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result(s) for
"Architecture, Renaissance Italy."
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Renovatio urbis
Examining the urban and architectural developments in Rome during the Pontificate of Julius II (1503-13) this book focuses on the political, religious and artistic motives behind the changes. Each chapter focuses on a particular project, from the Palazzo dei Tribunali to the Stanza della Segnatura, and examines their topographical and symbolic contexts in relationship to the broader vision of Julian Rome.
This original work explores not just historical sources relating to buildings but also humanist/antiquarian texts, papal sermons/eulogies, inscriptions, frescoes and contemporary maps. An important contribution to current scholarship of early sixteenth century Rome, its urban design and architecture.
The stones of Venice : introductory chapters and local indices (printed separately) for the use of travellers while staying in Venice and Verona
by
Ruskin, John, 1819-1900 author
in
Architecture Italy Venice
,
Architecture, Byzantine Italy Venice
,
Architecture, Gothic Italy Venice
1884
\"The Stones of Venice examines Venetian architecture in detail, describing for example over eighty churches. He discusses architecture of Venice's Byzantine, Gothic and Renaissance periods, and provides a general history of the city\"--Wikipedia, June 24, 2019. https://en.wikipedia.org/wiki/The_Stones_of_Venice_(book)
Unknown
A Renaissance Architecture of Power
by
Beltramo, Silvia
,
Folin, Marco
,
Cantatore, Flavia
in
Architecture and state
,
Architecture and state -- Italy -- History -- 16th century
,
Architecture and state -- Italy -- History -- To 1500
2015,2016
Urbino, Rome, Florence, Milan, Ferrara... but also Mantua and Imola, Carpi and Saluzzo, Naples and Sicily: a collection of case studies on the Renaissance renewal of Italian court palaces from a comparative perspective.
The noisy Renaissance : sound, architecture, and Florentine urban life
From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens used sound to navigate space and society.
Analyzing a range of documentary and literary evidence, art and architectural historian Niall Atkinson creates an \"acoustic topography\" of Florence. The dissemination of official messages, the rhythm of prayer, and the murmur of rumor and gossip combined to form a soundscape that became a foundation in the creation and maintenance of the urban community just as much as the city's physical buildings. Sound in this space triggered a wide variety of social behaviors and spatial relations: hierarchical, personal, communal, political, domestic, sexual, spiritual, and religious.
By exploring these rarely studied soundscapes, Atkinson shows Florence to be both an exceptional and an exemplary case study of urban conditions in the early modern period.
Florentine villas in the fifteenth century : an architectural and social history
This book investigates the architecture and patronage strategies of Florentine villas in 15th century Italy.
The noisy Renaissance : sound, architecture, and Florentine urban life
\"Analyzes how the premodern city, through the example of Renaissance Florence, can be understood as an acoustic phenomenon. Explores how city sounds, such as the ringing of church bells, can be foundational elements in the creation and maintenance of urban communities and the spaces they inhabit\"--Provided by publisher.
The Monster in the Garden
2015,2016
Monsters, grotesque creatures, and giants were frequently depicted in Italian Renaissance landscape design, yet they have rarely been studied. Their ubiquity indicates that gardens of the period conveyed darker, more disturbing themes than has been acknowledged.In The Monster in the Garden, Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader framework of inquiry. Developing a new conceptual model of Renaissance landscape design, Morgan argues that the presence of monsters was not incidental but an essential feature of the experience of gardens.