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result(s) for
"Architecture and state Spain History 16th century."
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Bramante's Tempietto, the Roman Renaissance, and the Spanish crown
by
Freiberg, Jack
in
Peter, the Apostle, Saint Monuments Italy Rome.
,
Bramante, Donato, 1444?-1514 Criticism and interpretation.
,
San Pietro in Montorio (Church : Rome, Italy)
2014
\"The Tempietto, the embodiment of the Renaissance mastery of classical architecture and its Christian reinvention, was also the preeminent commission of the Catholic kings, Ferdinand of Aragon and Isabel of Castile, in papal Rome. This groundbreaking book situates Bramante's time-honored memorial dedicated to Saint Peter and the origins of the Roman Catholic Church at the center of a coordinated program of the arts exalting Spain's leadership in the quest for Christian hegemony. The innovations in form and iconography that made the Tempietto an authoritative model for Western architecture were fortified in legacy monuments created by the popes in Rome and the kings in Spain from the later Renaissance to the present day. New photographs expressly taken for this study capture comprehensive views and focused details of this exemplar of Renaissance art and statecraft\"-- Provided by publisher.
Religious authority in the Spanish Renaissance
by
Homza, Lu Ann
in
16th century
,
Authority
,
Authority -- Religious aspects -- Catholic Church -- History of doctrines -- 16th century
2000
Through analyses of Inquisition trials, biblical translations, treatises on witchcraft, and tracts on the episcopate and penance, Homza illuminates the intellectual autonomy and energy of Spain's ecclesiastics, exploring the flexibility and inconsistency in their preferences for humanism or scholasticism, preferences which have long been thought to be steadfast.
The Plaza Mayor and the shaping of Baroque Madrid
\"The Plaza Mayor and the Shaping of Baroque Madrid examines the transformation of Madrid from a secondary market town to the capital of the worldwide Spanish Habsburg empire. Focusing on the planning and building of Madrid's principal public monument, the Plaza Mayor, it is based on an analysis of archival documents, architectural drawings, and the surviving built fabric of the city itself. Jesus Escobar demonstrates how the shaping of the city square and its environs reflects the bureaucratic nature of government in Madrid, chosen in 1561 to serve as a capital of Spain. He also examines the careful planning of the city, with particular regard to the necessities of housing and public works that accompanied its new status as capital. The process reveals the sophistication of town planning in late-sixteenth-century Spain and forces a reconsideration of Spanish urbanism within the contexts of contemporary European and Spanish colonial developments.\"--Jacket.
Rereading the Black Legend
by
Walter D. Mignolo
,
Margaret R. Greer
,
Maureen Quilligan
in
antisemitism
,
architecture
,
black legend
2007,2008
The phrase “The Black Legend” was coined in 1912 by a Spanish journalist in protest of the characterization of Spain by other Europeans as a backward country defined by ignorance, superstition, and religious fanaticism, whose history could never recover from the black mark of its violent conquest of the Americas. Challenging this stereotype, Rereading the Black Legend contextualizes Spain’s uniquely tarnished reputation by exposing the colonial efforts of other nations whose interests were served by propagating the “Black Legend.” A distinguished group of contributors here examine early modern imperialisms including the Ottomans in Eastern Europe, the Portuguese in East India, and the cases of Mughal India and China, to historicize the charge of unique Spanish brutality in encounters with indigenous peoples during the Age of Exploration. The geographic reach and linguistic breadth of this ambitious collection will make it a valuable resource for any discussion of race, national identity, and religious belief in the European Renaissance.