects in the Museum of Archaeology & Anthropology and left to join the Royal Flying Corps. A talented artist, musician and member of Rupert Brooke's 'Neo-pagan' set, his promising career was cut short when his plane was shot down in Salonika in 1917.Montague's research and the objects he collected lay untouched for a century. Their rediscovery brought these materials and the histories they contained to new life, opening up a range of contemporary connections between past and present, Britain and New Caledonia, Europeans and Kanak, the idea of the museum and the art of curation.Museum, Magic, Memory explores the complex encounters between history, biography, museology and collecting that characterise the work of curation in the twenty-first century.
eBook
The interface experience : a user's guide
\"The last forty years have seen the rise of the personal computer, a device that has enabled ordinary individuals to access a tool that had been exclusive to laboratories and corporate technology centers. During this time, computers have become smaller, faster, more powerful, and more complex. So much has happened with so many products, in fact, that we often take for granted the uniqueness of our experiences with different machines over time. The Interface Experience surveys some of the landmark devices in the history of personal computing-including the Commodore 64, Apple Macintosh Plus, Palm Pilot Professional, and Microsoft Kinect-and helps us to better understand the historical shifts that have occurred with the design and material experience of each machine. With its spiral-bound design reminiscent of early computer user manuals and thorough consideration of the cultural moment represented by each device, The Interface Experience is a one-of-a-kind tour of modern computing technology\"-- Provided by publisher.
Book
World heritage on the ground
The UNESCO World Heritage Convention of 1972 set the contemporary standard for cultural and natural conservation. Today, a place on the World Heritage List is much sought after for tourism promotion, development funding, and national prestige. Presenting case studies from across the globe, particularly from Africa and Asia, anthropologists with situated expertise in specific World Heritage sites explore the consequences of the World Heritage framework and the global spread of the UNESCO heritage regime. This book shows how local and national circumstances interact with the global institutional framework in complex and unexpected ways. Often, the communities around World Heritage sites are constrained by these heritage regimes rather than empowered by them.
eBook
Articulating dinosaurs : a political anthropology
\"In this ambitious interdisciplinary study, anthropologist Brian Noble traces how dinosaurs and their natural worlds are articulated into being by the action of specimens and humans together. Following the complex exchanges of palaeontologists, museums specialists, film- and media-makers, science fiction writers, and their diverse publics, he witnesses how fossil remains are taken from their partial state and recomposed into astonishingly precise, animated presences within the modern world, with profound political consequences. Articulating Dinosaurs examines the resurrecting of two of the most iconic and gendered of dinosaurs. First Noble traces the emergence of Tyrannosaurus rex (the \"king of the tyrant lizards\") in the early twentieth-century scientific, literary, and filmic cross-currents associated with the American Museum of Natural History under the direction of palaeontologist and eugenicist Henry Fairfield Osborn. Then he offers his detailed ethnographic study of the multi-media, model-making, curatorial, and laboratory preparation work behind the Royal Ontario Museum's ground-breaking 1990s exhibit of Maiasaura peeblesorum (the \"good mother lizard\"). Setting the exhibits at the AMNH and the ROM against each other, Noble is able to place the political natures of T. rex and Maiasaura into high relief and to raise vital questions about how our choices make a difference in what comes to count as \"nature.\" An original and illuminating study of science, culture, and museums, Articulating Dinosaurs is a remarkable look at not just how we visualize the prehistoric past, but how we make it palpable in our everyday lives.\"--Page i.
Book
Anthropology in and of the Archives: Possible Futures and Contingent Pasts. Archives as Anthropological Surrogates
Derrida and Foucault provide key starting points to understanding archives. They see archives as hegemonic, characterizing ways of thought, modes of colonization, and the control of citizens. However, they also make clear that archives can be read subversively. With patience, counter-readings allow the excavation of the voices (sometimes names) of subaltern and otherwise suppressed others from the archive. By reading along and across the archival grain, researchers can follow the development of ideas and processes across historical periods. Archives can be seen as orphanages, containing surrogates of performances. Archives (paper and digital) also provide access to the results of anthropological research in ways mandated by ethics codes, but these are subject to controversy. What sorts of consent and what sorts of anonymization should be provided? Archives run by the groups traditionally studied by anthropologists provide models of radical archives that are very different from those conceived of by traditional archivists.
Journal Article
Constructing race : the science of bodies and cultures in American anthropology
\"Racial Science helps unravel the complicated and intertwined history of race and science in America. Tracy Teslow explores how physical anthropologists in the twentieth century struggled to understand the complexity of human physical and cultural variation, and how their theories were disseminated to the public through art, museum exhibitions, books, and pamphlets. In their attempts to explain the history and nature of human peoples, anthropologists persistently saw both race and culture as critical components. This is at odds with a broadly accepted account that suggests racial science was fully rejected by scientists and the public following World War II. This book offers a corrective, showing that both race and culture informed how anthropologists and the public understood human variation from 1900 through the decades following the war. The book offers new insights into the work of Franz Boas, Ruth Benedict, and Ashley Montagu, as well as less well-known figures, including Harry Shapiro, Gene Weltfish, and Henry Field\"-- Provided by publisher.
Book
Sensefield: An Exhibition of Experimental Ethnography
This project report describes Sensefield: An Exhibition of Experimental Ethnography, an event showcasing works at the intersection of art and anthropology held in October 2017 in Taipei, Taiwan.
Journal Article