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result(s) for
"Architecture and society New York (State) New York."
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What goes up : the rights and wrongs of the city
\"The rise and fall of New York--a radical architect's view of the destruction of the city Michael Sorkin is one of the most forthright and engaging architectural writers in the world. In What Goes Up he charts the dehumanising regimes of mayors Bloomberg and De Blasio that created a city of glittering towers and increasing inequality. He looks at what has happened to Ground Zero, as a place of memory has been reconstructed by \"staritects\" and turned into malls. The city, he suggests, has to be reimagined from the street up on a human scale, to develop new ways to revitalise neighbourhoods Alongside these essays on New York, Sorkin also brings his lifetime's experience as an architect to bear. He talks of the joy of observing a city in order to understand it. Why a young designer must learn to draw by hand rather than only use a computer. There are also personal encounters with some of the greatest names who have changed the city. Sorkin gets lost in Rio with Zaha Hadid; talks about the old Bronx with Marshall Berman; and gets on the wrong side of Daniel Libeskind\"-- Provided by publisher.
Skyscraper
2011,2012,2009
Selected byChoicemagazine as an Outstanding Academic Title for 2010 Nowhere in the world is there a greater concentration of significant skyscrapers than in New York City. And though this iconographic American building style has roots in Chicago, New York is where it has grown into such a powerful reflection of American commerce and culture. InSkyscraper: The Politics and Power of Building New York City in the Twentieth Century, Benjamin Flowers explores the role of culture and ideology in shaping the construction of skyscrapers and the way wealth and power have operated to reshape the urban landscape. Flowers narrates this modern tale by closely examining the creation and reception of three significant sites: the Empire State Building, the Seagram Building, and the World Trade Center. He demonstrates how architects and their clients employed a diverse range of modernist styles to engage with and influence broader cultural themes in American society: immigration, the Cold War, and the rise of American global capitalism.Skyscraperexplores the various wider meanings associated with this architectural form as well as contemporary reactions to it across the critical spectrum. Employing a broad array of archival sources, such as corporate records, architects' papers, newspaper ads, and political cartoons, Flowers examines the personal, political, cultural, and economic agendas that motivate architects and their clients to build ever higher. He depicts the American saga of commerce, wealth, and power in the twentieth century through their most visible symbol, the skyscraper.
Paradigm Islands: Manhattan and Venice
by
Stoppani, Teresa
in
Architectural History
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Architecture and society
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Architecture and society -- Italy -- Venice
2011,2012
Concerning architecture and the city, built, imagined and narrated, this book focuses on Manhattan and Venice, but considers architecture as an intellectual and spatial process rather than a product.
A critical look at the making of Manhattan and Venice provides a background to addressing the dynamic redefinition and making of space today. The gradual processes of adjustment, the making of a constantly changing dense space, the emphasis on forming rather than on figure, the incorporation of new forms and languages through their adaptation and transformation, make both Manhattan and Venice, in different ways, the ideal places to contextualize and address the issue of an architecture of the dynamic.
Paradigm Islands
2010
A critical look at the making of Manhattan and Venice provides a background to addressing the dynamic redefinition and making of space today. The book concerns architecture and the city, built, imagined and narrated, but, importantly, considers architecture as an intellectual and spatial process rather than a product.
ODA : Office of Design and Architecture
This first book to comprehensively consider ODA's range in architecture, from apartment to building to neighbourhood. Projects underline a humanistic philosophy seeking community engagement, social connectivity, and above all to inform and uplift.
Designs on the Public
by
Miller, Kristine F.
in
ARCHITECTURE
,
Architecture & Architectural History
,
Architecture and Architectural History
2007
Kristine F. Miller delves into six of New York’s public spaces, including Times Square, Trump Tower, and Sony Plaza, to trace how design influences their complicated existence. Design is, in Miller’s view, complicit in regulation of public spaces in New York City to exclude undesirables and privilege commercial interests, and in this work she shows how design can reactivate public space and public life.
Deconstructing Post-WWII New York City
by
Bennett, Robert
in
20th century
,
Architecture -- Social aspects -- New York (State) -- New York -- History -- 20th century
,
Architecture and society
2013,2003
Situating post-WWII New York literature within the material context of American urban history, this work analyzes how literary movements such as the Beat Generation, the New York poets and Black Arts Moment criticized the spatial restructuring of post-WWII New York City.
Buffalo at the Crossroads
2020
Buffalo at the Crossroads is a diverse set of cutting-edge essays. Twelve authors highlight the outsized importance of Buffalo, New York, within the story of American urbanism. Across the collection, they consider the history of Buffalo's built environment in light of contemporary developments and in relationship to the evolving interplay between nature, industry, and architecture. The essays examine Buffalo's architectural heritage in rich context: the Second Industrial Revolution; the City Beautiful movement; world's fairs; grain, railroad, and shipping industries; urban renewal and so-called white flight; and the larger networks of labor and production that set the city's economic fate. The contributors pay attention to currents that connect contemporary architectural work in Buffalo to the legacies established by its esteemed architectural founders: Richardson, Olmsted, Adler, Sullivan, Bethune, Wright, Saarinen, and others. Buffalo at the Crossroads is a compelling introduction to Buffalo's architecture and developed landscape that will frame discussion about the city for years to come. Contributors: Marta Cieslak, University of Arkansas - Little Rock; Francis R. Kowsky; Erkin Özay, University at Buffalo; Jack Quinan, University at Buffalo; A. Joan Saab, University of Rochester; Annie Schentag, KTA Preservation Specialists; Hadas Steiner, University at Buffalo; Julia Tulke, University of Rochester; Stewart Weaver, University of Rochester; Mary N. Woods, Cornell University; Claire Zimmerman, University of Michigan