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280 result(s) for "Architecture Netherlands."
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Analysing Buildings from Context to Detail in Time. ABCD Research Method
Technology provided the author of this book with the inspiration to develop a more comprehensive research method to assess buildings: Analysing Buildings from Context to Detail in time: ABCD Research Method. Technology, at academic level, should be considered in the analysis of a building. In this book the focus is on construction engineering, the study of the requirements associated with constructing buildings. Providing information on practice is a key element in construction engineering, which is a learning process. Changes are made during the life of a building and they might be made differently if the history and technical aspects of the building were studied in greater detail. Both maintenance and changes require us to understand the building concerned. In essence, a building can be described in detail using the ABCD research method. Experience obtained with other buildings can lead to better considered solutions when designing and building new buildings or intervening in existing buildings. We can recognize layers where changes may have led to interventions in what existed at one time. The ABCD research method is an instrument to show us how changes happened and what the original concepts for the building were. We have to investigate the history of the design and construction of a building to distil this essence.
The Glass Farm : biography of a building
The Glass Farm makes for an arresting sight on the market square in the Dutch town of Schijndel. Just as fascinating is the history of how the building came into being. This book tells the story of Winy Maas, who at age 18 asked the mayor to do something with the empty space that had been left in Schijndel's market square since Operation Market Garden bombing in 1944. It took 33 years for the building to be erected. The chronicle of the Glass Farm is a history that reads like a novel.
The Architectural Representation of Islam
This book is a study of Dutch mosque designs, objects of heated public debate. Until now, studies of diaspora mosque designs have largely consisted of normative architectural critiques that reject the ubiquitous ‘domes and minarets’ as hampering further Islamic-architectural evolution. The Architectural Representation of Islam: Muslim-Commissioned Mosque Design in The Netherlands represents a clear break with the architectural critical narrative, and meticulously analyzes twelve design processes for Dutch mosques. It shows that patrons, by consciously selecting, steering and replacing their architects, have much more influence on their mosques than has been generally assumed. Through the careful transformation of specific building elements from Islamic architectural history to a new context, they literally aim to ‘construct’ the ultimate Islam. Their designs thus evolve not in opposition to Dutch society, but to those versions of Islam that they hold to be false.
Living in style : Amsterdam
Cool, creative, and not afraid to buck convention, Amsterdam makes the hearts of architecture and design lovers beat a little faster. You'll find furniture that is refreshingly different, yet still functional; hotels where creative minds feel at home; restaurants that are a joy for both the eye and the palate; and museums and concept stores around every corner. Good design is in the genes of the capital city of the Netherlands, visible almost everywhere you look--in part, thanks to pioneers like Marcel Wanders, Piet Boon, and the Droog Design Collective. So it's no surprise that MENDO (\"the coolest bookstore for visual beauty\") chose to make its home in Amsterdam. We worked with interior design insiders to bring you Living in Style Amsterdam and share the dare-to-be-different Dutch design mentality. Selected private apartments, carefully restored 17th-century canal houses, and extravagant high-design hotels and penthouses all opened their doors to us. Meet internationally-recognized icons and discover talented newcomers to the Dutch design and architecture scene like Joyce Urbanus, Dax Roll, and James van der Velde. Living in Style Amsterdam is a timelessly beautiful photo book that will provide a wide range of ideas for every design lover and whet your appetite for your next trip to this inspiring city!
Ellen Kooi Above Rotterdam
High above the streets of Rotterdam, on cold winter nights, during early spring evenings, and dusky autumn days; five situations were staged and captured by artist Ellen Kooi, inside the B' Tower in Rotterdam, by architect Wiel Arets. Nearly each apartment is identical, which lends a receded repetition to the 'stage sets' Kooi created, in the tradition of her renowned landscape photography. In Kooi's 'sets', a sleeping young girl cuddles with whimsical Weimaraners; a lonely business man digitally pines for his distant love; a young couple saunters and seduces one another, inside and out; an informal dinner gathering morphs into an impromptu musical; a mother creates a dream world for her and her children, high above Rotterdam's streets. Interspersed throughout Kooi's sets of imagery are separately created scenes of poetry and prose, by artist Katrien Van den Brande, which alternate with Kooi's narratives–all graphically woven together by a design from Mainstudio. This publication is a two-dimensional immersion into a parallel urban reality, that's at once fantasy and fiction–yet remarkably familiar.
Drawing the Ground - Landscape Urbanism Today
Founded in 1990, Palmbout Urban Landscapes is now one of the leading urban planning offices in the Netherlands.It exemplifies current practices of urban planning in that country.Its approach is characterized by a constant search for a new relationship between urban planning, architecture, and landscape architecture.
Romantic modernism
Is it possible for conservationists to approve of the reconstruction of old façades when virtually everything behind them is modern? Should they continue to protect the front façade, when the rest of the historic building has vanished? Is it socially responsible to spend government money on reconstructing a historic building that has been completely destroyed? Can one do such a thing fifty years on? According to reigning ideas in the world of conservation, the answer to all these questions is 'no'. It is felt that building a stage set is dishonest, and rebuilding something that no longer exists is labelled a lie against history. Where does this predilection for honesty originate? And why do people prefer modern architecture to the reconstruction of what has been lost? Perhaps we are witnessing the legacy of Functionalism here, a movement that denounced the building of pseudo-architecture. Functionalism originated in Romanticism, when architects turned their backs on academic formalism and strove to invent a new, rational form of building. This romantic hunger for honesty was adopted by the conservationists, giving rise to a new respect for the authentic art work and a rejection of historicist restorations. Among conservationists too, distaste arose for the cultivation of a harmonious urban image, because an urban image that is maintained artificially 'old' was seen as a form of fraud. Mag de monumentenzorg steun verlenen aan de reconstructie van de oude geveltjes wanneer daarachter vrijwel alles modern is? Moet de monumentenzorg alleen nog de voorgevel willen beschermen, als de rest van het monument is verdwenen? Volgens de gangbare opvattingen in de wereld van de monumentenzorg past op al dit soort vragen een negatief antwoord. Men vindt decorbouw oneerlijk, en iets herbouwen wat er niet meer is, noemt men een leugen tegen de geschiedenis. De vraag is waar deze hang naar oprechtheid vandaan komt. Misschien zien we hier de erfenis van het functionalisme dat bouwen van schijnarchitectuur verbood. Het functionalisme ontstond uit de Romantiek, toen architecten zich afkeerden van het academisch formalisme en een nieuwe rationele bouwkunst wilden uitvinden. Dit romantische streven naar oprechtheid werd in de monumentenzorg overgenomen. Wim Denslagen stelt dat de huidige monumentenzorg op bovengenoemde vragen ten onrechte een ontkennend antwoord geeft.