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Museum science, museum analysis, museum history, and museum theory - all this expanding terminology underscores the growing scholarly interest in museums.A recurring assertion is that as an institution, the museum has largely functioned as a venue for the formation of specifically national identities.

Museum Archetypes and Collecting in the Ancient World offers the first general overview of the reasons why ancient civilizations from Archaic Greece to the Early Christian period amassed objects and displayed them together in public, private and imaginary contexts.

Since 2007, the American Folklore Society has pursued a partnership project with the China Folklore Society. Diverse in activities and extensively participated in, the endeavor is known as the China-US Folklore and Intangible Cultural Heritage Project. In this peer-reviewed report, one sub-project within this umbrella effort is reviewed. The Collaborative Work in Museum Folklore and Heritage Studies sub-project continued the project's established exchange practices and added a program of material culture and heritage studies research.

This collection explores multiple artefactual, visual, textual and conceptual adaptations, developments and exchanges across the medieval world in the context of their contemporary and subsequent re-appropriations.

Museums are usually seen as arenas for the authorised presentations of reality, based on serious, professional knowledge. Yet, in spite of the impossibility of giving anything but a highly abstract and extremely selective impression in an exhibition, very few museums problematize this or discuss their priorities with their public. They don’t ask \"what are the other truths of the matter?\" Though the essays in this collection are not written with museums and truth as their explicit subject, th.

The conference report from the international conference “Decolonizing Heritage: The Return of Cultural Objects to Africa – An International Law Perspective,” which was held on 23–24 September 2021 at the Université de Genève.

It has always been the case that the teaching of art has had to deal with social changes.We are currently facing historic challenges and phenomena which we could never have imagined - the global financial crisis, the massive migration flows, and the ubiquitous spread of new technologies in our everyday life.

Now that the sale of a Picasso painting has exceeded US$100 million at auction, the forgers are extricating their bag of tricks. This fascinating collection of papers provides an eclectic coverage of the art and philatelic concerns in safeguarding the integrity of creative artists. It paints a broader swath of the problems in art authentication, including philatelic fraud.The articles represent 24 expert contributions on relevant topics pertaining to the scientific detection of forgery in art and philately.

Inside the World's Major East Asian Collections examines the rise of the \"LAM,? an acronym that stands for libraries, archives and museums. In doing so, this book profiles leading experts-librarians, archivists and museum curators-who specialise in East Asian collections from across the world. In examining the dynamically shifting role of the cultural institution in the context of managing information and collections, this book provides important themes offered by these cultural experts in understanding the necessary professional skills, knowledge and personalities that are required for working in such environments of varying size, scope and composition in LAMs. As galleries, LAMs manage preservation and access of history and culture, and their missions and goals as cultural institutions continue to converge. As collecting institutions, LAMs share the common mandate to preserve and make accessible primary resources valuable for researchers and professionals, as well as the public. LAMs are mostly publicly funded, publicly accountable institutions collecting cultural heritage materials. Another aim of this book is to enhance the visibility and recognise the efforts of the LAM professionals as cultural institution leaders, since much of their great contributions in the respective fields to preserving our cultural and documentary heritages have gone unnoticed outside their parent institutions.