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"Architectural design Data processing"
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Design technology in contemporary architectural practice
\"Design Technology in Contemporary Architectural Practice lifts the curtain to unveil how eleven world-leading design studios integrate technology (such as Computational Design, BIM and Digital Fabrication) as part of their day-to-day design exploration and delivery. Via first-hand accounts, the book offers rare insights about how these firms apply technology to purposefully disrupt and support their creative design processes, to then explore how technology gets integrated on an organisational level. The resulting practice stories are loosely tied to four chapters that discuss how Design Technology corresponds to studio culture, collaboration and delivery protocols, business opportunities, knowledge-sharing, staff empowerment, and more. The author is less interested in presenting the latest and greatest tools, instead focusing on cultural and organisational challenges and opportunities. This book will benefit both the professional market (such as design firms reflecting on their technology-use), as well as the academic context (with its critical reflection on the interface between design process and technology support)\"-- Provided by publisher.
Digital architecture beyond computers : fragments of a cultural history of computational design
by
Bottazzi, Roberto
in
Architectural design
,
Architectural design -- Data processing
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Architectural design -- History
2020,2018
'Digital Architecture Beyond Computers' explores the deep history of digital architecture, tracing design concepts as far back as the Renaissance and connecting them with the latest software used by designers today. It develops a critical account of how the tools and techniques of digital design have emerged, and allows designers to deepen their understanding of the digital tools they use every day. What aesthetic, spatial, and philosophical concepts converge within the digital tools architects employ? What is their history? And what kinds of techniques and designs have they given rise to?
Computer-mediated briefing for architects
\"This book overviews the possibilities and limitations offered by various types of computer programs, such as database management systems, diagramming software, CAD, and BIM, offering a practical approach in the accommodation of these programs and as an essential reference for architectural educators, students, and practitioners\"-- Provided by publisher.
Programming.Architecture
by
Coates, Paul
in
Architectural design
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Architectural Design, Drawing and Presentation
,
Architecture
2010
Programming.Architecture is a simple and concise introduction to the history of computing and computational design, explaining the basics of algorithmic thinking and the use of the computer as a tool for design and architecture.
Paul Coates, a pioneer of CAAD, demonstrates algorithmic thinking through projects and student work collated through his years of teaching students of computing and design. The book takes a detailed and practical look at what the techniques and philosophy of coding entail, and gives the reader many \"glimpses under the hood\" in the form of code snippets and examples of algorithms.
This is essential reading for student and professional architects and designers interested in how the development of computers has influenced the way we think about, and design for, the built environment.
Paul Coates is Senior Lecturer at the University of East London (UEL). He is also Programme leader of the MSc Architecture: Computing and design programme and Head of CECA (the Centre for Evolutionary Computing in Architecture), a research centre at the School of Architecture and the Visual Arts, UEL.
Introduction 1. Falling Between Two Stools 2. Rethinking Representation 3. In the Beginning was the Word 4. The Mystery of the Machine that Invents Itself 5. Evolving the Text - Being even Lazier 6. The Text of the Vernacular. Epilogue. Glossary
\" Programming Architecture is a good book. It makes an invaluable contribution to the field of generative design. I recommend this book to designers interested in the history of computing and computational design and to computer experts in genetic programming interested to explore a new field of application such as architectural design.\" – Benachir Medjdoub, Genetic Programming and Evolvable Machines
Architecture | Design | Data
by
Bernstein, Phillip
in
Architectural design-Data processing
,
ARCHITECTURE / General
,
ARCHITECTURE / Methods & Materials
2018
A systemic transformation is underway in architectural design, engineering and construction.The discipline and profession of architecture is being reshaped in a moment where information, insight and predictions generated during the design process move into construction no longer essentially via drawings.
Rendering in SketchUp
The sure way for design professionals to learn SketchUp modeling and rendering techniques Rendering In SketchUp provides instructions for creating 3D photoreal graphics for SketchUp models using integrated rendering programs. The book serves as a beginner rendering manual and reference guide to further develop rendering skills. With an emphasis on step-by-step process, SketchUp users learn a universal approach to rendering varied SketchUp projects, including architecture, interiors, and site design models. The book focuses on tasks and principles at the core of photorealistic rendering, including: Rendering process: Learn a step-by-step process focused on workflow within SketchUp’s familiar workspace. Universal method: Understand how the process can be used to work with a variety of different integrated rendering programs, including Shaderlight, SU Podium and Twilight Render**. These programs are easy to learn and function in SketchUp.
>
Textures and materials: Discover how to obtain, apply and edit texture images representing surfaces. Component details: Learn how to acquire and organize model details to allow for rich, expressive settings while maintaining computer and SketchUp performance. Exterior and simulated lighting: Learn to set exterior lighting with the SketchUp’s Shadow menu or illuminate a scene with simulated lights, lamps, and bulbs. Render settings: Use specific settings for various rendering programs to quickly set texture character, image quality, and graphic output. Computer specifications: Find out how computers produce renders and the type of computer hardware required to streamline the process. Photoshop post-processing: Learn how to further refine rendered images in Photoshop. **Free online chapters: The book reviews specific settings for SketchUp and the rendering plug-in Shaderlight. Given the ever-changing nature of technology, free, online accompanying chapters detail settings for additional integrated rendering programs including SU Podium, Twilight Render, and more.
Ornament
2014,2013
Once condemned by Modernism and compared to a 'crime' by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known architects such as Herzog & de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology.
Though inextricably linked with digital tools and culture, Antoine Picon argues that some significant traits in ornament persist from earlier Western architectural traditions. These he defines as the 'subjective' – the human interaction that ornament requires in both its production and its reception – and the political. Contrary to the message conveyed by the founding fathers of modern architecture, traditional ornament was not meant only for pleasure. It conveyed vital information about the designation of buildings as well as about the rank of their owners. As such, it participated in the expression of social values, hierarchies and order. By bringing previous traditions in ornament under scrutiny, Picon makes us question the political issues at stake in today's ornamental revival. What does it tell us about present-day culture? Why are we presently so fearful of meaning in architecture? Could it be that by steering so vehemently away from symbolism, contemporary architecture is evading any explicit contribution to collective values?