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(Re)Positioning site dance : local acts, global perspectives
\"This co-authored book aims to articulate international approaches to making, performing and theorizing site-based dance. Intended for artists, scholars, and students, the approaches discussed are informed by interdisciplinary engagements with socio-cultural, political, economic and ecological perspectives\"-- Provided by publisher.
Book
Bullying in the Arts
Diva, Prima Donna, Maestro, Virtuoso: creative geniuses with the ability to deliver artistic excellence. However this perception can serve to tilt the balance of power in relationships and to substantiate the notion of artistic temperament; the Master is always right and the Diva must have her way. The artistic genius may be hell to work with but the end result (the art) is exceptional, so behaviour deemed unacceptable in normal circumstances must be tolerated. If the corporate culture in the arts is in thrall to the concept of the artistic genius, then across the various disciplines within the creative sector the prevailing mentality may be subscribing to a set of values that allows, even directly encourages, behaviour and employment conditions that are abusive. Bullying in the Arts argues that this mindset can have a profoundly negative effect in performing arts organisations, permitting managers and other staff to ignore bullying behaviour, as long as the show goes on. Researchers in a range of disciplines and fields have studied workplace bullying and, having witnessed bullying in a number of different arts organisations, Anne-Marie Quigg researched whether the behaviour represented isolated, rare occurrences in specific creative environments or if it was indicative of a more widespread problem in the arts and cultural sector. She discovered the highest level of bullying recorded in any single employment sector in the UK. Bullying in the Arts reveals Dr Quigg's findings, including the personal, organisational, legal and economic consequences of bullying behaviour. Looking at the experiences of countries such as Australia, Canada, France, Sweden, and the United States, this book challenges the notion that the arts are beyond the limitations of the ordinary milieu, exempt from the rules and regulations governing the treatment of employees. Arts managers and professionals, teachers, students and researchers in the arts world, and all those in management or m
eBook
Tippet Rise Art Center
Of the many large-scale sculpture and art parks in the world, including Marfa, Storm King, Tickon, Yorkshire, Ekebergparken, Hakone, and Foundation Maeght, none is more ambitious in vision and scale than Tippet Rise, an 11,500-acre arts venue in south-central Montana, nor in a more spectacular setting. Nestled in the mountains north of Yellowstone National Park, the sprawling arts venue, opened in 2016 by philanthropists Cathy and Peter Halstead, celebrates the union of land, art, architecture, and music, bringing concerts by world-renowned musicians and large-scale sculpture by artists like Alexander Calder, Patrick Dougherty, Mark di Suvero, Ensamble Studio, and Stephen Talasnik to a breathtaking destination. 'Tippet Rise' is the first book on this unique arts venue. With over 200 stunning color plates, it's the next best thing to an actual visit, which should be on the to-do list of every art, architecture, and music lover. This monograph includes essays by the founders, statements by the featured artists and musician Steven Hough, and poems by Peter Halstead.
Book
A New Framework for Building Participation in the Arts
Arts organizations across the country are actively expanding their efforts to increase public participation in their programs. This report presents the findings of a RAND study sponsored by the Wallace-Reader's Digest Funds that looks at the process by which individuals become involved in the arts and attempts to identify ways in which arts institutions can most effectively influence this process. The report presents a behavioral model that identifies the main factors influencing individual decisions about the arts, based on site visits to institutions that have been particularly successful in attracting participants to their programs and in-depth interviews with the directors of more than 100 institutions that have received grants from the Wallace-Reader's Digest Funds and the Knight Foundation to encourage greater involvement in the arts. The model and a set of guidelines to help institutions approach the task of participation building constitute a framework that can assist in devising participation-building approaches that fit with an institution's overall purpose and mission, its available resources, and the community environment in which it operates--in other words, a framework that will enable arts institutions to take an integrative approach to building participation in the arts.
eBook
The Incurable-Image
From the 1990s onwards the 'ethnographic turn in contemporary art' has generated intense dialogues between anthropologists, artists and curators. While ethnography has been both generously and problematically re-appropriated by the art world, curation has seldom caught the conceptual attention of anthropologists. Based on two years of participant-observation in Mexico City, Tarek Elhaik addresses this lacuna by examining the concept-work of curatorial platforms and media artists. Taking his cue from ongoing critiques of Mexicanist aesthetics, and what Roger Bartra calls 'the post-Mexican condition', Elhaik conceptualises curation less as an exhibition-oriented practice within a national culture, than as a figure of care and an image of thought animating a complex assemblage of inter-medial practices, from experimental cinema and installations to curatorial collaborations. Drawing on Gilles Deleuze and Paul Rabinow, the book introduces the concept of the 'Incurable-Image,' an antidote to our curatorial malaise and the ethical substance for a post-social anthropology of images.
eBook
Indigenous Cultural Centers and Museums
Indigenous Cultural Centers and Museums: An Illustrated International Survey documents a rich legacy of collaboration across the spatial disciplines combining creative art practice, architecture, construction, landscape design, and urban design in the production of unique and culturally significant social institutions. This book covers a wide range of cultural programs where talented architectural practices have consulted with diverse Indigenous client groups to design for intercultural engagement. It documents the creation stories of these projects from conception to reception.
eBook
Cold War in the White Cube
No detailed description available for \"Cold War in the White Cube\".
eBook