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Paris-Bucharest, Bucharest-Paris : Francophone writers from Romania
This collection of essays presents new research on the work of Romanian writers who chose French as a literary language. Romanian is itself, of course, a Romance language, and there is a long history of close Franco-Romanian ties. But given the complex and often multilingual cultural heritage of these writers-whose influences included German, Russian, and Ottoman-their contribution to French literature represents a unique hybrid form of 'francophonie'. And yet unlike the literary production of former French colonies, this work has received little scholarly attention as a contribution to French literature. This book aims to rectify this situation. Focusing on the historical, cultural, and artistic links between France and Romania in the twentieth century from the standpoint of such figures as Tristan Tzara, Anna de Noailles, Panaït Istrati, Eugène Ionesco, Isidore Isou, and E.M. Cioran, the essays develop innovative and insightful perspectives with regard to the work of individual authors.
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Blaise Cendrars
A new account of the life and work of innovative, pseudonymous French poet, novelist, essayist, and film writer Blaise Cendrars. In 1912 the young Frédéric-Louis Sauser arrived in France, carrying an experimental poem and a new identity. Blaise Cendrars was born. Over the next half-century, Cendrars wrote innovative poems, novels, essays, film scripts, and autobiographical prose. His groundbreaking books and collaborations with artists such as Sonia Delaunay and Fernand Léger remain astonishingly modern today. Cendrars's writings reflect his insatiable curiosity, his vast knowledge, which was largely self-taught, and his love of everyday life. In this new account, Eric Robertson examines Cendrars's work against a turbulent historical background and reassesses his contribution to twentieth-century literature. Robertson shows how Cendrars is as relevant today as ever and deserves a wider readership in the English-speaking world.
eBook
Nausea = (La nausée)
Antoine Roquentin is a French writer who, appalled at his own existence, sets out to catalog every feeling and sensation he experiences.
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Maurice Blanchot
Maurice Blanchot has long inspired writers, artists, and philosophers with some of the most incisive statements of what it meant to experience the traumas and turmoils of the twentieth century. Bident's magisterial biography provides the first full-length account of Blanchot's itinerary, drawing on unpublished letters and interviews with the writer's close friends, while also providing a sophisticated genealogy of his thought.
A journalist and activist, but also inclined to secrecy, Blanchot lived public and private lives that converged at some of the century's most momentous occasions: He was nearly executed during the Occupation, participated prominently in the May '68 revolution in Paris, and, more controversially, wrote for the far right in the '30s. Even-handed throughout, Bident offers a much-needed fleshing out of a life too easily sensationalized.
Blanchot's writings, including \"Thomas the Obscure,\" \"The Instant of my Death,\" \"The Writing of the Disaster,\" and \"The Unavowable Community\" are among the most important statements of what it meant to experience the traumas and turmoils that marked the twentieth century.The definitive biography of a crucial but famously reclusive figure in twentieth-century literature, thought, culture, and politics.The book serves as a portrait not only of Blanchot, but also of his circle, which included such major figures as Georges Bataille, Marguerite Duras, Emmanuel Levinas, Michel Foucault, and Jacques Derrida.Will be of interest to anyone seeking to better understand the fraught 20th century in France, from the turbulent politics of the 1930s to WWII and May '68.Draws on unpublished correspondence and extensive interviews with Blanchot's contemporaries, providing both an unprecedented level of detail and subtle literary readings beyond the scope of a standard biography.Blanchot was involved in some of the twentieth century's most momentous occasions: he was among the leaders of the May '68 revolution in Paris and opposition to the Algerian war; more controversially, he had been active in French fascist circles in the '30s.
eBook
Diaries real and fictional in twentieth-century French writing
\"This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly private form of writing--would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, Andre Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'Andre Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question.\"-- Provided by publisher.
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Louis-Ferdinand Céline
Louis-Ferdinand Céline was one of the most innovative novelists of the twentieth century, and his influence both in his native France and beyond remains huge. This book sheds light on Céline's novels, which drew extensively on his complex life: he rose from humble beginnings to worldwide literary fame, then dramatically fell from grace only to return, belatedly, to the limelight. Céline's subversive writing remains fresh and urgent today, despite his controversial political views and inflammatory pamphlets that threatened to ruin his reputation. This biography explores new material and reminds us why the author belongs in the pantheon of modern greats.
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Women Writing on the French Riviera
In Women Writing on the French Riviera Rosemary Lancaster examines the varied literary and artistic works of nine women visitors and their unique contributions to the cultural identity of the Riviera in its seminal rise to fame.
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Genius Envy
In Genius Envy Adrianna M. Paliyenko uncovers a forgotten past: the multiplicity and diversity of nineteenth-century French women’s poetic voices. Conservative critics of the time attributed genius to masculinity and dismissed the work of female authors as “feminine literature.\" Despite the efforts of leading thinkers, critics, and historians to erase women from the pages of literary history, Paliyenko shows how female poets invigorated the debate about the origins of genius and garnered recognition in their time for their creativity and bold aesthetic ideas. This fresh account of French women poets’ contributions to literature probes the history of their critical reception and considers the texts of celebrated writers such as Desbordes-Valmore, Ségalas, Blanchecotte, Siefert, and Ackermann. The results show that these women explicitly challenged the notion of genius as gendered, advocating for their rightful place in the canon.
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