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121 result(s) for "Archival materials Digitization."
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The politics of mass digitization
\"Today, anyone with an internet connection can access hundreds of millions of digitized cultural artifacts from the comfort of their desk. And every day cultural institutions and private bodies add thousands of new cultural works to the digital sphere. Mass digitization is forming new central nexuses of knowledge and new ways of engaging with that knowledge. What at first glance appears to be a simple act of digitization (a transformation of singular books from boundary objects to open sets of data), at closer examination reveals a complex process teeming with diverse political, legal, and cultural investments. This book argues that mass digitization has become a global cultural political project. It offers an in-depth examination of mass digitization of cultural memory in the West and beyond. It suggests a new approach to the study of digital cultural memory archives, proposing to understand mass digitization not as neutral technical processes, but rather as distinct subpolitical processes that build new kinds of archives and new ways of interacting with these archives. And it seeks to develop a critical theoretical framework for understanding the new archival apparatuses and the politics and memory dynamics they give rise to\"-- Provided by publisher.
From Dust to Digital
\"Much of worldâ s documentary heritage rests in vulnerable, little-known and often inaccessible archives. Many of these archives preserve information that may cast new light on historical phenomena and lead to their reinterpretation. But such rich collections are often at risk of being lost before the history they capture is recorded. This volume celebrates the tenth anniversary of the Endangered Archives Programme at the British Library, established to document and publish online formerly inaccessible and neglected archives from across the globe. From Dust to Digital showcases the historical significance of the collections identified, catalogued and digitised through the Programme, bringing together articles on 19 of the 244 projects supported since its inception. These contributions demonstrate the range of materials documented â including rock inscriptions, manuscripts, archival records, newspapers, photographs and sound archives â and the wide geographical scope of the Programme. Many of the documents are published here for the first time, illustrating the potential these collections have to further our understanding of history.\"
Documenting Performance
Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance. Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: the contemporary context for documenting performanceprocesses of documenting performancedocumenting bodies in motiondocumenting to create In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers.
eCulture : cultural content in the digital age
Do virtual museums really provide added value to end-users, or do they just contribute to the abundance of images?Does the World Wide Web save endangered cultural heritage, or does it foster a society with less variety?How can information technology help to preserve the diversity of cultures in our fast-changing world?.
The Shakespearean archive : experiments in new media from the Renaissance to postmodernity
\"Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyses how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analysing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitisation read through the afterlives of Shakespeare's texts\"-- Provided by publisher.
Partners for Preservation
Who could be partners to archivists working in digital preservation? This book features chapters from international contributors from diverse backgrounds and professions discussing their challenges with and victories over digital problems that share common issues with those facing digital preservationists The only certainty about technology is that it will change. The speed of that change, and the ever increasing diversity of digital formats, tools, and platforms, will present stark challenges to the long-term preservation of digital records. Archivists are frequently challenged by the technical expertise, subject matter knowledge, time, and resource requirements needed to solve the broad set of challenges sure to be faced by the archival profession. Partners for Preservation advocates the need for archivists to recruit partners and learn lessons from across diverse professions to work more effectively within the digital landscape. Includes discussion of: the internet of things digital architecture research data and collaboration open source programming privacy, memory and transparency inheritance of digital media. This book will be useful reading for professional archivists and others responsible for digital preservation, students of archival studies and digital preservation
Research, records and responsibility
The Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC) has been on the cutting edge of digital archiving, building a significant historical collection and community of practice engaged in the preservation and accessibility of research materials. Over the ten years of PARADISEC's operation, the repository has grown to represent over 860 languages from across the world, including cultural materials from the Pacific region and South-East Asia, North America, Africa and Europe. With over 5000 hours of audio, the extent of the archival material, as well as the inclusion of a variety of styles such as songs, narratives and elicitation, has resulted in an invaluable resource for researchers and communities alike. PARADISEC's innovation in archival practice allows communities to access original recordings of their own cultural heritage, and provides fieldworkers with a wealth of primary material. Research, Records and Responsibility explores developments in collaborative archiving practice between archives and the communities they serve and represent, incorporating case studies of historical recordings, visual data and material culture. It brings together the work of Australian and international scholars commemorating ten years of PARADISEC, and reflects on the development of research and language archiving.
Museum and Archive on the Move
The digital revolution fundamentally changed how cultural heritage is created, documented, analyzed, and preserved.The book focuses on this transformation's impact.How must museums and archives meet the challenges of digitally generated cultures and how does the digital revolution influence traditional object collection, research, and education?.