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"Architecture Kuwait 20th century"
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Essays, arguments & interviews on modern architecture Kuwait
\"Published in 2016, Modern Architecture Kuwait 1949-1989 is the first systematic analysis of Kuwait's building production. This second volume collects essays, arguments, and interviews that focus on the role of individuals and corporations in the process of perceiving, transforming, and building the modern state of Kuwait. The post-WWII environment along with political and artistic solidarity in the emerging Arab World promoted an exchange of ideas and individuals throughout the region. This edited collection uncovers the regional context that established the modern practice of architecture and planning between the 1940s and 1980s. The editors of \"Modern Architecture Kuwait 1949-1989\" selected a diverse group of contributors from both Kuwait and abroad to produce expertly researched and crafted essays and arguments. The interviews conducted by the editors between 2012 and 2016 appear as transcripts, while other relevant published materials produced in or on Kuwait from 1949 until 1989 are also featured. In their own essays, the editors explore broader topics such as the political and socio-economic process of modernisation in the country, the educational and professional establishment of the architectural practice in the region, and the development of a contemporary construction industry in Kuwait. Also, the volume's introduction includes an atlas that traces the movement of architects, planners, and projects for and from Kuwait, mapping a series of unprecedented reciprocities between geographical, economic, political, and social realities in the Arab World. The second collection expands far beyond the first volume, challenging different narratives while also connecting divergent spheres to offer readers a critical look at a local perspective based on a regional context\"--Provided by publisher.
Book
Utzon: La luz definidora de la Tercera Generación
En Espacio, Tiempo y Arquitectura, Sigfried Giedion identificó a Jørn Utzon como uno de los impulsores y exponentes de lo que Giedion consideraba la Tercera Generación de la arquitectura moderna en el siglo XX. Con referencia precisa a Utzon, Giedion definió la esencia de esa Tercera Generación. Este artículo analiza cómo Utzon ejemplificó en sus obras los principios que Giedion había identificado como esenciales de esa Tercera Generación y trata, como Giedion no lo hizo de manera explícita, la importancia de la luz en la arquitectura de Utzon, que desempeña un papel fundamental para apuntalar y articular estos principios definitorios. Se estudian así las particularidades que Giedion atribuyó a Utzon y su consideración definitoria de la luz, derivadas de la interpretación de sus numerosas fuentes transculturales de inspiración, en particular, de China, Irán, Japón, Hawai, México y Marruecos, así como de Europa y su propio ámbito nórdico, como se puede ver en la Ópera de Sídney, Can Lis en Mallorca, Melli Bank en Teherán, la Asamblea Nacional de Kuwait, y la Iglesia Bagsværd en Dinamarca, entre otros.
Journal Article