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In the two decades since its original publication, Spirits of Resistance and Capitalist Discipline has become an ethnographic classic in the fields of anthropology, labor studies, and gender and globalization studies. Based on anthropological field work in an agricultural district in Selangor, Peninsular Malaysia, Spirits of Resistance captures a moment of profound transformation, illustrated by the disruptions, conflicts, and ambivalences in the lives of Malay women during the rapid industrialization associated with Malaysia's rise as a tiger economy. Aihwa Ong's nuanced approach to the Malay women factory workers' experiences of the contradictions of modern globalized capitalism has inspired subsequent generations of feminist ethnographers in their explorations of key questions of power, resistance, femininities, religious community, and social change. With a new critical introduction by anthropologist Carla Freeman, this new edition of Spirits of Resistance continues to offer an exemplary model of sophisticated analysis of culturally based resistance to the ideology, surveillance, and institutional authority of globalized corporate capitalism.

These Bones Shall Rise Again, brings together in one volume many of David N. Keightley's seminal essays on the origins of early Chinese civilization. Written over a period of three decades and accessible to the non-specialist, these essays provide a wealth of information and insights on the Shang dynasty, traditionally dated 1766-1122 or 1056 BCE. Of all the eras of Chinese history, the Shang has been a particularly elusive one, long considered more myth than reality. A historian with a keen appreciation for anthropology and archaeology, Keightley has given us many descriptions of Shang life. Best known for his analysis of oracle bones, he has looked beyond the bones themselves and expanded his historical vision to ponder the lives of those who used them. What did the Shang diviner think he was doing? The temerity to ask such questions and the insights they have provided have been provocative and, at times, controversial. Equally intriguing have been Keightley's assertions that many of the distinctive features of Chinese civilization were already in evidence during the Shang, 3000 years ago. In this collection, readers will find not only an essential reference but also the best kind of thought-provoking scholarship.

Grounded in a conviction that anthropological knowledge implies critique and that engaging in anthropology is also ultimately an act of praxis, various contributors explore the ways in which the precepts of Marxism continue to illuminate and enhance our understanding of culture, economy, and politics. They focus on the question of epistemology to examine the process of anthropological intellectual production in different national settings and analyze the ways in which hierarchies of power and forms of state domination figure in the formation of subjectivities in different ethnographic contexts. The authors also reflect upon how class, gender, ethnicity, racialized forms of ethnicity, as well as regional and national identities, are configured through the relationships involved in making a living under late capitalism.

This book contains the most recent research in the intrinsically interdisciplinary field of Sephardic Studies. It provides new insights into Sephardic history, culture, folklore, languages, music, and literature from both new and established international scholars.

Examines the economic activities of self-employed brickmakers and the unpaid family members and others who assist them in Mexico. In Mexico, self-employed brickmakers support capitalist enterprise by providing bricks to build hotels, factories, office buildings, and shopping malls at costs lower than those based on profit-making principles. Combining Chayanovian and neo-Marxist approaches, Subsidizing Capitalism asserts that the economic activities of these self-employed brickmakers may be considered counterhegemonic because they avoid proletarianization in the formal sector. Tamar Diana Wilson discusses the similarities between peasants and brickmakers, the structural position of garbage pickers in relation to brickmakers, the trajectory from piece worker to petty commodity producer to petty capitalist, the economic value of women's and children's work as part of the family labor force, and how the neopatriarchal household is intrinsic to petty commodity production. Interspersed throughout are short stories and poems that offer the brickmakers' perspectives and provide a rarely seen look into their lives.

In this unique and groundbreaking collection, writers, critics, historians, and poets celebrate the cultural contributions of members of the African diaspora in the Western Hemisphere. Beginning with the cries and prayers of Gina Athena Ulysse to the Haitian loa Erzulie in the aftermath of the earthquake in Haiti, each writer in the collection engages in the recovering of the past, highlighting that which has been buried in the history of time. The contributors look at a wide range of artistic productions, from poetry and fiction, to art, music, and film, and martial arts produced in Cuba, Columbia, Brazil, Haiti, and the United States. Haitian Creole, Spanish, and English are brought together, giving the reader a vivid sense of the multiplicity of voices in the African diaspora. Rather than concentrate on the dispersion of peoples of African descent, this collection focuses instead on the multiple sites of origins in the Americas, as diasporic legacies are found throughout the continent.

Responding to an increasing need for critical perspectives and methodologies, this collection traces the historical dimensions of Native North American drama through overviews of major developments, individual playwrights' perspectives, and in-depth critical analyses. Bringing together writers and scholars from the United States, Canada, and Europe, Indigenous North American Drama provides the first comprehensive outline of this vibrant genre. It also acknowledges the wide diversity of styles and perspectives that have helped shape contemporary Native North American theater itself. This interdisciplinary introduction offers a basis for new readings of Native American and First Nations literature at large.

This groundbreaking book offers a critical examination of the concept of autonomy, one with major implications for biomedical ethics. Working from the perspectives of ethnography and medical anthropology, John W. Traphagan argues that the notion of autonomy as a foundational principle of a common morality, the view dominant in North America, is inadequate as a universal moral category because culture deeply influences how people think about autonomy and the fundamental nature of being human. Drawing from fieldwork in Japan, Traphagan reveals a notably different sensibility, demonstrating how Japanese moral concepts and actions are based upon a deep awareness of the social embeddedness of people and an aesthetic sensitivity that emphasizes context and situation over universality in making moral evaluations of behavior. Traphagan develops data from Japan into a critical examination of how scholarly research in biomedical ethics, and ethics more generally, is conducted in North America. Arguing in a vein related to the emerging area of naturalized biomedical ethics, Traphagan proposes the creation of an empirically grounded study of moral behavior.

In The Reason for Crows, award-winning author Diance Glancy retells the story of Kateri Tekakwitha, a seventeenth-century Mohawk woman who converted to Christianity and later became known as the \"Lily of the Mohawks.\" Left frail, badly scarred, and nearly blind from a smallpox epidemic that killed her parents, Kateri nevertheless took part in the daily activities of her village-gathering firewood, preparing meals, weaving, and treating the wounded after skirmishes with the French and enemy tribes. When the Jesuits arrived in her village, she received their message and converted to Christianity. After her conversion, she was scorned and persecuted by her fellow Indians and eventually left her home along the Mohawk River for a village the Jesuits had established for Christian Indians, where she died at the age of 24. In Glancy's imaginative and poetic retelling, Kateri's interior voice is intertwined with the interior voices of the Jesuit missionaries-the crows-who endured their own hardships crossing the ocean and establishing missions in an unfamiliar land. Together they tell a story of spiritual awakening and the internal conflicts that arise when cultures meet.