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"Art theory"
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The art of controversy : political cartoons and their enduring power
\"A lavishly illustrated, witty, and learned look at the awesome power of the political cartoon throughout history to enrage, provoke,
Book
The Effects of Interior Materials on the Restorativeness of Home Environments
The effects of a restorative environment on attention restoration and stress reduction have received much attention in societies, especially during the COVID-19 pandemic. Interior materials are a crucial environmental element influencing people’s perceived restorativeness at home. Nevertheless, few studies have examined the links between interior materials and the restorativeness of home environments. To address this gap, this study aimed to investigate the restorative potential of interior materials among a sample of adults in China. Cross-sectional data from 85 participants whose professional majors were related to interior design were selected. The measures of the restorative potential of each interior material were obtained by a questionnaire adapted from the semantic differential method. The Wilcoxon signed-rank test was used to compare the restorative potential of interior materials. We found that glass material had the best restorative potential in home environments. Doubts were raised regarding wood material’s restorativeness, and more consideration should be granted for designing a restorative home with wood material. In contrast, metal is not recommended for restorative home design. These findings contribute to the evidence of the restorative effects of home design.
Journal Article
Jungian art therapy : a guide to dreams, images, and analytical psychology
Jungian Art Therapy aims to provide a clear introductory manual for art therapists on how to navigate Jung's model of working with the psyche. This exciting new text circumambulates Jung's map of the mind so as to reinforce the theoretical foundations of analytical psychology while simultaneously defining key concepts to help orient practitioners, students, and teachers alike. The book provides several methods, which illustrate how to work with the numerous images originating from the unconscious and glean understanding from them. Throughout the text readers will enjoy clinical vignettes to support each chapter and illuminate important lessons--back cover.
Book
Alien Agency
InAlien Agency, Chris Salter tells three stories ofart in the making. Salter examines three works in which the materials of art -- the \"stuff of the world\" -- behave and perform in ways beyond the creator's intent, becoming unknown, surprising, alien. Studying these works -- all three deeply embroiled in and enabled by science and technology -- allows him to focus on practice through the experiential and affective elements of creation. Drawing on extensive ethnographic observation and on his own experience as an artist, Salter investigates how researcher-creators organize the conditions for these experimental, performative assemblages -- assemblages that sidestep dichotomies between subjects and objects, human and nonhuman, mind and body, knowing and experiencing.Salter reports on the sound artists Bruce Odland and Sam Auinger (O+A) and their efforts to capture and then project unnoticed urban sounds; tracks the multi-year project TEMA (Tissue Engineered Muscle Actuators) at the art research lab SymbioticA and its construction of a hybrid \"semi-living\" machine from specially grown mouse muscle cells; and describes a research-creation project (which he himself initiated) that uses light, vibration, sound, smell, and other sensory stimuli to enable audiences to experience other cultures' \"ways of sensing.\" Combining theory, diary, history, and ethnography, Salter also explores a broader question: How do new things emerge into the world and what do they do?
eBook
The truth is always grey : a history of modernist painting
\"Frances Guerin argues that painters select grey to respond to a key question of modernist art: What is painting? Presenting an impressive range of canonical paintings across centuries, this book is a treatise on color that allows us to see something entirely new in familiar paintings and encourages our appreciation for the innovation and dynamism of the color grey\"-- Provided by publisher.
Book
The Tone of Our Times
In this wide-ranging book, Frances Dyson examines the role of sound in the development of economic and ecological systems that are today in crisis. Connecting early theories of harmony, cosmology, and theological doctrine to contemporary media and governance, Dyson uses sound, tone, music, voice, and noise as forms of sonority through which the crises of \"eco\" can be read. The sonic environment, Dyson argues, is fundamental to both sense and sensibility, and its delimitation has contributed to the \"senselessness\" of a world now caught between spiraling debt and environmental degradation. Dyson draws on scenes, historical moments, artworks, and artistic and theoretical practice to situate the reverberative atmosphere that surrounds and sustains us. From Pythagoras's hammer and the transmutation of music into mathematics, to John Cage's famous experience in the anechoic chamber, to the relocation of the stock market from the street to the computer screen, to Occupy Wall Street's \"people's microphone\": Dyson finds policies and practices of exclusion. The sound of Pythagoras's forge and the rabble of the market have been muted, rearticulated, and transformed, Dyson argues, through the monotones of media, the racket of financialization, and the gibberish of political speech. Informed by contemporary sound art, philosophy, media and sociopolitical theory,The Tone of Our Timesoffers insights into present crises that are relevant to a broader understanding of how space, the aural, and listening have shaped and continue to shape the world we live in.
eBook
Another light : Gericault's romanticism and other essays
\"In this richly illustrated book, Michael Fried-one of the most esteemed and influential art critics and art historians working today-has gathered eight major essays written between 1993 and 2013, on topics ranging from Jacques-Louis David, Thâeodore Gâericault, and Caspar David Friedrich through Gustave Caillebotte and Roger Fry to recent films by Douglas Gordon and Thomas Demand. Gustave Courbet and Edouard Manet, too, are distinct presences along with, in the background, the great art critic Denis Diderot and, in the case of Friedrich, the philosopher Immanuel Kant. As always in Fried's writing, the emphasis falls equally on observation and argument: never have these artists (and one critic, Fry) been subjected to so searching a gaze, and never has the meaning of their respective enterprises been laid bare with comparable clarity and force. Another hallmark of Fried's work is its extraordinary originality, and that too is fully in evidence throughout this remarkable book, which will add to his reputation as one of the indispensable thinkers of our time\"-- Provided by publisher.
Book
Rattling spears : a history of indigenous Australian art
Large, bold, and colorful, indigenous Australian art-sometimes known as Aboriginal art-has made an indelible impression on the contemporary art scene. But it is controversial, dividing the artists, purveyors, and collectors from those who smell a scam. Whether the artists are victims or victors, there is no denying the impact of their work in the media, on art collectors and the art world at large, and on our global imagination. How did Australian art become the most successful indigenous form in the world? How did its artists escape the ethnographic and souvenir markets to become players in an art market to which they had historically been denied access? Beautifully illustrated, this full stunning account not only offers a comprehensive introduction to this rich artistic tradition, but also makes us question everything we have been taught about contemporary art.
eBook
Surrealist ghostliness
\"In this study of surrealism and ghostliness, Katharine Conley provides a new, unifying theory of surrealist art and thought based on history and the paradigm of puns and anamorphosis. In Surrealist Ghostliness, Conley discusses surrealism as a movement haunted by the experience of World War I and the repressed ghost of spiritualism. From the perspective of surrealist automatism, this double haunting produced a unifying paradigm of textual and visual puns that both pervades surrealist thought and art and commemorates the surrealists' response to the Freudian unconscious. Extending the gothic imagination inherited from the eighteenth century, the surrealists inaugurated the psychological century with an exploration of ghostliness through doubles, puns, and anamorphosis, revealing through visual activation the underlying coexistence of realities as opposed as life and death.Surrealist Ghostliness explores examples of surrealist ghostliness in film, photography, painting, sculpture, and installation art from the 1920s through the 1990s by artists from Europe and North America from the center to the periphery of the surrealist movement. Works by Man Ray, Claude Cahun, Brassai; and Salvador Dali;, Lee Miller, Dorothea Tanning, Francesca Woodman, Pierre Alechinsky, and Susan Hiller illuminate the surrealist ghostliness that pervades the twentieth-century arts and compellingly unifies the century's most influential yet disparate avant-garde movement\"-- Provided by publisher.
Book
Solvent form
This book is about the destruction of art, both in terms of objects that have been destroyed - lost in fires, floods or vandalism - and the general concept of art operating through object and form. Through re-examinations of such events as the Momart warehouse fire in 2004 and the activities of art thief Stéphane Breitwieser, the book proposes an idea of solvent form hinging on the dual meaning in the wordssolvent and solvency, whereby art, while attempting to make secure or fixed, simultaneously undoes and destroys through its inception. Ultimately, the book questions what is it that may be perceived in the destruction of art and how we understand it, and further how it might be linked to a more general failure.This book is about the destruction of art, both in terms of objects that have been destroyed - lost in fires, floods or vandalism - and the general concept of art operating through object and form. Through re-examinations of such events as the Momart warehouse fire in 2004 and the activities of art thief Stéphane Breitwieser, the book proposes an idea of solvent form hinging on the dual meaning in the wordssolvent and solvency, whereby art, while attempting to make secure or fixed, simultaneously undoes and destroys through its inception. Ultimately, the book questions what is it that may be perceived in the destruction of art and how we understand it, and further how it might be linked to a more general failure.
eBook