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"Anti-imperialist movements Great Britain History 19th century."
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Imperial sceptics : British critics of empire, 1850-1920
\"Imperial Sceptics provides a highly original analysis of the emergence of opposition to the British Empire from 1850-1920. Departing from existing accounts, which have focused upon the Boer War and the writings of John Hobson, Gregory Claeys proposes a new chronology for the contours of resistance to imperial expansion. Claeys locates the impetus for such opposition in the late 1850s with the British followers of Auguste Comte. Tracing critical strands of anti-imperial thought through to the First World War, Claeys then scrutinises the full spectrum of socialist writings from the early 1880s onwards, revealing a fundamental division over whether a new conception of 'socialist imperialism' could appeal to the electorate and satisfy economic demands. Based upon extensive archival research, and utilising rare printed sources, Imperial Sceptics will prove a major contribution to our understanding of nineteenth-century political thought, shedding new light on theories of nationalism, patriotism, the state and religion\"--Provided by publisher.
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The Trouble with Empire
While imperial blockbusters fly off the shelves, there is no comprehensive history dedicated to resistance in the 19th and 20th century British Empire. The Trouble with Empire is the first volume to fill this gap, offering a brief but thorough introduction to the nature and consequences of resistance to British imperialism. Historian Antoinette Burton's study spans the 19th and 20th centuries, when discontented subjects of empire made their unhappiness felt from Ireland to Canada to India to Africa to Australasia, in direct response to incursions of military might and imperial capitalism. The Trouble with Empire offers the first thoroughgoing account of what British imperialism looked like from below and of how tenuous its hold on alien populations was throughout its long, unstable life. By taking the long view, moving across a variety of geopolitical sites and spanning the whole of the period 1840-1955, Burton examines the commonalities between different forms of resistance and unveils the structural weaknesses of the British Empire. From the Indian Mutiny of 1857 to the Anglo-Zulu War to the Opium War, The Trouble with Empire reveals the often-overlooked indigenous agency throughout the British empire and illuminates the limits of imperial power, both official and unofficial.
eBook
Freedom Burning
After Britain abolished slavery throughout most of its empire in 1834, Victorians adopted a creed of \"anti-slavery\" as a vital part of their national identity and sense of moral superiority to other civilizations. The British government used diplomacy, pressure, and violence to suppress the slave trade, while the Royal Navy enforced abolition worldwide and an anxious public debated the true responsibilities of an anti-slavery nation. This crusade was far from altruistic or compassionate, but Richard Huzzey argues that it forged national debates and political culture long after the famous abolitionist campaigns of William Wilberforce and Thomas Clarkson had faded into memory. These anti-slavery passions shaped racist and imperialist prejudices, new forms of coerced labor, and the expansion of colonial possessions.
In a sweeping narrative that spans the globe,Freedom Burningexplores the intersection of philanthropic, imperial, and economic interests that underlay Britain's anti-slavery zeal- from London to Liberia, the Sudan to South Africa, Canada to the Caribbean, and the British East India Company to the Confederate States of America. Through careful attention to popular culture, official records, and private papers, Huzzey rewrites the history of the British Empire and a century-long effort to end the global trade in human lives.
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Abolition and empire in Sierra Leone and Liberia
Bronwen Everill offers a new perspective on African global history, applying a comparative approach to freed slave settlers in Sierra Leone and Liberia to understand their role in the anti-slavery colonization movements of Britain and America.
eBook
From Empire To Orient
From Empire to Orient offers an alternative perspective on Britain's late imperial period by looking at the lives and the writings of the men who chose to defy the conventional social and political attitudes of the British ruling classes towards the Near East. Between the Greek revolt in 1830 and the fall of the Caliphate in 1924 a different kind of voice was heard that was both anti-Imperialist and pro-Islamic. Geoffrey Nash places David Urquhart’s passionate belief in the ideal of municipal government in Turkey, W.S. Blunt’s enthusiasm for the Egyptian reformers of the Azhar and Marmaduke Pickthall’s advocacy of the cause of the Young Turks into their political and historical context and into the context of their writings.
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The Absent-Minded Imperialists
The British empire was a huge enterprise. To foreigners, it more or less defined Britain in the 19th and early 20th centuries. Its repercussions in the wider world are still with us today. It also had a great impact on Britain herself: for example, on her economy, security, population, and eating habits. One might expect this to have been reflected in her society and culture. Indeed, this has now become the conventional wisdom: that Britain was steeped in imperialism domestically, which affected (or infected) almost everything Britons thought, felt, and did. This book examines this assumption critically against the broader background of contemporary British society. It argues that the empire had a far lower profile in Britain than it did abroad. Although Britain was an imperial nation in this period, she was never a genuine imperial society. As well as showing how this was possible, the book also discusses the implications of this attitude for Britain and her empire, and for the relationship between culture and imperialism more generally, bringing his study up to date by including the case of the present-day United States.
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Nineteenth-Century Theatre and the Imperial Encounter
In this study, Gould argues that it was in the imperial capital's theatrical venues that the public was put into contact with the places and peoples of empire. Plays and similar forms of spectacle offered Victorian audiences the illusion of unmediated access to the imperial periphery; separated from the action by only the thin shadow of the proscenium arch, theatrical audiences observed cross-cultural contact in action. But without narrative direction of the sort found in novels and travelogues, theatregoers were left to their own interpretive devices, making imperial drama both a powerful and yet uncertain site for the transmission of official imperial ideologies. Nineteenth-century playwrights fed the public's interest in Britain's Empire by producing a wide variety of plays set in colonial locales: India, Australia, and-to a lesser extent-Africa. These plays recreated the battles that consolidated Britain's hold on overseas territories, dramatically depicted western humanitarian intervention in indigenous cultural practices, celebrated images of imperial supremacy, and occasionally criticized the sexual and material excesses that accompanied the processes of empire-building. An active participant in the real-world drama of empire, the Victorian theatre produced popular images that reflected, interrogated, and reinforced imperial policy. Indeed, it was largely through plays and spectacles that the British public vicariously encountered the sights and sounds of the distant imperial periphery. Empire as it was seen on stage was empire as it was popularly known: the repetitions of character types, plot scenarios, and thematic concerns helped forge an idea of empire that, though largely imaginary, entertained, informed, and molded the theatre-going British public.
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Empire, the national, and the postcolonial, 1890-1920 : resistance in interaction
This book explores the political co-operations and textual connections which linked anti-colonial, nationalist, and modernist groups and individuals in the empire in the years 1890-1920. By developing the key motifs of lateral interaction and colonial interdiscursivity, this book builds a picture of the imperial world as an intricate network of surprising contacts and margin-to-margin interrelationships, and of modernism as a far more constellated cultural phenomenon than previously understood. Individual case studies consider Irish support for the Boers in 1899-1902, the path-breaking radical partnership of the Englishwoman Sister Nivedita and the Bengali extremist Aurobindo Ghose, Sol Plaatje's conflicted South African nationalism, and the cross-border, cosmopolitan involvements of W. B. Yeats, Rabindranath Tagore, and Leonard Woolf. Underlining Frantz Fanon's perception that ‘a colonized people is not alone’, the book significantly questions prevailing postcolonial paradigms of the self-defining nation, syncretism and mimicry, and dismantles still-dominant binary definitions of the colonial relationship.
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Men and Manliness on the Frontier
In mid-nineteenth-century Britain, there existed a dominant discourse on what it meant to be a man -denoted by the term 'manliness'. Based on the sociological work of R.W. Connell and others who argue that gender is performative, Robert Hogg asks how British men performed manliness on the colonial frontiers of Queensland and British Columbia.
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