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632 result(s) for "Architecture -- Psychological aspects"
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Design Things
Design Things offers an innovative view of design thinking and design practice, envisioning ways to combine creative design with a participatory approach encompassing aesthetic and democratic practices and values. The authors of Design Things look at design practice as a mode of inquiry that involves people, space, artifacts, materials, and aesthetic experience, following the process of transformation from a design concept to a thing. Design Things, which grew out of the Atelier (Architecture and Technology for Inspirational Living) research project, goes beyond the making of a single object to view design projects as sociomaterial assemblies of humans and artifacts--\"design things.\" The book offers both theoretical and practical perspectives, providing empirical support for the authors' conceptual framework with field projects, case studies, and examples from professional practice. The authors examine the dynamics of the design process; the multiple transformations of the object of design; metamorphing, performing, and taking place as design strategies; the concept of the design space as \"emerging landscapes\"; the relation between design and use; and the design of controversial things.
Why Architecture Matters
Why Architecture Mattersis not a work of architectural history or a guide to the styles or an architectural dictionary, though it contains elements of all three. The purpose ofWhy Architecture Mattersis to \"come to grips with how things feel to us when we stand before them, with how architecture affects us emotionally as well as intellectually\"-with its impact on our lives. \"Architecture begins to matter,\" writes Paul Goldberger, \"when it brings delight and sadness and perplexity and awe along with a roof over our heads.\" He shows us how that works in examples ranging from a small Cape Cod cottage to the \"vast, flowing\" Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the highly sculptural Guggenheim Bilbao and the Church of Sant'Ivo in Rome, where \"simple geometries . . . create a work of architecture that embraces the deepest complexities of human imagination.\"Based on decades of looking at buildings and thinking about how we experience them, the distinguished critic raises our awareness of fundamental things like proportion, scale, space, texture, materials, shapes, light, and memory. Upon completing this remarkable architectural journey, readers will enjoy a wonderfully rewarding new way of seeing and experiencing every aspect of the built world.
Architecture and movement : the dynamic experience of buildings and landscapes
\"The experience of movement, of moving through buildings, cities, landscapes and in everyday life, is the only involvement most individuals have with the built environment on a daily basis. Yet this concept of user experience is so often neglected in architectural study and practice. This book tackles this complex subject for the first time, providing the wide range of perspectives needed to tackle this multi-disciplinary topic. Organised in four parts it:documents the architect's, planner's, or designer's approach, looking at how they have sought to deploy buildings as a promenade and how they have thought or written about it. concentrates on the individual's experience, and particularly on the primacy of walking, which engages other senses besides the visual. engages with society and social rituals, and how mutually we define the spaces through which we move, both by laying out routes and boundaries and by celebrating thresholds. analyses how we deal with promenades which are not experienced directly but via other mediums such as computer models, drawings, film and television. The wide selection of contributors include academics and practitioners and discuss cases from across the US, UK, Europe and Asia. By mingling such disparate voices in a carefully curated selection of chapters, the book enlarges the understanding of architects, architectural students, designers and planners, alerting them to the many and complex issues involved in the experience of movement. \"-- Provided by publisher.
Experiencing Architecture in the Nineteenth Century
Bringing together fourteen original essays, this collection opens up new perspectives on the architectural history of the nineteenth century by examining the buildings of the period through the lens of ‘experience’. With a focus on the experience of the ordinary building user – rather than simply on the intentions of the designer – the book shows that new and important insights can be brought to our understanding of Victorian architecture. The chapters present a range of ideas and new research – some examining individual building case studies (from grand hotels and clubhouses in New York to the parliament buildings of Westminster), and others exploring conceptual questions about the nature of architectural experience, whether sensory or otherwise. Yet they share the premise that the idea of the ‘experience of architecture’ took on a new and particular significance with the rise of industrial modernity, and they examine what contemporary people – both architects and non-architects – understood by this idea. The insights in this volume extend beyond the study of Victorian architecture. Together they suggest how ‘experience’ might be used as a framework to produce a more convincingly historical account of the artefacts of architectural history
Thin place design : architecture of the numinous
\"What makes architecture extraordinary? Why are some urban spaces more vital and restorative? Wonderful landscapes, inspiring works of architecture and urban design, and the numinous experiences that accompany them have been an integral dimension of our culture. Up-lifting spaces, dramatic use of natural light, harmonic proportional geometry, magical landscapes, historic sites, and vital city centers create special, even sacred moments in architecture and planning. This quality of experience is often seen as an aesthetic purpose intended to inspire, ennoble, ensoul, and spiritually renew. Architecture and urban spaces, functioning in this way, are considered to be thin places\"-- Provided by publisher.
Architecture and Control
Architecture and Control addresses the urgent question residing at the intersection of architectural and cultural theory: how can the interplay between designed structures and practices of control foster an emergence of the unforeseen and the uncontrolled in post-2000 architectures and infrastructures?.
The location of mosques : genealogies of space, knowledge, and power
\"The Place of the Mosque probes a host of discursive formations-spaces of public assembly and social interaction, quotidian practices, disputed sites, and biopolitics-while critiquing their peculiar anomalies. It goes beyond architectural criticism to emphasize the interdisciplinary and transdisciplinary study of place and space\"-- Provided by publisher.
Threshold Spaces
What is a threshold space?A prelude, an intermediate space, a barrier?Inside or outside?The threshold space is all of these, usually even at the same time.He lives on the spatial ambivalence between opening and closing and at the same time creates the expectation of what is to come.