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The technical and artistic-historical analysis of a previously unpublished oil on canvas, San Miguel Arcángel venciendo al diablo (St. Michael the Archangel defeating the devil), allows us to delve into the creative peculiarities of one of the most important painters of Baroque Murcia, Lorenzo Suárez. By reassessing the catalog that attributes, identifies, and conserves the artist's oeuvre, the significance of his extensive output, seldom known beyond his hometown, becomes clear. El estudio técnico e histórico artístico de un óleo sobre lienzo hasta ahora inédito, San Miguel Arcángel venciendo al diablo, permite adentrarse en las particularidades creativas de uno de los más importantes pintores de la Murcia barroca, como es Lorenzo Suárez. La revisión del catálogo hoy por hoy atribuido, identificado y conservado de este artista redimensiona su abundante producción, insuficientemente difundida fura de su Murcia natal.

The current research develops an interpretative proposal based on Saint Miguel Archangel, venerated figure by the Religious Celebration done by the Original Caciques (mapuches) from Calbuco (Chile) and its cultural interpretation produced by the popular religious expression. This work is based on a theorical-critical and empirical frame, given by Miquel Rodrigo Alsina's intercultural communication contribution and his social semiotic model.