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43 result(s) for "Art, Korean 21st century"
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Representations of Femininity in Contemporary South Korean Women's Literature
This book discusses perceptions of 'femininity' in contemporary South Korea and the extent to which fictional representations in South Korean women's fiction of the 1990s challenges the enduring association of the feminine with domesticity, docility and passivity.
Your bright future : 12 contemporary artists from Korea
\"Offers an unprecedented look at the work of twelve of Korea's most significant contemporary artists through three essays, artists' biographies and interviews, and a chronology\"--Provided by publisher.
Pop City
This book examines how Korean television dramas and K-pop music are employed to promote urban and rural regions within South Korea to overseas tourists. Riding the international popularity of Korean entertainment, Korean cities have actively used K-dramas and K-pop idols in advertisements designed to attract foreign tourists to their regions. By examining the process of cultural marketing, this book shows that places can be “sold” just like TV dramas and pop idols by promoting spectacular images rather than substantial physical and cultural qualities.
The shape of time : Korean art after 1989
Here is an illustrated overview of contemporary Korean art that offers insight into the country's tumultuous modern history and its multifaceted and vibrant art scene. Focusing on the work of 33 artists, this volume examines the ways contemporary Korean art reflects the dynamic changes in the country following the 1980 Gwangju Uprising and 1988 Seoul Olympics, when a newly democratic South Korea opened up to the rest of the world and quickly became a key player, both economically and culturally, on the global stage.
South Korean Christian Communities Supporting Women in Need
Christianity does not have as long of a history as other monotheistic religions and traditional ideologies in Korea, but—especially from the end of the 19th century—its new concepts have had a huge impact on the basic thoughts of Korean society. This paper focuses on the effects of Christianity and the activity of Christian communities on women’s lives. According to my preliminary findings, in the late 1800s, the Christian missionaries and their newly formed communities offered opportunities for girls and women to get education, a profession, access to better health care, and learn self-care. After the complicated decades between 1910 and 1950, South Korea was experiencing remarkable changes, and Christians were an active part of this rebuilding, helping the lives of those who were struggling with poverty, lack of daily necessities, education, and health care. This paper aims to examine the thoughts and actions of Korean Christian communities towards decisions on childbirth, children out of wedlock, adoption, and single motherhood. This study investigates the approaches of South Korean Christian communities towards women related to the above-mentioned circumstances, focusing on the early examples and the last five to six decades. It is assumed that even though South Korea is now considered a modernized country, the government sometimes fails to cope with current problems, and traditional notions are still strong in familial matters. Therefore, not obeying conventional forms may cause social conflicts, or the decisions are hidden because of taboos and stigmas. This research is based on the publications of Christian communities and involves documentaries and case studies, including the baby box operation and adoption. This paper contributes to the expanding studies on Korean Christian communities, highlighting the social norms and their changes generated by new religious thoughts, while giving an insight into the daily struggles of Korean women’s lives when it comes to decision-making about their motherhood.
The Cosmopolitan Vernacular: Korean Shamans (Mudang) in the Global Spirituality Market
Cosmopolitanism has often been used to discuss religions that had been institutionalized, canonized, and then transmitted globally through premodern cultural flows. In contrast, vernacular religions have maintained their local uniqueness in terms of pantheons, belief systems, practices, and ritual objects—even into the 21st century. This article discusses the cultural and societal conditions that have enabled the vernacular traditions of Korean shamanism (musok) to travel globally in real and virtual worlds. Not all Korean shamans (mudang) work with foreigners, but the four ethnographic case studies that this article examines are cosmopolitan practitioners. They assert that spirits can communicate beyond spoken languages, that mudang clients do not have to be Koreans, and that media depictions are a vehicle for making the practice available to more people in Korea and worldwide. Such international activity has become an easily achievable task in hypermodern conditions. The vernacular is flexible in meaning and usage because institutions do not supervise it and it is often an undocumented oral tradition. Mudang constantly recreate musok practices from their personal interpretation of the religious experience. Thus, when musok goes global, it is reinterpreted and transformed to fit the cultural understandings of the target audiences.
A cinematographic analysis of English-dubbed Korean films
This study investigates dubbing strategies used in Korean-to-English film translations to identify differences between on-screen and off-screen dubbing. The data comprises 12 original and English-dubbed Korean film DVDs released in North America in the 21st century. Using a multimodal corpus ELAN, the film texts are segmented into individual shots, with the dubbed dialogue analyzed based on shot sizes and sound types. Findings reveal that the dubbing of on-screen and off-screen dialogue is independent of each other, indicating the use of distinct approaches in dubbing Korean film dialogue into English. Reduction emerges as the most prevalent translation strategy, regardless of whether the characters are on-screen or off-screen. The study further explores how the linguistic characteristics of the English and Korean contribute to the necessity of reduction in dubbing to match the length of speech.