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53 result(s) for "Asian Americans Societies, etc."
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Asian America
The last half century witnessed a dramatic change in the geographic, ethnographic, and socioeconomic structure of Asian American communities. While traditional enclaves were strengthened by waves of recent immigrants, native-born Asian Americans also created new urban and suburban areas. Asian America is the first comprehensive look at post-1960s Asian American communities in the United States and Canada. From Chinese Americans in Chicagoland to Vietnamese Americans in Orange County, this multi-disciplinary collection spans a wide comparative and panoramic scope. Contributors from an array of academic fields focus on global views of Asian American communities as well as on territorial and cultural boundaries. Presenting groundbreaking perspectives, Asian America revises worn assumptions and examines current challenges Asian American communities face in the twenty-first century.
The Racial Mundane
Across the twentieth century, national controversies involving Asian Americans have drawn attention to such seemingly unremarkable activities as eating rice, greeting customers, and studying for exams. While public debates about Asian Americans have invoked quotidian practices to support inconsistent claims about racial difference, diverse aesthetic projects have tested these claims by experimenting with the relationships among habit, body, and identity. InThe Racial Mundane, Ju Yon Kim argues that the ambiguous relationship between behavioral tendencies and the body has sustained paradoxical characterizations of Asian Americans as ideal and impossible Americans. The body's uncertain attachment to its routine motions promises alternately to materialize racial distinctions and to dissolve them. Kim's study focuses on works of theater, fiction, and film that explore the interface between racialized bodies and everyday enactments to reveal new and latent affiliations. The various modes of performance developed in these works not only encourage audiences to see habitual behaviors differently, but also reveal the stakes of noticing such behaviors at all. Integrating studies of race, performance, and the everyday,The Racial Mundaneinvites readers to reflect on how and to what effect perfunctory behaviors become objects of public scrutiny.
Civic Engagements
For refugees and immigrants in the United States, expressions of citizenship and belonging emerge not only during the naturalization process but also during more informal, everyday activities in the community. Based on research in the Dallas–Arlington–Fort Worth area of Texas, this book examines the sociocultural spaces in which Vietnamese and Indian immigrants are engaging with the wider civic sphere. As Civic Engagements reveals, religious and ethnic organizations provide arenas in which immigrants develop their own ways of being and becoming \"American.\" Skills honed at a meeting, festival, or banquet have resounding implications for the future political potential of these immigrant populations, both locally and nationally. Employing Lave and Wenger's concept of \"communities of practice\" as a framework, this book emphasizes the variety of processes by which new citizens acquire the civic and leadership skills that help them to move from peripheral positions to more central roles in American society.
Diaspora Literature and Visual Culture
This book offers an incisive and ambitious critique of Asian Diaspora culture, looking specifically at literature and visual popular culture. Sheng-mei Ma’s engaging text discusses issues of self and its relationship with Asian Diaspora culture in the global twenty-first century. Using examples from Asia, Asian America, and Asian Diaspora from the West, the book weaves a narrative that challenges the twenty-first century triumphal discourse of Asia and argues that given the long shadow cast across modern film and literature, this upward mobility is inescapably escapist, a flight from itself; Asia’s stunning self-transformation is haunted by self-alienation. The chapters discuss a wealth of topics, including Asianness, Orientalism, and Asian American identity, drawing on a variety of pop culture sources from The Matrix Trilogy to Crouching Tiger, Hidden Dragon . This book forms an analysis of the new idea of Asian Diaspora that cuts across area, ethnicity, and nation, incorporating itself into the contemporary global culture whilst retaining a distinct Asian flavor. Covering the mediums of literature, film, and visual cultures, this book will be of immense interest to scholars and students of Asian studies and literature, ethnic studies, cultural studies, and film. Introduction I. Asian Diaspora Visual Culture 1. Shadow’s Shadow in Visual Culture: Anime’s Doll, Alien’s Home 2. Inter-Asia Unbilical Love in Visual Culture 3. Chinese Cinema’s Global Dream, Multilinguality and Dialect’s Wake 4. Found(l)ing Taiwanese: From Chinese Fatherland to Japanese Okasan 5. Genesis by the Sword and Special Effects in Korean TV Costume Drama II. Asian Diaspora Literature 6. Chinese Graffiti: Poetic Out from Muk Lau, Tongyan Gaai, and House of English 7. Italic and Indiscernible Asianness in Asian Diaspora Literature 8. Tears of Asian Diaspora: Empathetic Nostalgia from an Eyehole 9. Eileen Chang and Zhang Ailing: A Bilingual Orphan 10. Chink Chic, a.k.a., Shitnoiserie Sheng-mei Ma is Professor of English at Michigan State University in Michigan, USA, specializing in Asian Diaspora culture and East-West comparative studies.
Silent No More: Anti-Asian Racism in Music
East Asian students at the Santa Cecilia Conservatory in Rome were told by the head of school that after the break, they would not be allowed to return to the classroom until cleared by a medical exam required by the conservatory. 4 The director's ban of the students was met with strong pushback from the campus community, with many students stating that they had never been to China. 7 Professor Cho's entreaty was accompanied by his hope that, through reading the account, I would better understand the broader context of his lived experience as a Chinese American. Since reading Pfalezer's book, I have described one of the operations of institutional racism within our music schools and departments, as the driving out of our students and, often, our faculty of color. A pre-eminent Asian music scholar recently shared with me privately that in spite of her prolific portfolio of award-winning books, numerous articles, and public presentations, she received an evaluation last fall in which the student complained about her “accent.” Even as music faculty from across the disciplines work diligently to complete the decades-long effort to decolonize disciplinary approaches to the performance and study of music, some of our annual conferences have been sites of anti-Asian prejudice.
PANAAWTM and the Inner Landscape
Pui-lan reflects on the personal and professional impact of PANAAWTM (Pacific, Asian, North American Asian Women in Theology and Ministry) over its 40-year history. She recounts how the organization, founded by international Asian women theologians in the 1980s, helped her confront gaps in historical knowledge and supported her academic journey on Chinese Christian women. PANAAWTM provided a space for exploring identity amid cultural dislocation, racialization, and postcolonial transitions. She discusses the complexities of being \"almost Asian American\" and how transnational belonging shaped her evolving self-understanding. She highlights PANAAWTM's unique ability to hold diverse identities--biracial, nonbinary, diasporic--and foster solidarity. The group became a vital \"spiritual house,\" enabling members to thrive and resist marginalization. She concludes with a call to continue building this community as a space of refuge, wisdom, and love amid growing global instability and empire-driven division.
Thinking Intersectionally: Gender, Race, Class, and the Etceteras of Our Discipline
Intersectional analyses make the fundamental point that we who study and interpret the biblical text have many important facets to our identities that are impacted differently by multiple interacting systems of oppression and privilege. As a method of interpretation, intersectionality presumes that our own unique social locations, our own distinctive fusions of gender, race, class, et cetera, influence our readings of texts and our interpretations of them. It encourages us to think beyond the familiar boundaries of biblical studies to expose the diverse power relations of inequality in the text and uncover subjugated voices that were previously invisible or unheard.
South Asian racialization and belonging after 9/11
This collection of essays interrogates literary and cultural narratives in the contexts of the incidents following 9/11. The collected essays underscore the new and (re)emerging racial, political, and socio-cultural discourse on identity related to terrorism and identity politics. Specifically, the collection examines South Asian American identities to understand culture, policy making, and the implicit gendered racialization, sexualization, and socio-economic classification of minority identities within the discourse of globalization. The essays included here relocate the discourse of race and cultural studies to an examination of transnational labor diasporas, reopen debate on critical constructions of U.S. racial and cultural formations, and question the reconfiguration of gendered and sexualized discourses of the South Asian diaspora within the context of national security and terrorism. This book provides a multifaceted account of South Asian racialization and belonging by drawing from disciplines across the humanities and the social sciences. The scholars included here employ methods of ethnographic studies as well as literary, culture, film, and feminist analysis to examine a wide range of South Asian cultural sites: novels, short stories, cultural texts, documentaries, and sports. The rich intellectual, theoretical, methodological, and narrative tapestry of South Asians that emerges from this inquiry enables us to trace new patterns of South Asian cultural consumption post-9/11 as well as expand notions and histories of “terror.” This volume makes an important contribution to renewing scholarship in the key areas of representations of race, labor, diaspora, class, and culture while implicating that there needs to be a simultaneous and critical dialogue on the scope and reconnections within postcolonial studies.
America's Vietnam
America's Vietnam challenges the prevailing genealogy of Vietnam's emergence in the American imagination—one that presupposes the Vietnam War as the starting point of meaningful Vietnamese-U.S. political and cultural involvements. Examining literature from as early as the 1820s, Marguerite Nguyen takes a comparative, long historical approach to interpreting constructions of Vietnam in American literature. She analyzes works in various genres published in English and Vietnamese by Monique Truong and Michael Herr as well as lesser-known writers such as John White, Harry Hervey, and Võ Phi?n. The book's cross-cultural prism spans Paris, Saigon, New York, and multiple oceans, and its departure from Cold War frames reveals rich cross-period connections. America's Vietnam recounts a mostly unexamined story of Southeast Asia's lasting and varied influence on U.S. aesthetic and political concerns. Tracking Vietnam's transition from an emergent nation in the nineteenth century to a French colony to a Vietnamese-American war zone, Nguyen demonstrates that how authors represent Vietnam is deeply entwined with the United States' shifting role in the world. As America's longstanding presence in Vietnam evolves, the literature it generates significantly revises our perceptions of war, race, and empire over time.