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Augustine and Roman Virtue seeks to correct what the author sees as a fundamental misapprehension in medieval thought, a misapprehension that fuels further problems and misunderstandings in the historiography of philosophy. This misapprehension is the assumption that the development of certain themes associated with medieval philosophy is due, primarily if not exclusively, to extra-philosophical religious commitments rather than philosophical argumentation, referred to here as the 'sacralization thesis'. Brian Harding explores this problem through a detailed reading of Augustine's City of God as understood in a Latin context, that is, in dialogue with Latin writers such as Cicero, Livy, Sallust and Seneca. The book seeks to revise a common reading of Augustine's critique of ancient virtue by focusing on that dialogue, while showing that his attitude towards those authors is more sympathetic, and more critical, than one might expect. Harding argues that the criticisms rest on sympathy and that Augustine's critique of ancient virtue thinks through and develops certain trends noticeable in the major figures of Latin philosophy.

Now in paperback, this provocative exploration of the social and intellectual forces that led to the development of Christian anti-Judaism shows how and why Augustine challenged this toxic tradition.

Augustine's Confessions is a text that seduces. But how often do its readers respond in kind? Here three scholars who share a longstanding fascination with sexuality and Christian discourse attempt to do just that. Where prior interpreters have been inclined either to defend or to criticize Augustine's views, Virginia Burrus, Mark Jordan, and Karmen MacKendrick set out both to seduce and to be seduced by his text.Often ambivalent but always passionately engaged, their readings of the Confessions center on four sets of intertwined themes-secrecy and confession, asceticism and eroticism, constraint and freedom, and time and eternity. Rather than expose Augustine's sexual history, they explore how the Confessions conjoins the erotic with the hidden, the imaginary, and the fictional. Rather than bemoan the repressiveness of his text, they uncover the complex relationship between seductive flesh and persuasive words that pervades all of its books. Rather than struggle to escape the control of the author, they embrace the painful pleasure of willed submission that lies at the erotic heart not only of the Confessions but also of Augustine's broader understanding of sin and salvation. Rather than mourn the fateful otherworldliness of his theologicalvision, they plumb the bottomless depths of beauty that Augustine discovers within creation, thereby extending desire precisely by refusing satisfaction.In unfolding their readings, the authors draw upon other works in Augustine's corpus while building on prior Augustinian scholarship in their own overlapping fields of history, theology, and philosophy.They also press well beyond the conventional boundaries of scholarly disciplines, conversing with such wide-ranging theorists of eroticism as Barthes, Baudrillard, Klossowski, Foucault, and Harpham. In the end, they offer not only a fresh interpretation of Augustine's famous work but also a multivocal literary-philosophical meditation on the seductive elusiveness of desire, bodies, language, and God.

Augustine of Hippo (AD 354-430) is arguably the most controversial Christian thinker in history. His positions on philosophical and theological concerns have been the subjects of intense scrutiny and criticism from his lifetime to the present.Augustine and his Criticsgathers twelve specialists' responses to modern criticisms of his thought, covering: personal and religious freedom; the self and God; sexuality, gender and the body; spirituality; asceticism; cultural studies; and politics.Stimulating and insightful, the collection offers forceful arguments for neglected historical, philosophical and theological perspectives which are behind some of Augustine's most unpopular convictions.

Can people ever really change? Do they ever become more ethical, and if so, how?Overcoming Our Evilfocuses on the way ethical and religious commitments are conceived and nurtured through the methodical practices that Pierre Hadot has called \"spiritual exercises.\" These practices engage thought, imagination, and sensibility, and have a significant ethical component, yet aim for a broader transformation of the whole personality. Going beyond recent philosophical and historical work that has focused on ancient Greco-Roman philosophy, Stalnaker broadens ethical inquiry into spiritual exercises by examining East Asian as well as classical Christian sources, and taking religious and seemingly \"aesthetic\" practices such as prayer, ritual, and music more seriously as objects of study. More specifically,Overcoming Our Evilexamines and compares the thought and practice of the early Christian Augustine of Hippo, and the early Confucian Xunzi. Both have sophisticated and insightful accounts of spiritual exercises, and both make such ethical work central to their religious thought and practice. Yet to understand the two thinkers' recommendations for cultivating virtue we must first understand some important differences. Here Stalnaker disentangles the competing aspects of Augustine and Xunxi's ideas of \"human nature.\" His groundbreaking comparison of their ethical vocabularies also drives a substantive analysis of fundamental issues in moral psychology, especially regarding emotion and the complex idea of \"the will,\" to examine how our dispositions to feel, think, and act might be slowly transformed over time. The comparison meticulously constructs vivid portraits of both thinkers demonstrating where they connect and where they diverge, making the case that both have been misunderstood and misinterpreted. In throwing light on these seemingly disparate ancient figures in unexpected ways, Stalnaker redirects recent debate regarding practices of personal formation, and more clearly exposes the intellectual and political issues involved in the retrieval of \"classic\" ethical sources in diverse contemporary societies, illuminating a path toward a contemporary understanding of difference.

In this brief and incisive book, Pulitzer Prize-winning historian Garry Wills tells the story of theConfessions--what motivated Augustine to dictate it, how it asks to be read, and the many ways it has been misread in the one-and-a-half millennia since it was composed. Following Wills's biography of Augustine and his translation of theConfessions, this is an unparalleled introduction to one of the most important books in the Christian and Western traditions. Understandably fascinated by the story of Augustine's life, modern readers have largely succumbed to the temptation to read theConfessionsas autobiography. But, Wills argues, this is a mistake. The book is not autobiography but rather a long prayer, suffused with the language of Scripture and addressed to God, not man. Augustine tells the story of his life not for its own significance but in order to discern how, as a drama of sin and salvation leading to God, it fits into sacred history. \"We have to read Augustine as we do Dante,\" Wills writes, \"alert to rich layer upon layer of Scriptural and theological symbolism.\" Wills also addresses the long afterlife of the book, from controversy in its own time and relative neglect during the Middle Ages to a renewed prominence beginning in the fourteenth century and persisting to today, when theConfessionshas become an object of interest not just for Christians but also historians, philosophers, psychiatrists, and literary critics. With unmatched clarity and skill, Wills strips away the centuries of misunderstanding that have accumulated around Augustine's spiritual classic.

Across lines of tradition and denomination, many Christians express a purely propositional sense of belief, focused primarily on the existence of God and facts about Christ, contributing to a transactional approach to salvation.But belief is about more than the simple fact of God's existence.

Dealing with a Juggernaut: Analyzing Poland's Policy towards Russia, 1989–2009, by Joanna A. Gorska, is the first substantial study of Poland's foreign policy interaction with its more powerful eastern neighbor, Russia. This study is essential to understanding the prospects for order and peace in Central and Eastern Europe towards Russia during the past twenty years. Gorska challenges widely established interpretations of Poland's post-1989 foreign policy by arguing that consecutive Polish governments pursued a largely cooperative policy towards Russia and did so because of material power considerations, namely Poland's strengthened power position after the Cold War and moderate security pressures from Russia. In analyzing Polish foreign policy, Dealing with a Juggernaut draws on leading theories in the field of International Relations and Foreign Policy Analysis and develops a comprehensive theoretical framework to guide empirical research. Representing a cross-section of politically important areas in Poland's most recent Russia policy, the analysis is delineated along four case studies: the Soviet military withdrawal from Poland in the early 1990s, the NATO issue in Polish policy towards Russia, Polish energy policy towards Moscow, and the Katyn question in Polish foreign policy. This book uses previously unpublished archival material, interviews with leading Polish officials, and a wealth of Polish publications to provide an insight into Warsaw's foreign policy behavior. Gorska points to a departure from hostility and imposition—a significant change in Poland's policy towards Russia after 1989. As such, Dealing with a Juggernaut, by Joanna A. Gorska, uncovers important mechanisms of regional cooperation between states with a checkered past.

Augustine of Hippo, a central figure in the history of Western thought, is also the author of a theory of reading that has had a profound influence on Western letters from the ages of Petrarch, Montaigne, Luther, and Rousseau to Freud and our own time. Stock provides the first full account of this theory within the evolution of Augustine's work.

In the Self's Place is an original phenomenological reading of Augustine that considers his engagement with notions of identity in Confessions. Using the Augustinian experience of confessio, Jean-Luc Marion develops a model of selfhood that examines this experience in light of the whole of the Augustinian corpus. Towards this end, Marion engages with noteworthy modern and postmodern analyses of Augustine's most \"experiential\" work, including the critical commentaries of Jacques Derrida, Martin Heidegger, and Ludwig Wittgenstein. Marion ultimately concludes that Augustine has preceded postmodernity in exploring an excess of the self over and beyond itself, and in using this alterity of the self to itself, as a driving force for creative relations with God, the world, and others. This reading establishes striking connections between accounts of selfhood across the fields of contemporary philosophy, literary studies, and Augustine's early Christianity.