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"Austen, Jane, 1775-1817 -- Knowledge -- History"
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Matters of Fact in Jane Austen
Discover the links between characters in Jane Austen novels and real-life celebrities of the time.
Winner of the CHOICE Outstanding Academic Title of the Choice ACRL
In Matters of Fact in Jane Austen: History, Location, and Celebrity, Janine Barchas makes the bold assertion that Jane Austen's novels allude to actual high-profile politicians and contemporary celebrities as well as to famous historical figures and landed estates. Barchas is the first scholar to conduct extensive research into the names and locations in Austen's fiction by taking full advantage of the explosion of archival materials now available online.
According to Barchas, Austen plays confidently with the tension between truth and invention that characterizes the realist novel. Of course, the argument that Austen deployed famous names presupposes an active celebrity culture during the Regency, a phenomenon recently accepted by scholars. The names Austen plucks from history for her protagonists (Dashwood, Wentworth, Woodhouse, Tilney, Fitzwilliam, and many more) were immensely famous in her day. She seems to bank upon this familiarity for interpretive effect, often upending associations with comic intent.
Barchas re-situates Austen's work closer to the historical novels of her contemporary Sir Walter Scott and away from the domestic and biographical perspectives that until recently have dominated Austen studies. This forward-thinking and revealing investigation offers scholars and ardent fans of Jane Austen a wealth of historical facts, while shedding an interpretive light on a new aspect of the beloved writer's work.
eBook
The genius of Jane Austen : her love of theatre and why she works in Hollywood
Jane Austen loved the theatre. She learned much of her art from a long tradition of English comic drama and took joyous participation in amateur theatricals and her visits to the theatre in London and Bath. Her juvenilia, then 'Sense and Sensibility', 'Pride and Prejudice', 'Mansfield Park' and 'Emma' were shaped by the arts of theatrical comedy. Her admiration for drama's dialogue, characterisation, plotting, exits and entrances is why she has been dramatised so successfully on screen in the last twenty years -- and these versions are at the centre of her continuing fame, culminating in her celebration on the ¹10 note. From the stage adaptations of Austen's novels to modern classics, including the BBC 'Pride and Prejudice' and 'Persuasion', Emma Thompson's 'Sense and Sensibility', and the phenomenally brilliant and successful 'Clueless', 'The Comic Muse' presents an Austen not of prim manners and genteel calm, but filled with wild comedy and outrageous behaviour.
BOOK
The Historical Austen
Selected byChoicemagazine as an Outstanding Academic Title Jane Austen, arguably the most beloved of all English novelists, has been regarded both as a feminist ahead of her time and as a social conservative whose satiric comedies work to regulate rather than to liberate. Such viewpoints, however, do not take sufficient stock of the historical Austen, whose writings, as William Galperin shows, were more properly oppositional rather than either disciplinary or subversive. Reading the history of her novels' reception through other histories-literary, aesthetic, and social-The Historical Austenis a major reassessment of Jane Austen's achievement as well as a corrective to the historical Austen that abides in literary scholarship. In contrast to interpretations that stress the conservative aspects of the realistic tradition that Austen helped to codify, Galperin takes his lead from Austen's contemporaries, who were struck by her detailed attention to the dynamism of everyday life. Noting how the very act of reading demarcates an horizon of possibility at variance with the imperatives of plot and narrative authority,The Historical Austensees Austen's development as operating in two registers. Although her writings appear to serve the interests of probability in representing \"things as they are,\" they remain, as her contemporaries dubbed them, histories of the present, where reality and the prospect of change are continually intertwined. In a series of readings of the six completed novels, in addition to the epistolaryLady Susanand the uncompletedSanditon, Galperin offers startling new interpretations of these texts, demonstrating the extraordinary awareness that Austen maintained not only with respect to her narrative practice-notably, free indirect discourse-but also with attention to the novel's function as a social and political instrument.
eBook
Jane Austen and Representations of Regency England
In Jane Austen and Representations of Regency England, Roger Sales looks at Jane Austen's entire oeuve, and views her historically as a Regency writer voicing concerns on the condition of England. Examining Austen's literary works; her letters - in the context of those of other Regency women; as well as contemporary texts such as television adaptations of her work, Jane Austen and Representations of Regency England reconstructs the breadth of Jane Austen's writing. It also examines: * her representations of dandyism and masculine identities * the events of the Regency crisis of 1810-12 * the way in which Austen engaged in topical debates such as healthcare in both Emma and Persuasion.
eBook