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9
result(s) for
"Arctic regions In motion pictures."
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Films on Ice
The first book to address the vast diversity of Northern circumpolar cinemas from a transnational perspective, Films on Ice: Cinemas of the Arctic presents the region as one of great and previously overlooked cinematic diversity.
The geopolitics of Arctic melt
2009
The rapidity of Arctic melt is no longer the phantasmagoria of B-grade movies, such as the 'Day after tomorrow', but is occurring at a rate unimaginable just a few years ago. In 2007, more than one million square miles of ice melted, leaving the region with only half the ice that existed in 1950. The Arctic has been propelled into the centre of geopolitics as global climate change has transformed the region into a maelstrom of competing commercial, national security and environmental concerns with profound implications for the international legal and political system. The prospect of longer ice-free periods in the Arctic has momentous implications for the region's commercial development, in itself a further risk to melting Arctic ice. This article argues that Arctic melt does and will continue to pose economic, military and environmental challenges to the governance of the region and explores the role of technological factors as both a barrier and an enabler of access. Working within existing institutions and building capacity is preferable to the proliferation of new institutions, although the full structure and scope of the legal and regulatory frameworks that may be needed are, at present, unclear. But what is clear, is that Arctic melt is on the increase.
Journal Article
Robert and Frances Flaherty
2005
Previous biographical emphasis on Nanook has not only obscured Flaherty's early career but also neglected the critical contributions Frances made to his development as an artist. Robert and Frances Flaherty charts her transformation from a Bryn Mawr bluestocking to the partner of a frontier explorer and offers her unique perspective as his collaborator and publicist.
Northern exposures : photographing and filming the Canadian north, 1920-45
2004
Illustrated throughout with archival photographs, this book examines the photographic and film practice of the Canadian government, the Anglican Church of Canada, and the Hudson's Bay Company, the three major colonial institutions involved in the arctic and sub-arctic.
The Cultural Industries of the North through the Eyes of Young Russians
2021
Beginning in the late 1920s, the central driving force responsible for the preparation of specialists for work in the Northern, Siberian, and Far Eastern regions of the Russian Federation has been the Herzen State Pedagogical University of Russia, St. Petersburg (Herzen University), primarily led by the Institute of the Peoples of the North. Here, linguists are trained in twenty-three languages of Northern indigenous minorities. Notably, several languages of these minority groups—such as Nganasan, Dolgan, Itelmen, Enets, Ul’ta—are taught only here. The university also provides training in the field of traditional cultures of indigenous peoples (methods of traditional applied arts and crafts of the peoples of the North; dance and musical folklore; museology, etc.).
However, not all experts in Northern studies are aware of the educational programs and scientific schools within the Department of Theory and History of Culture at Herzen University, under which the committee for the defense of doctoral and candidate dissertations has been working jointly with the Institute of the Peoples of the North for thirty years. The chairman of the council, doctor of arts, Professor L. M. Mosolova is the founder of the department and the head of the scientific school for the study of the culture of the regions of Russia, the countries of Northern Europe, and Eurasia. A significant amount of research completed by students—from undergraduate to postgraduate levels—is dedicated to the history and current issues of the various regions of Russia, including Siberia, the Far East, and Northern Europe.
Journal Article
Telenovela: an innovative colorectal cancer screening health messaging tool
2013
Alaska Native people have nearly twice the rate of colorectal cancer (CRC) incidence and mortality as the US White population.
Building upon storytelling as a culturally respectful way to share information among Alaska Native people, a 25-minute telenovela-style movie, What's the Big Deal?, was developed to increase CRC screening awareness and knowledge, role-model CRC conversations, and support wellness choices.
Alaska Native cultural values of family, community, storytelling, and humor were woven into seven, 3-4 minute movie vignettes. Written post-movie viewing evaluations completed by 71.3% of viewers (305/428) were collected at several venues, including the premiere of the movie in the urban city of Anchorage at a local movie theater, seven rural Alaska community movie nights, and five cancer education trainings with Community Health Workers. Paper and pencil evaluations included check box and open-ended questions to learn participants' response to a telenovela-style movie.
On written-post movie viewing evaluations, viewers reported an increase in CRC knowledge and comfort with talking about recommended CRC screening exams. Notably, 81.6% of respondents (249/305) wrote positive intent to change behavior. Multiple responses included: 65% talking with family and friends about colon screening (162), 24% talking with their provider about colon screening (59), 31% having a colon screening (76), and 44% increasing physical activity (110).
Written evaluations revealed the telenovela genre to be an innovative way to communicate colorectal cancer health messages with Alaska Native, American Indian, and Caucasian people both in an urban and rural setting to empower conversations and action related to colorectal cancer screening. Telenovela is a promising health communication tool to shift community norms by generating enthusiasm and conversations about the importance of having recommended colorectal cancer screening exams.
Journal Article
\An Inconvenient Truth\: blurring the lines between science and science fiction
2007
Al Gore's movie An Inconvenient Truth gives a variety of unusually biased interpretations of the state of climate science and global warming theory. These cover a wide range of natural events and processes which could potentially be impacted by global warming, but which the movie misrepresents as clear examples of the human influence on climate. A few examples include the mixing up of cause and effect in his graphical portrayal of temperature and carbon dioxide variations over hundreds of thousands of years; the repeated depiction of ice calving from glaciers as a sign of global warming; the implication that Hurricane Katrina was the fault of humans; and the particularly extreme view that the Greenland ice sheet will melt, flooding coastal cities worldwide. Ultimately, all of these are related to the widespread perception that scientists have uniquely tied global warming to anthropogenic greenhouse gas emissions. The real inconvenient truth is that science has no idea how much of recent warming is natural versus the result of human activities.
Journal Article
ARCTIC BLAST
2016
The Arctic is home to an abundance of living creatures: polar bears, walruses, narwhals, beluga whales, reindeer, caribou, lemmings, and more. However, it is not a place for humans. At least that is the opinion of Norm, a polar bear of many words, especially on the subject of tourists invading his home in the Arctic. Norm is produced by Splash Entertainment, in partnership with Assemblage Entertainment, and distributed by Lionsgate. At a feature animation studio such as Disney or DreamWorks, for instance, storyboarding starts with a scratch track, a sound recording used as a temporary placeholder until the animatic is locked down for the voice actors. Norm contains a wide assortment of environments and backdrops, including various locations in the Arctic (Pride Ice, Grandpa's land, and the shore, to name a few) and in New York City (such as Times Square, Greene Square, the warehouse, Mr. Greene's building, various streets, and more).
Magazine Article