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This volume investigates the Roman city of Singara and the fortifications and roads in the surrounding area. The Rome / Persia frontier has been little studied, in part because of the difficulty of access for scholars, but was of great importance because it separated the two major civilisations of the early first millennium CE.

New Kingdom burial customs in Nubia (northern Sudan) are well traceable by means of large cemeteries, in particular Egyptian style rock-cut shaft tombs with pyramidal superstructures. These tombs and their contents have lately been discussed as important data sets offering insights into the diverse population, material culture, funerary and social practices in New Kingdom Nubia.A new rock-cut shaft tomb, potentially with pyramidal superstructure (Tomb 26), was discovered by the AcrossBorders project on Sai Island in 2015. This tomb yielded intact interments of officials connected with the Egyptian administration of colonial Nubia, buried together with family members and rich burial assemblages. Tomb 26 allows a close comparison with contemporaneous evidence from the nearby New Kingdom town of Sai, therefore providing a more complete picture of life and death in New Kingdom colonial Nubia. This book is the final publication of Tomb 26, its architecture and material culture, including chapters on geology, human remains, scientific analyses and a compilation of the material discovered. New information provided by AcrossBorders excavations of Tomb 26 contribute to recently discussed questions regarding cultural encounters and social practices in New Kingdom Nubia. Comparable material from other tombs on Sai and elsewhere in Nubia is discussed in order to stress the relevance of the new discovery.The archaeological contextualisation of Tomb 26, in combination with scientific analyses like strontium isotope analysis, offers fresh information on the complex coexistence of various cultural groups on Sai with slightly different approaches to their cultural and social affinities during the New Kingdom. Overall, Tomb 26 and its associated finds are of prime significance for understanding lived experience on New Kingdom Sai and more broadly in New Kingdom Nubia.

The Egyptian Collection at Norwich Castle Museum represents the first full publication of this important collection which contains several outstanding objects. Part 1 begins with an outline of the acquisition history of the Egyptian collection and its display within Norwich Castle in 1894, when it was converted from a prison to a museum. The collection was largely acquired between the nineteenth and first part of the twentieth centuries. Its most prominent donor was Flaxman Spurrell, whose varied collection of flints, faience beads and necklaces as well as Late Antique cloths was obtained from Sir Flinders Petrie. Also prominent was the Norwich-based Colman family, most notable for its manufacture of mustard, whose collection was purchased in Egypt during the late-C19. Also included in this part are essays on several of the museum’s outstanding items – Ipu’s shroud, a rare early 18th Dynasty example with fragments also held in Cairo; the 22nd Dynasty finely decorated and well-preserved cartonnage and wooden lid of the priest, Ankh-hor; and the exceptional model granary of Nile clay painted with lively scenes, one showing the owner, Intef, playing senet. Part 2 is a detailed catalogue of the complete collection. It is organised into sections with objects grouped together mainly according to type – stelae, shabtis, scarabs, jewellery, amulets, vessels, flints, lamps, inscribed Book of the Dead fragments, metal figurines, and Late Antique cloths; and also according to function – such as cosmetics& grooming, and architectural & furniture elements. The inscribed materials have all been translated and individual entries give examples or parallels. Seventy colour plates illustrate each object.

The prehistoric site of Tell Sabi Abyad lies in the valley of the Balikh River, a tributary of the Euphrates in northern Syria. Between 2001 and 2008 excavations focused on the north-western, western and southwestern slopes of the main mound (Operations III, IV and V). Relentlessly Plain presents the results of detailed investigations into the 7th millennium BC ceramic assemblages recovered from those excavations by an interdisciplinary group of scholars. The 7th millennium BC was an era of profound cultural transformations in the ancient Near East. This began with the sustained adoption of pottery c. 7000 cal BC, followed by the slow advance of the new craft as pottery containers became increasingly common. Important social, economic and ritual activities became increasingly dependent on pottery containers. Over the course of the millennium, prehistoric communities began to cook food and drink, store surpluses, and send symbolic messages via the medium of pottery vessels. Tell Sabi Abyad offers a unique vantage point from which to study these innovations. Supported by a strong program of radiocarbon dating, extensive excavations have revealed a lengthy, continuous sequence of prehistoric occupation from the start of the Late Neolithic into the Early Halaf period. Pottery changed dramatically in the course of this long trajectory. Whereas in the initial stages pottery containers were rare, at the end of the sequence they represented a mass-produced craft. Initially ceramic containers were visually conspicuous, occasionally decorated, but masses of relentlessly plain pottery characterize subsequent stages. The book combines detailed discussion of themes relevant to the study of early ceramics in the ancient Near East with extensive analyses of each of the individual wares currently distinguished at the site. Separate chapters offer perspectives on the archaeometry, the depositional context, early repairs, food residues, provenance, and associated human burials.

At the intersection of art and religious history, Susan Naquin's richly illustrated history presents a fresh method for studying Chinese gods and sacred places as it tells the full story of Mount Tai and the premier female deity of North China.

This fascinating book describes the excavation and preservation of three early Roman villas in Egypt's ancient port city of Alexandria. Chronicling the work of the Polish Archaeological Mission in Alexandria, Villa of the Birds is an engaging and informative account of how these ancient dwellings were unearthed, and how the famous mosaic floors were brought to light two thousand years after they were laid.With the expert guidance of the archaeologists responsible for the excavation, the reader is led through layers of clues reaching ten meters below today's street level, and to an in-depth appreciation of this extraordinary site's rich history.

Material Explorations in African Archaeology examines materiality in African archaeology by exploring concepts of material agency and material engagement and entanglement in relation to their manifest presence in persons, animals, objects, substances, and contexts of the African past.

This is a comprehensive and authoritative overview of ancient material culture from the late Pleistocene to Late Antiquity. The expansive two-volume work includes 60 original essays from an international community of ancient Near East scholars.

Symposium in Stamna both as a concept and as a process involved the presence of prominent citizens of the social establishment as testified by the large cauldrons, the tripod jars and the tripod vessels present. To Die in Style! The residential lifestyle of feasting and dying in Iron Age Stamna, Greece re-examines the cemeteries studied to date, isolating tombs with unique architecture or peculiar structures with individual features, in order to investigate the complex identity of the elite group ideologies. The finding and studying of such a large number of PRG tombs (c. 500), presents a remarkable representative example for the discussion on the perception of death, confronting it through the mourning ritual, but also examining the creation of an individual and collective memory of the population that operated in this privileged geographic installation, redefining as such the cultural landscape of the Protogeometric era. The pre-existing theoretical framework, the methodology of managing and displaying of grief and their correlation with already studied and exalted geographical parallels, integrate Stamna into the cultural chain of the populations ruled by an overall-systematic design of a particular cultural ideology.