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Hanan al-cinema : affections for the moving image
An examination of experimental cinema and media art from the Arabic-speaking world that explores filmmakers' creative and philosophical inventiveness in trying times. In this book, Laura Marks examines one of the world's most impressive, and affecting, bodies of independent and experimental cinema from the last twenty-five years: film and video works from the Arabic-speaking world. Some of these works' creative strategies are shared by filmmakers around the world; others arise from the particular economic, social, political, and historical circumstances of Arab countries, whose urgency, Marks argues, seems to demand experiment and invention. Grounded in a study of infrastructures for independent and experimental media art in the Arab world and a broad knowledge of hundreds of films and videos, Hanan al-Cinema approaches these works thematically. Topics include the nomadism of the highway, nostalgia for '70s radicalism, a romance with the archive, algorithmic and glitch media, haptic and networked space, and cinema of the body. Marks develops an aesthetic of enfolding and unfolding to elucidate the different ways that cinema can make events perceptible, seek connections among them, and unfold in the bodies and thoughts of audiences. The phrase Hanan al-cinema expresses the way movies sympathize with the world and the way audiences feel affection for, and are affected by, them. Marks's clear and expressive writing conveys these affections in works by such internationally recognized artists and filmmakers as Akram Zaatari, Elia Suleiman, Hassan Khan, Mounir Fatmi, and Joana Hadjithomas and Khalil Joreige, and others who should be better known.
eBook
The art salon in the Arab region : politics of taste making
\"This volume discusses the emergence and role of the art salon in the Arab region in the nineteenth and twentieth centuries, focusing on Algeria, Tunisia, Egypt, Lebanon and Iraq. Institutional forms of exhibiting and teaching art emerged in the Middle East and North Africa in late colonial and early post-colonial contexts. The book examines how the salon had an impact on the formation of taste and on debates on art, and discusses the transfers and cultural interactions between the Middle East, North Africa and Europe. Following the institutional model of the Paris salons, art salons emerged in Algiers, Tunis and Cairo starting in the late 1880s. In beirut, the salon tradition reached its peak only after independence in the mid-twentieth century. Baghdad never had a formal salon, but alternative spaces and exhibition formats developed in Iraq from the late 1940s onwards. As in Paris, the salons in the region often defined the criteria of artistic production and public taste. The impact of the salon also lay in its ability to convey particular values, attitudes and aspirations. At the same time, the values and attitudes promoted by the salon - as well as the salon itself - were often subject to debate, which led to the creation of counter-salons or alternative exhibition practices. The art salon helps us to understand changes in the art systems of these countries, including the development of art schools, exhibition spaces and artist societies, and gives insight into the power dynamics at play. It also highlights neworks and circulations between the Arab region and Europe\"--Back cover.
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The written word in the medieval Arabic lands
The Middle East was one of the most literate civilizations during the high and late medieval period and home to bustling book markets, voluminous libraries and sophisticated book production. After the \"paper revolution\" of the ninth and tenth centuries, the number of books and the availability of the written word increased dramatically. In the scholarly world the written word played an increasingly prominent role and reading was taken up by wider sections of the population.
eBook
The Arab spring
In this landmark book, Hamid Dabashi argues that the revolutionary uprisings from Morocco to Iran and from Syria to Yemen were driven by a 'delayed defiance' - a point of rebellion against domestic tyranny and globalized disempowerment alike - that signifies no less than the end of Postcolonialism.
eBook
Arabic Thought Beyond the Liberal Age : Towards an Intellectual History of the Nahda
\"What is the relationship between thought and practice in the domains of language, literature and politics? Is thought the only standard by which to measure intellectual history? How did Arab intellectuals change and affect political, social, cultural and economic developments from the eighteenth to the twentieth centuries? This volume offers a fundamental overhaul and revival of modern Arab intellectual history. Using Hourani's Arabic Thought in the Liberal Age, 1798-1939 (Cambridge, 1962) as a starting point, it reassesses Arabic cultural production and political thought in the light of current scholarship and extends the analysis beyond Napoleon's invasion of Egypt and the outbreak of World War II. The chapters offer a mixture of broad-stroke history on the construction of 'the Muslim world,' and the emergence of the rule of law and constitutionalism in the Ottoman empire, as well as case studies on individual Arab intellectuals that illuminate the transformation of modern Arabic thought\"-- Provided by publisher.
BOOK
Trials of Arab Modernity
Challenging prevalent conceptualizations of modernity--which treat it either as a Western ideology imposed by colonialism or as a universal narrative of progress and innovation--this study instead offers close readings of the simultaneous performances and contestations of modernity staged in works by authors such as Rifa'a al-Tahtawi, Ahmad Faris al-Shidyaq, Tayeb Salih, Hanan al-Shaykh, Hamdi Abu Golayyel, and Ahmad Alaidy. In dialogue with affect theory, deconstruction, and psychoanalysis, the book reveals these trials to be a violent and ongoing confrontation with and within modernity. In pointed and witty prose, El-Ariss bridges the gap between Nahda (the so-called Arab project of Enlightenment) and postcolonial and postmodern fiction.
eBook
Nazi Propaganda for the Arab World
Jeffrey Herf, a leading scholar in the field, offers the most extensive examination to date of Nazi propaganda activities targeting Arabs and Muslims in the Middle East during World War II and the Holocaust. He draws extensively on previously unused and little-known archival resources, including the shocking transcriptions of the \"Axis Broadcasts in Arabic\" radio programs, which convey a strongly anti-Semitic message.
Herf explores the intellectual, political, and cultural context in which German and European radical anti-Semitism was found to resonate with similar views rooted in a selective appropriation of the traditions of Islam. Pro-Nazi Arab exiles in wartime Berlin, including Haj el-Husseini and Rashid el-Kilani, collaborated with the Nazis in constructing their Middle East propaganda campaign. By integrating the political and military history of the war in the Middle East with the intellectual and cultural dimensions of the propagandistic diffusion of Nazi ideology, Herf offers the most thorough examination to date of this important chapter in the history of World War II. Importantly, he also shows how the anti-Semitism promoted by the Nazi propaganda effort contributed to the anti-Semitism exhibited by adherents of radical forms of Islam in the Middle East today.
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