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The late 7th and 6th centuries B.C. were a period of tremendous upheaval and change in ancient western Asia, marked by the destruction of the Assyrian Empire, the rise and collapse of the Neo-Babylonian state, and the stunning ascent of what was to become the Achaemenid Persian Empire, the largest polity the world had yet seen. Of the major cultural entities involved in these far-reaching events, Elam has long remained the least understood. The essays contained in this book are part of a continuing reassessment of the nature and significance of Elam in the early 1st millennium B.C., with a focus on the relationship between \"Elamite\" culture of the Neo-Elamite period and the emerging \"Persian\" culture in southwestern Iran in the 7th and 6th centuries B.C. The conception of this volume goes back to the 2003 meeting of the American Schools of Oriental Research that took place in Philadelphia, Pennsylvania, where two sessions were dedicated to the rich cultural heritage of ancient Iran. It was also the first time that Iranian archaeology was represented at ASOR since the Iranian Revolution. This volume contains 14 contributions by leading scholars in the discipline, organized into 3 sections: archaeology, texts, and images (art history). The volume is richly illustrated with more than 200 drawings and photographs.

This essay compares conceptions of property and ownership in an important Iranian adaptation of “Jack and the Beanstalk” with its English canonical versions. It proposes that these conceptions are inflected differently in the Iranian adaptation in response to the sociopolitical context of the Islamic Revolution of Iran (1978–1979). For support, examples from other Iranian fairy tales, newspapers, and speeches of prominent revolutionary figures of the time have been provided. Finally, it examines whether these conceptions are subversive or subservient to the dominant ideology.

The late 7th and 6th centuries B.C. were a period of tremendous upheaval and change in ancient western Asia, marked by the destruction of the Assyrian Empire, the rise and collapse of the Neo-Babylonian state, and the stunning ascent of what was to become the Achaemenid Persian Empire, the largest polity the world had yet seen. Of the major cultural entities involved in these far-reaching events, Elam has long remained the least understood. The essays contained in this book are part of a continuing reassessment of the nature and significance of Elam in the early 1st millennium B.C., with a focus on the relationship between \"Elamite\" culture of the Neo-Elamite period and the emerging \"Persian\" culture in southwestern Iran in the 7th and 6th centuries B.C. The conception of this volume goes back to the 2003 meeting of the American Schools of Oriental Research that took place in Philadelphia, Pennsylvania, where two sessions were dedicated to the rich cultural heritage of ancient Iran. It was also the first time that Iranian archaeology was represented at ASOR since the Iranian Revolution. This volume contains 14 contributions by leading scholars in the discipline, organized into 3 sections: archaeology, texts, and images (art history). The volume is richly illustrated with more than 200 drawings and photographs.

Textiles in Indian Ocean Societies considers the importance of trade, and the transformation of the meaning of objects has the move between different cultures. It also addresses issues of gender, ethnic and religious identity, and economic status. The book covers a broad geographic range from East Africa to Southeast Asia, and references a number of disciplines such as anthropology, art history and history. This volume is timely, as both the social sciences and historical studies have developed a new interest in material culture. Edited by a foremost expert in the region, it will add considerably to our understanding of historical and current societies in the Indian Ocean region. Ruth Barnes works at the Ashmolean Museum, Oxford University. Her many previous publications include Dress and Gender: Making and Meaning in Cultural Contexts (co-editor); Indian Block Printed Cotton Fragments in the Kelsey Museum ; Indian Block Printed Textiles in Egypt ; and Weaving Patterns of Life .