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Historical dictionary of U.S. Latino literature
U.S. Latino Literature is defined as Latino literature within the United States that embraces the heterogeneous inter-groupings of Latinos. For too long U.S. Latino literature has not been thought of as an integral part of the overall shared American literary landscape, but that is slowly changing. This dictionary aims to rectify some of those misconceptions by proving that Latinos do fundamentally express American issues, concerns and perspectives with a flair in linguistic cadences, familial themes, distinct world views, and cross-cultural voices.
The Historical Dictionary of U.S. Latino Literature contains a chronology, an introduction, and an extensive bibliography. The dictionary section has cross-referenced entries on U.S. Latino/a authors, and terms relevant to the nature of U.S. Latino literature in order to illustrate and corroborate its foundational bearings within the overall American literary experience. This book is an excellent access point for students, researchers, and anyone wanting to know more about this subject.
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Susan Sontag
In this new biography Jerome Boyd Maunsell assesses the astonishing scope of Sontag's life and work, tracing her growth during her academic career at Chicago, Oxford, the Sorbonne and Harvard, through her marriage to Philip Rieff at the age of 17, to the birth of her son David and her relationships with women.
BOOK
The Sovereignty of Quiet
African American culture is often considered expressive, dramatic, and even defiant. InThe Sovereignty of Quiet, Kevin Quashie explores quiet as a different kind of expressiveness, one which characterizes a person's desires, ambitions, hungers, vulnerabilities, and fears. Quiet is a metaphor for the inner life, and as such, enables a more nuanced understanding of black culture.The book revisits such iconic moments as Tommie Smith and John Carlos's protest at the 1968 Mexico City Olympics and Elizabeth Alexander's reading at the 2009 inauguration of Barack Obama. Quashie also examines such landmark texts as Gwendolyn Brooks'sMaud Martha, James Baldwin'sThe Fire Next Time, and Toni Morrison'sSulato move beyond the emphasis on resistance, and to suggest that concepts like surrender, dreaming, and waiting can remind us of the wealth of black humanity.
eBook
Long stories cut short : fictions from the borderlands
\"Frederick Luis Aldama and graphic artists from Mapache Studios give shape to ugly truths in the most honest way, creating new perceptions, thoughts, and feelings about life in the borderlands of the Amâericas. Each bilingual prose-art fictional snapshot in this collection offers an unsentimentally complex glimpse into the lives of those pushed into shadowed corners of society today\"--Provided by publisher.
Book
After Life
After Life is a collective history of how Americans experienced, navigated, commemorated, and ignored mass death and loss during the global COVID-19 pandemic, mass uprisings for racial justice, and the near presidential coup in 2021 following the 2020 election.
Inspired by the writers who documented American life during the Great Depression and World War II for the Works Progress Administration (WPA), the editors asked twenty-first-century historians and legal experts to focus on the parallels, convergences, and differences between the exceptional \"long 2020\", while it unfolds, and earlier eras in U.S. History.
Providing context for the entire volume, After Life's Introduction explains how COVID-19 and America's long history of inequality, combined with a corrupt and unconcerned federal government, produced one of the darkest times in our nation's history. Discussing the rise of the COVID-19 death toll in the United States, eventually exceeding the 1918 flu, the AIDS epidemic, and the Civil War, it ties public health, immigration, white supremacy, elections history, and epidemics together, and provides a short history of the Black Lives Matter protests of 2020 and the beginnings of a Third Reconstruction.
After Life documents how Americans have dealt with grief, pain, and loss, both individually and communally, and how we endure and thrive. The title is an affirmation that even in our suspended half-living during lockdowns and quarantines, we are a nation of survivors—with an unprecedented chance to rebuild society in a more equitable way.
Contributors include: Gwendolyn Hall, Heather Ann Thompson, Jacquelyn Dowd Hall, Keith Ellison, Keri Leigh Merritt, Martha Hodes, Mary Kathryn Nagle, Mary L. Dudziak, Monica Muñoz Martinez, Peniel E. Joseph, Philip J. Deloria, Rhae Lynn Barnes, Robert L. Tsai, Robin D. G. Kelley, Scott Poulson-Bryant, Stephen Berry, Tera W. Hunter, Ula Y. Taylor, and, Yohuru Williams.
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The Earliest African American Literatures
With the publication of the 1619 Project by The New York
Times in 2019, a growing number of Americans have become aware
that Africans arrived in North America before the Pilgrims. Yet the
stories of these Africans and their first descendants remain
ephemeral and inaccessible for both the general public and
educators. This groundbreaking collection of thirty-eight
biographical and autobiographical texts chronicles the lives of
literary black Africans in British colonial America from 1643 to
1760 and offers new strategies for identifying and interpreting the
presence of black Africans in this early period. Brief
introductions preceding each text provide historical context and
genre-specific interpretive prompts to foreground their
significance. Included here are transcriptions from manuscript
sources and colonial newspapers as well as forgotten texts. The
Earliest African American Literatures will change the way that
students and scholars conceive of early American literature and the
role of black Africans in the formation of that literature.
eBook
Ulysses in Black
In this groundbreaking work, Patrice D. Rankine asserts that the classics need not be a mark of Eurocentrism, as they have long been considered. Instead, the classical tradition can be part of a self-conscious, prideful approach to African American culture, esthetics, and identity.
Ulysses in Black demonstrates that, similar to their white counterparts, African American authors have been students of classical languages, literature, and mythologies by such writers as Homer, Euripides, and Seneca.
Ulysses in Black closely analyzes classical themes (the nature of love and its relationship to the social, Dionysus in myth as a parallel to the black protagonist in the American scene, misplaced Ulyssean manhood) as seen in the works of such African American writers as Ralph Ellison, Toni Morrison, and Countee Cullen. Rankine finds that the merging of a black esthetic with the classics—contrary to expectations throughout American culture—has often been a radical addressing of concerns including violence against blacks, racism, and oppression. Ultimately, this unique study of black classicism becomes an exploration of America’s broader cultural integrity, one that is inclusive and historic.
Outstanding Academic Title,
Choice Magazine
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