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"Art Political aspects Egypt History 21st century"
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Egypt after Mubarak
Which way will Egypt go now that Husni Mubarak's authoritarian regime has been swept from power? Will it become an Islamic theocracy similar to Iran? Will it embrace Western-style liberalism and democracy?Egypt after Mubarakreveals that Egypt's secularists and Islamists may yet navigate a middle path that results in a uniquely Islamic form of liberalism and, perhaps, democracy. Bruce Rutherford draws on in-depth interviews with Egyptian judges, lawyers, Islamic activists, politicians, and businesspeople. He utilizes major court rulings, political documents of the Muslim Brotherhood, and the writings of Egypt's leading contemporary Islamic thinkers. Rutherford demonstrates that, in post-Mubarak Egypt, progress toward liberalism and democracy is likely to be slow.
Essential reading on a subject of global importance, this edition includes a new introduction by Rutherford that takes stock of the Arab Spring and the Muslim Brotherhood's victories in the 2011-2012 elections.
eBook
Cairo Pop
Cairo Popis the first book to examine the dominant popular music of Egypt,shababiyya. Scorned or ignored by scholars and older Egyptians alike,shababiyyaplays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world.
BeforeCairo Pop, most scholarship on the popular music of Egypt focused on musiqa al-ṭarab. Immensely popular in the 1950s and '60s and even into the '70s,musiqa al-ṭarabadheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the'ud-the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. Andshababiyyais their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food.
In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation,Cairo Popelevates the aural and visual aesthetic ofshababiyya-and its role in the lives of a nation's youth.
eBook
The Egyptian press and coverage of local and international events
The Egyptian press has a large readership and potential influence on public opinion in Egypt and the Arab world. The Egyptian Press and Coverage of Local and International Events analyzes this understudied area. Written in Egypt, the book is formed of five chapters and analyzes in qualitative and quantitative methods close to 300 newspaper and magazine articles. It studies the Egyptian press and investigates the challenges it faces to be compatible with that in the west, and evaluates the renowned book Four Theories of the press and whether today's Egyptian press can fit in one of those theories. It also looks at the concepts of framing and discourse analysis adopted later. The author examines how the Egyptian press framed the Sudanese refugees' riot in Cairo in December 2005 by the top thirteen Egyptian national, independent, and party newspapers. It found that independent and party newspapers enjoy more freedom than national ones in criticizing government and the way police tackled the protest. However, independent newspapers were more vigorous in their criticism than party ones. The author observes that the weekly magazines tended to frame their coverage in a somewhat anti-government slant, accusing authorities and ferry owners of failure and corruption. Finally, the book compares coverage of the Israeli War in Lebanon in July 2006 by Egypt's giant semi-official daily newspaper Al-Ahram with that by two prominent, non-Egyptian pan-Arab dailies Al-Hayat and Asharq Al-Awsat. He finds that while Al-Hayat and Asharq Al-Awsat, which are owned by Saudi businessmen, portrayed Hizbullah in an unfavorable manner, Al-Ahram was somewhat favorable in its coverage of the Lebanese resistance group.
eBook
Translating Egypt’s Revolution
This unique interdisciplinary collective project is the culmination of research and translation work conducted by AUC students of different cultural and linguistic backgrounds who continue to witness Egypt's ongoing revolution. This historic event has produced an unprecedented proliferation of political and cultural documents and materials, whether written, oral, or visual. Given their range, different linguistic registers, and referential worlds, these documents present a great challenge to any translator.The contributors to this volume have selectively translated chants, banners, jokes, poems, interviews, as well as presidential speeches and military communiqués. Their practical translation work is informed by the cultural turn in translation studies and the nuanced role of the translator as negotiator between texts and cultures. The chapters focus on the relationship between translation and semiotics, issues of fidelity and equivalence, creative transformation and rewriting, and the issue of target readership. This mature collective project is in many ways a reenactment of the new infectious revolutionary spirit in Egypt today.
eBook