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"Architecture Austria Vienna History 20th century."
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POST OTTO WAGNER : Von der Postsparkasse zur Postmoderne = From the Postal Savings Bank to Post-Modernism
Otto Wagner is considered as the \"father of the Viennese modernism\" and one of the most important international architects. The publication on the MAK exhibition illustrates the resonance of Wagner?s oeuvre by protagonists of early modernism as well as his influence on his contemporaries, students and subsequent generations of architects and designers such as Josef Hoffmann, Jo?e Plecnik, Leopold Bauer, Rudolph M. Schindler, Frank Lloyd Wright, Auguste Perret, Frei Otto, Aldo Rossi and Robert Venturi/Denise Scott Brown.0With generous and often unknown image material the book illustrates Wagner?s influence on international architecture from the turn of the century to the present, and thus a link between the intricate relationship of modernism and postmodernism.
BOOK
The viennese café and fin-de-siècle culture
The Viennese café was a key site of urban modernity around 1900. In the rapidly growing city it functioned simultaneously as home and workplace, affording opportunities for both leisure and intellectual exchange. This volume explores the nature and function of the coffeehouse in the social, cultural, and political world of fin-de-siècle Vienna. Just as the café served as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna at the beginning of the twentieth century. Contributions are drawn from the fields of social and cultural history, literary studies, Jewish studies and art, and architectural and design history. A fresh perspective is also provided by a selection of comparative articles exploring coffeehouse culture elsewhere in Eastern Europe.
eBook
The new space : movement and experience in Viennese modern architecture
Scholars have long explored the problem of ornament and expression when considering Viennese modernism. By the first decade of the 20th century, however, the avant-garde had shifted its focus from the surface to the interior. Adolf Loos (1870-1933), together with Josef Frank (1885-1967) and Oskar Strnad (1879-1935), led this generation of architects to interpret modernism through culture and lifestyle. They were interested in the experience of architectural space: how it could be navigated, inhabited, and designed to reflect the modern way of life while also offering respite from it. The New Space traces the theoretical conversation about space carried out in the writings and built works of Loos, Frank, and Strnad over four decades. The three ultimately foregrounded what Le Corbusier would later-independently-term the architectural promenade. Lavishly illustrated with new photography and architectural plans, this important book enhances our understanding of the development of modernism and of architectural theory and practice.
Book
Freedom and the Cage
Spurred by ideals of individual liberty that took hold in the Western world in the late nineteenth century, psychiatrists and public officials sought to reinvent asylums as large-scale, totally designed institutions that offered a level of freedom and normality impossible in the outside world. This volume explores the \"caged freedom\" that this new psychiatric ethos represented by analyzing seven such buildings established in the Austro-Hungarian monarchy between the late 1890s and World War I.
In the last two decades of the Habsburg Empire, architects of asylums began to abandon traditional corridor-based plans in favor of looser formations of connected villas, echoing through design the urban- and freedom-oriented impulse of the progressive architecture of the time. Leslie Topp considers the paradoxical position of designs that promoted an illusion of freedom even as they exercised careful social and spatial control over patients. In addition to discussing the physical and social aspects of these institutions, Topp shows how the commissioned buildings were symptomatic of larger cultural changes and of the modern asylum's straining against its ideological anchorage in a premodern past of \"unenlightened\" restraint on human liberty.
Working at the intersection of the history of architecture and the history of psychiatry, Freedom and the Cage broadens our understanding of the complexity and fluidity of modern architecture's engagement with the state, with social and medical projects, and with mental health, psychiatry, and psychology.
eBook
Designing (for) a new scientific discipline: the location and architecture of the Institut für Radiumforschung in early twentieth-century Vienna
This essay explores how Viennese physicists who specialized in radioactivity research embodied visions of their new discipline in material terms, through the architectural design and the urban location of their institute. These visions concerned not only the experimental culture of radioactivity, or the interdisciplinarity of the field, but also the gendered experiences of those working in the institute's laboratories, many of who were women. In designing the Institute for Radium Research at the end of the 1910s – the first such specialized institute in Europe – physicists and architects were also designing the new discipline in a strong sense. In the architectural form of the building one can trace the aesthetics of the new discipline, the scientific exchanges of its personnel and the image of a newly formed community in which women were more than welcomed.
Journal Article