Explore the vast range of titles available.

Modelscapes are clusters of miniature architectural models that represent entire environments. They're frequently found in museums as representations of heritage, architecture, and collective identity. This book offers a critical analysis of modelscapes, using case studies from Israel, to show how miniature representations of contested physical space participate in the construction of a sense of national identity and appropriation of the land and its history. What, Yael Padan asks, is the meaning of such models, and what role do they play within the context of an ongoing violent conflict over territory and history?

The architecture of model railway systems in the German post-war economic boom was surprisingly modern. New stood next to old, high-rises and half-timbered buildings coexisted peacefully. Still today the famous \"Villa in Tessin,\" high-rises, gas stations, and train and administrative buildings of the post-war period connect generations throughout Germany. \"mèarklinMODERNE\" shows for the first time how enthusiastic the nostalgic model railway builders truly were for modernism. The exhibition and catalog present model assembly kits and the real buildings that inspired them, and thus bring the architecture and model construction history of the post-war period together. Exhibition: German Architecture Museum, Frankfurt am Main, Germany (18.05.-09.09.2018).

Modelscapes are clusters of miniature architectural models that represent entire environments. They are frequently found in museums as representations of heritage, architecture, and collective identity. Modelscapes of Nationalism: Collective Memories and Future Visions offers a critical analysis of modelscapes, using case studies from Israel, to show how miniature representations of contested physical space participate in the construction of a sense of national identity and collective memory. What, Yael Padan asks, is the meaning of such models, and what role do they play within the context of an ongoing violent conflict over territory and history?

The importation of prefabricated buildings into colonies was a prevalent practice during the British colonial expansionist venture. However, in post-colonial Nigeria today, many of these prefabricated houses have either been largely modified or have vanished without architectural or written records. This undocumented disappearance poses a challenge to the development of architectural restoration proposals for the remaining few, especially with the authenticity of materials, as well as their morphology, configuration, use, and function being heavily contested. Among the remaining few that have undergone layers of modifications and are on the verge of total collapse is the Egbo Egbo Bassey House, imported and built in Old Calabar between 1883 and 1886 and declared a National Monument of Nigeria in 1959. Given the dearth of architectural and historical data, this paper aims to reconstruct its architectural morphology, chronological modification, and historical uses and functions, with the view of developing an evidence-based architectural restoration proposal for its adaptive reuse. The data was collected through semi-structured interviews (n = 16), archival research at the National Museum (archival file ID: TF128/C.25/A and TF120/C.20/A), and a measured architectural survey, which was performed using laser tapes and laser rangefinders. Annotated building images were captured using a Canon 5D Mark III and a DJI Marvic 3 drone. Comparative analysis with two other exemplars of prefabricated houses in the region was also conducted to consolidate oral, archival, and field data. Three architectural modification stages, namely 1886, 1959, and 2012, were determined for the analytical framework. Architectural outputs include measured 2-dimensional drawings (scale 1:50) and 3-dimensional models for the three historical stages. The accuracy of each model was ensured through methodical triangulation and confidence rubric ratings. The result of this paper provides a replicable inquiry methodology, which can be used to develop an evidence-based workflow for developing a restoration proposal for architectural heritage in contexts where architectural and historical data are not available or contested. As a limitation, this research does not include an analysis of wood typology, structural testing, and statistical analysis of material.

The study presents the integration of architectural design approaches in the fashion design process suggesting a new educational method based on structural model fabrication. The paper addresses the output of an experimental collaborative practice-based workshop titled ‘Fashion Clash’ that mixes both architects and fashion designers. The workshop focused on testing self-structural garments following a manual workflow which is divided into three main phases, (1) modeling and form-finding, (2) assembly, and (3) fabrication. Paper-based materials are used for transforming full-scale garments into textiles. The results presented seven garments displayed at a fashion show that show the effect of the folding techniques in reaching stability and highlighting the interdisciplinary integration of architects and fashion designers. The study concludes that implementing a parametric design logic based on architectural perspective in fashion would generate innovative ways of testing self-supporting geometry. Digitally computing the forces and structure before fabrication are left for further research.

The use of historical maps in a digital environment can give considerable support to the study of the history of cities. It allows you to combine information from different sources, processed according to different geomatic techniques, to provide a reconstruction of urban configurations of the past and their comparison with iconographic and textual documentation of the same period. The aim of the research is to try to make the knowledge of a historical event easily accessible by converging within a simple model the various sources on which the reconstruction itself is based. This paper deals with the reconstruction of the ephemeral architecture created for Napoleon’s visit to Venice through the generation of 3D virtual models. The reconstruction was approached through a rigorous method, inserting these models into the context for which they were conceived. The generation of the historical city model, taking advantage of the algorithms of structure from motion applied to photogrammetry, made it possible to compare it with what was shown by the old paintings depicting the event. Virtual models processed within the GIS environment have been uploaded online thanks to the use of WebGIS. We chose to share the research results on the internet to allow users to avail themselves of a space that no longer exists from within it, going beyond the pictorial images of the past, overcoming communication through rendering and videos. The simultaneous application of methods and techniques related to the various components of geomatics within the digital environment has enabled the operation of a faithful reconstruction of reality, bringing to light past urban scenarios that no longer exist and are only known through paintings.

This book explores the beginnings of the interior design profession in nineteenth-century France. Drawing on a wealth of visual sources, from collecting and advice manuals to pattern books and department store catalogues, it demonstrates how new forms of print media were used to 'sell' the idea of the unified interior as a total work of art, enabling the profession of interior designer to take shape. In observing the dependence of the trades on the artistic and public visual appeal of their work, the book establishes crucial links between the fields of art history, material and visual culture, and design history.

The modern Chinese architectural heritage combines sturdy Western materials with delicate Chinese styling, mainly adopting brick-timber structural systems that are highly vulnerable to fire damage. The study assesses the fire spread characteristics of the First Faculty House, a 20th-century architectural heritage located at a university in China. The assessment is carried out by analyzing building materials, structural configuration, and fire load. By using FDS (Fire Dynamics Simulator (PyroSim version 2022)) and SketchUp software (version 2023) for architectural reconstruction and fire spread simulation, explores preventive measures to reduce fire risks. The result show that the total fire load of the building amounts to 1,976,246 MJ. After ignition, flashover occurs at 700 s, accompanied by a sharp increase in the heat release rate (HRR). The peak ceiling temperature reaches 750 °C. The roof trusses have critical structural weaknesses when approaching flashover conditions, indicating a high potential for collapse. Three targeted fire protection strategies are proposed in line with the heritage conservation principle of minimal visual and functional intervention: fire sprinkler systems, fire retardant coating, and fire barrier. Simulations of different strategies demonstrate their effectiveness in mitigating fire spread in elongated architectural heritages with enclosed ceiling-level ignition points. The efficacy hierarchy follows: fire sprinkler system > fire retardant coating > fire barrier. Additionally, because of chimney effect, for fire sources located above the ceiling and other hidden locations need to be warned in a timely manner to prevent the thermal plume from invading other sides of the ceiling through the access hole. This research can serve as a reference framework for other Modern Chinese Architectural Heritage to develop appropriate fire mitigation strategies and to provide a methodology for sustainable development of the Chinese architectural heritage.

Nexus Network Journal: Architecture and Mathematics guest editors Theodoros Dounas and Davide Lombardi introduce Vol. 27 (1). This special issue aims to deepen the understanding of formal methods in architectural composition by exploring three distinct approaches: syntactical (assembling elements), typological (reinterpreting existing archetypes), and computational (applying computational processes to generate form). Each approach incorporates mathematical principles that shape design creation and offer a framework for evaluating and testing architectural compositions. For instance, geometric transformations can be encoded as algorithms or grammatical rules, while parallel analytical processes validate these generated designs.