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"Art and popular culture United States."
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Entitled : discriminating tastes and the expansion of the arts
\"This book examines the process by which the American arts expanded, over the course of more than a century, to include not just \"classical\" arts like opera and portraiture, but forms of folk, vernacular, and popular culture\"-- Provided by publisher.
Book
Push Comes to Shove
The new celebration of women's aggression in contemporary culture, from Kill Bill and Prime Suspect to the artists group Toxic Titties.In the past, more often than not, aggressive women have been rebuked, told to keep a lid on, turn the other cheek, get over it.Repression more than aggression was seen as woman's domain.
eBook
Revolution of the eye : modern art and the birth of American television
The aesthetics and concepts of modern art have influenced American television ever since its inception in the 1930s. In return, early television introduced the public to the latest trends in art and design. This engaging catalogue is the first book to comprehensively examine the way avant-garde art shaped the look and content of network television in its formative years, from the 1940s through the mid-1970s. -- Page [4] of cover.
Book
The Wow Climax
A spirited collection of essays that get to the heart of
what gives popular culture its emotional impact
Vaudevillians used the term \"the wow climax\" to refer to the
emotional highpoint of their acts-a final moment of peak spectacle
following a gradual building of audience's emotions. Viewed by most
critics as vulgar and sensationalistic, the vaudeville aesthetic
was celebrated by other writers for its vitality, its liveliness,
and its playfulness. The Wow Climax follows in the path of
this more laudatory tradition, drawing out the range of emotions in
popular culture and mapping what we might call an aesthetic of
immediacy. It pulls together a spirited range of work from Henry
Jenkins, one of our most astute media scholars, that spans
different media (film, television, literature, comics, games),
genres (slapstick, melodrama, horror, exploitation cinema), and
emotional reactions (shock, laughter, sentimentality). Whether
highlighting the sentimentality at the heart of the Lassie
franchise, examining the emotional experiences created by horror
filmmakers like Wes Craven and David Cronenberg and avant garde
artist Matthew Barney, or discussing the emerging aesthetics of
video games, these essays get to the heart of what gives popular
culture its emotional impact.
eBook
A Word from Our Sponsor: Admen, Advertising, and the Golden Age of Radio
The behind-the-scenes story of how admen and sponsors helped shape broadcasting into a popular commercial entertainment medium. During the \"golden age\" of radio, from roughly the late 1920s until the late 1940s, advertising agencies were arguably the most important sources of radio entertainment. Most nationally broadcast programs on network radio were created, produced, written, and/or managed by advertising agencies: for example, J. Walter Thompson produced \"Kraft Music Hall\" for Kraft; Benton & Bowles oversaw \"Show Boat\" for Maxwell House Coffee; and Young & Rubicam managed \"Town Hall Tonight\" with comedian Fred Allen for Bristol-Myers. Yet this fact has disappeared from popular memory and receives little attention from media scholars and historians. By repositioning the advertising industry as a central agent in the development of broadcasting, author Cynthia B. Meyers challenges conventional views about the role of advertising in culture, the integration of media industries, and the role of commercialism in broadcasting history. Based largely on archival materials, A Word from Our Sponsor mines agency records from the J. Walter Thompson papers at Duke University, which include staff meeting transcriptions, memos, and account histories; agency records of BBDO, Benton & Bowles, Young & Rubicam, and N. W. Ayer; contemporaneous trade publications; and the voluminous correspondence between NBC and agency executives in the NBC Records at the Wisconsin Historical Society. Mediating between audiences' desire for entertainment and advertisers' desire for sales, admen combined \"showmanship\" with \"salesmanship\" to produce a uniquely American form of commercial culture. In recounting the history of this form, Meyers enriches and corrects our understanding not only of broadcasting history but also of advertising history, business history, and American cultural history from the 1920s to the 1940s.
eBook
Special Affects
The emergence of these media enables new modes of perception that create 'special' sensations of wonder, astonishment, marvel and the fantastic. Such affections subsequently become mined by consumer industries for profit, thereby explaining the connection between media and consumerism that today seems inherent to the culture industry. Such modes and their affections are also translated into ideology, as American culture seeks to make sense of the sociocultural changes accompanying these new media, particularly as specific versions of American Dream narratives. Special Affects is the first extended exploration of the connection between media and consumerism, and the first book to extensively apply Deleuzian film theory to animation. Its exploration of the connection between the animated form and consumerism, and its re-examination of twentieth-century animation from the perspective of affect, makes this an engaging and essential read for film-philosophy scholars and students.
eBook
Archi.pop : mediating architecture in popular culture
\"Popular culture has become one of the foremost ways for trends to emerge in contemporary life. With a myriad number of viewers, the mediums of film, television and music have an unprecedented effect on how we live and arrange the spaces in which we live and work. Archi.Pop: Architecture and Design in Popular Culture offers the first contemporary critical overview of how architecture and design are represented within a variety of mediums of popular culture. The public is introduced to canonical architecture and design through a range of mass media and as a consequence is taught to recognise desire and consumption. This volume responds to this argument, exploring the different ways architecture and design are presented, represented and reflected within mass media. How can we read the contemporary design of Suburban American through the visual aesthetic of The Sopranos? How are housing projects represented and reflected through Hip-Hop? What significance has modern car design on contemporary interior design? What is Hollywood's role in the construction of domestic space? How did Shag carpeting influence modern design to the point of total saturation? Featuring a wide range of case studies from television, film, music, domestic interiors, magazines and many more, Archi.Pop brings the study of architecture and culture firmly to the contemporary world, offering a unique critical investigation into how this dynamic relationship has shaped the way we live and the way we interact with the constructed world around us\"-- Provided by publisher.
Book
Oprah
“Today on Oprah,” intoned the TV announcer, and all over America viewers tuned in to learn, empathize, and celebrate. In this book, Kathryn Lofton investigates the Oprah phenomenon and finds in Winfrey’s empire—Harpo Productions, O Magazine, and her new television network—an uncanny reflection of religion in modern society. Lofton shows that when Oprah liked, needed, or believed something, she offered her audience nothing less than spiritual revolution, reinforced by practices that fuse consumer behavior, celebrity ambition, and religious idiom. In short, Oprah Winfrey is a media messiah for a secular age. Lofton’s unique approach also situates the Oprah enterprise culturally, illuminating how Winfrey reflects and continues historical patterns of American religions.
eBook