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"Art objects Private collections"
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Introduction: the issue of duplicates
The permanent preservation of objects in global custodianship is a captivating ideal that informs countless museums’ corporate identities and governs collection guidelines as well as politics. Recent research has challenged the alleged perpetuity of collections and collected items, revealing their coherence as fragile and dependent on historically, politically and culturally specific conditions. Duplicates offer an instructive point of entry to explore the idea of collection permanence, museum politics, and the mobility of museum objects. The history of duplicates, moreover, comprises a constellation of practises, concepts and debates that can be found in various forms throughout the intertwined histories of natural-scientific, ethnographic and artistic collections. This history, however, has rarely been questioned or explored. By introducing the issue of duplicates, this paper opens up a discussion that not only connects different forms of collections, but also situates the history of collecting institutions across the disciplinary spectrum within broader political, economic and epistemic frameworks.
Journal Article
Datasets for Material Culture Studies: A Protocol for the Systematic Compilation of Items Held in Private Hands
Crowdsourcing has been widely used in cultural heritage research, but mainly from an institutional perspective. Research into items of material culture often requires the researcher to examine specimens held in private hands. The dispersed nature of such holdings, primarily as collectable and, thus, tradeable objects, requires different techniques for identification and access than that for items held in museum collections. Crowdsourcing data from online discussion groups and online marketplaces, coupled with snowballing, represents a very powerful tool. This paper discusses the relevant parameters and provides a protocol for the systematic compilation of items held in private hands.
Journal Article
Jewish Aramaic Curse Texts from Late-Antique Mesopotamia
In this book, Dan Levene analyses a corpus of Jewish Babylonian Aramaic incantation bowls from Mesopotamia, whose purpose was to curse or return curses against human adversaries. He presents new editions of thirty texts, with an introduction, commentary and glossaries.
eBook
Travelling objects: the Wellcome collection in Los Angeles, London and beyond
This paper presents some of my research into the historical medical collection acquired by and on behalf of the pharmaceutical magnate Henry Solomon Wellcome (1853-1936). Specific aims of the paper are to consider how historico-geographical factors and the agency of objects influence the collection and re-collection of material cultures across time and space. I trace the movement of 30 000 objects in 1965-66 from the original Wellcome Collection in London to what is now known as the Fowler Museum at UCLA. I pay particular attention to the 'Wellcome Year' celebrations that marked the arrival of the 'great gift' in California, and explore the networks through which the travelling objects moved. From these starting points, and positing an active interpretation of material forms, the article demonstrates how people—object—place relations and shifting systems of value shape the ongoing history and geography of collections within and between certain places. I also explore how sites can be changed as a result of collections' geographies.
Journal Article
Treasures from India : jewels from the Al-Thani collection
\"Treasures from India presents 60 iconic works from the world-renowned Al-Thani collection, accompanied by a text that introduces readers to their significance within the history of Indian jeweled arts. Included are some of the earliest pieces created for the imperial Mughals in the 16th century, others made for Maharajahs of the 18th through 20th centuries, and later Indian-inspired works created by Cartier in the 20th century. These examples represent the range and scope of the finest expression of the jeweled arts in India, and stand among the highest expressions of Indian culture and artistry.\"--Publisher's website.
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