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result(s) for
"Architecture and society History."
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A history of Western architecture
Traces the history of western architecture from the earliest times in Mesopotamia and Egypt to the eclectic styles of the twenty-first century. The author emphasizes that \"traditional architecture has re-established itself as a solution to the many problems presented by new needs and new materials ... the classical language of architecture is always modern. ... This new edition covers.. [structures] in [other areas of the world] as products of globalization, the attention paid to sustainability, energy; recycling elements of buildings; the passion for astonishing height but also architecture on a human scale, and urban planning [issues].
Building Modern Turkey
2016,2015
Building Modern Turkeyoffers a critical account of how the built environment mediated Turkey's transition from a pluralistic (multiethnic and multireligious) empire into a modern, homogenized nation-state following the collapse of the Ottoman Empire at the end of World War I. Zeynep Kezer argues that the deliberate dismantling of ethnic and religious enclaves and the spatial practices that ensued were as integral to conjuring up a sense of national unity and facilitating the operations of a modern nation-state as were the creation of a new capital, Ankara, and other sites and services that embodied a new modern way of life. The book breaks new ground by examining both the creative and destructive forces at play in the making of modern Turkey and by addressing the overwhelming frictions during this profound transformation and their long-term consequences. By considering spatial transformations at different scales-from the experience of the individual self in space to that of international geopolitical disputes-Kezer also illuminates the concrete and performative dimensions of fortifying a political ideology, one that instills in the population a sense of membership in and allegiance to the nation above all competing loyalties and ensures its longevity.
Urban Space as Heritage in Late Colonial Cuba
2015
According to national legend, Havana, Cuba, was founded under the shade of a ceiba tree whose branches sheltered the island's first Catholic mass and meeting of the town council (cabildo) in 1519. The founding site was first memorialized in 1754 by the erection of a baroque monument in Havana's central Plaza de Armas, which was reconfigured in 1828 by the addition of a neoclassical work, El Templete. Viewing the transformation of the Plaza de Armas from the new perspective of heritage studies, this book investigates how late colonial Cuban society narrated Havana's founding to valorize Spanish imperial power and used the monuments to underpin a local sense of place and cultural authenticity, civic achievement, and social order.Paul Niell analyzes how Cubans produced heritage at the site of the symbolic ceiba tree by endowing the collective urban space of the plaza with a cultural authority that used the past to validate various place identities in the present. Niell's close examination of the extant forms of the 1754 and 1828 civic monuments, which include academic history paintings, neoclassical architecture, and idealized sculpture in tandem with period documents and printed texts, reveals a \"dissonance of heritage\"—in other words, a lack of agreement as to the works' significance and use. He considers the implications of this dissonance with respect to a wide array of interests in late colonial Havana, showing how heritage as a dominant cultural discourse was used to manage and even disinherit certain sectors of the colonial population.
The Aurelian Wall and the Refashioning of Imperial Rome, AD 271–855
by
Dey, Hendrik W.
in
Architecture and society
,
Architecture and society -- Italy -- Rome -- History
,
City and town life
2011
This book explores the relationship between the city of Rome and the Aurelian Wall during the six centuries following its construction in the 270s AD, a period when the city changed and contracted almost beyond recognition, as it evolved from imperial capital into the spiritual center of Western Christendom. The Wall became the single most prominent feature in the urban landscape, a dominating presence which came bodily to incarnate the political, legal, administrative, and religious boundaries of urbs Roma, even as it reshaped both the physical contours of the city as a whole and the mental geographies of 'Rome' that prevailed at home and throughout the known world. With the passage of time, the circuit took on a life of its own as the embodiment of Rome's past greatness, a cultural and architectural legacy that dwarfed the quotidian realities of the post-imperial city as much as it shaped them.
Architecture and affect in the Middle Ages
\"How did people living in the Middle Ages respond to spectacular buildings, such as the Gothic cathedrals? While contemporary scholarship places a large emphasis on the emotional content of Western medieval figurative art, the emotion of architecture has largely gone undiscussed. In a radical new approach, Architecture and Affect in the Middle Ages explores the relationship between medieval buildings and the complexity of experience they engendered. Paul Binski examines long-standing misconceptions about the way viewers responded to medieval architecture across Western Europe and in Byzantine and Arabic culture between Late Antiquity and the end of the medieval period. He emphasizes the importance of the experience itself within these built environments, essentially places of action, space, and structure but also, crucially, of sound and emotion\"-- Provided by publisher.
Architecture, Politics, and Identity in Divided Berlin
2014
On August 13, 1961, under the cover of darkness, East German authorities sealed the border between East and West Berlin using a hastily constructed barbed wire fence. Over the next twenty-eight years of the Cold War, the Berlin Wall grew to become an ever-present physical and psychological divider in this capital city and a powerful symbol of Cold War tensions. Similarly, stark polarities arose in nearly every aspect of public and private life, including the built environment.InArchitecture, Politics, and Identity in Divided BerlinEmily Pugh provides an original comparative analysis of selected works of architecture and urban planning in both halves of Berlin during the Wall era, revealing the importance of these structures to the formation of political, cultural, and social identities. Pugh uncovers the roles played by organizations such as the Foundation for Prussian Cultural Heritage and the Building Academy in conveying the political narrative of their respective states through constructed spaces. She also provides an overview of earlier notable architectural works, to show the precursors for design aesthetics in Berlin at large, and considers projects in the post-Wall period, to demonstrate the ongoing effects of the Cold War.Overall, Pugh offers a compelling case study of a divided city poised between powerful contending political and ideological forces, and she highlights the effort expended by each side to influence public opinion in Europe and around the World through the manipulation of the built environment.
Ancient Origins of the Mexican Plaza
by
Wagner, Logan
,
Morehead, Susan Kline
,
Box, Hal
in
ARCHITECTURE
,
Architecture & Architectural History
,
ARCHITECTURE / General
2013
The plaza has been a defining feature of Mexican urban
architecture and culture for at least 4,000 years. Ancient
Mesoamericans conducted most of their communal life in outdoor
public spaces, and today the plaza is still the public living room
in every Mexican neighborhood, town, and city-the place where
friends meet, news is shared, and personal and communal rituals and
celebrations happen. The site of a community's most important
architecture-church, government buildings, and marketplace-the
plaza is both sacred and secular space and thus the very heart of
the community.
This extensively illustrated book traces the evolution of the
Mexican plaza from Mesoamerican sacred space to modern public
gathering place. The authors led teams of volunteers who measured
and documented nearly one hundred traditional Mexican town centers.
The resulting plans reveal the layers of Mesoamerican and European
history that underlie the contemporary plaza. The authors describe
how Mesoamericans designed their ceremonial centers as embodiments
of creation myths-the plaza as the primordial sea from which the
earth emerged. They discuss how Europeans, even though they sought
to eradicate native culture, actually preserved it as they overlaid
the Mesoamerican sacred plaza with the Renaissance urban concept of
an orthogonal grid with a central open space. The authors also show
how the plaza's historic, architectural, social, and economic
qualities can contribute to mainstream urban design and
architecture today.