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result(s) for
"Authors, German 20th century Biography."
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Walter Benjamin : a critical life
by
Jennings, Michael William
,
Eiland, Howard
in
Authors, German
,
Authors, German -- 20th century -- Biography
,
Benjamin, Walter, 1892-1940
2014,2016
Walter Benjamin was perhaps the twentieth century's most elusive intellectual. His writings defy categorization, and his improvised existence has proven irresistible to mythologizers. In a major new biography, Howard Eiland and Michael Jennings present a comprehensive portrait of the man and his times, as well as extensive commentary on his work.
The devil's captain
2011,2022
Author ofNazi Paris, a Choice Academic Book of the Year, Allan Mitchell has researched a companion volume concerning the acclaimed and controversial German author Ernst Junger who, if not the greatest German writer of the twentieth century, certainly was the most controversial. His service as a military officer during the occupation of Paris, where his principal duty was to mingle with French intellectuals such as Jean Cocteau and with visiting German celebrities like Martin Heidegger, was at the center of disputes concerning his career. Spending more than three years in the French capital, he regularly recorded in a journal revealing impressions of Parisian life and also managed to establish various meaningful social contacts, with the intriguing Sophie Ravoux for one. By focusing on this episode, the most important of Junger's adult life, the author brings to bear a wide reading of journals and correspondence to reveal Junger's professional and personal experience in wartime and thereafter. This new perspective on the war years adds significantly to our understanding of France's darkest hour.
The Life and Works of Wolfgang Borchert
2003
Wolfgang Borchert has been called 'the most important voice of post-war German literature.' He came to fame literally overnight when his play 'Draussen vor der Tür' (The Man Outside) was broadcast in the British zone of occupied Germany in February 1947 and evoked impassioned reactions both for and against. An examination of the plight of the returning soldier in the postwar world, it has become an icon of its time, capturing the futility of war and the true cost of the destruction in both physical and spiritual terms. Worldwide, 'Draussen vor der Tür' has been produced more often than any other German play. Between January 1946 and his death in November 1947, Borchert wrote over forty short stories on the model of Hemingway and Wolfe, many of them highly experimental. Indeed, he is widely regarded as having introduced the short-story form into German literature. This is the first full-length account of Borchert's life and works in English. It benefits from unprecedented access to archival material and from interviews with Borchert's contemporaries. The study links Borchert's own literary ambition with the enlightened family circumstances in which he grew up, and charts his development from a rebellious teenager with a passion for theater via his fighting as a soldier on Germany's Eastern Front and his imprisonment by the Nazis to his brief but intense career as a writer. Gordon Burgess is Emeritus Professor of German at the University of Aberdeen.
A Literary Occupation
by
O'Keeffe, William J
in
Authors, German-20th century-Biography
,
Hartlaub, Felix,-1913-1945?
,
Kästner, Erhart,-1904-1974
2013
Pax in Bello, peace in the midst of war, was the motto one writer chose to signify the private dilemma: how could the humanist, clad in the uniform of the occupier, write of liberal values, see with a liberal eye - and publish, or hope to? From the armistice peace of occupied France, from the partisan war and incipient civil war of Greece, from the all-out warfare in southern Russia, came writing that revealed not just the everyday split consciousness resulting from the overlay of Nazi ideology, but writing also that circumvented and in places subverted the propaganda imperative which then governed everything in print. For a European community that now sees itself as exemplar and upholder of liberal democratic values, the study of that first great test of modern liberal conscience is instructive. Some essayed the test in the craft of writing, and came away with some honour. Their works are examined in this book.
Hesse : the wanderer and his shadow
Hermann Hesse's stories inspired nonconformity and a yearning for universal values to supplant the political fanaticism tearing Europe apart. Initially, critics thought his work inaccessible to Americans, but the counterculture of the 1960s--and subsequent generations of admirers--emphatically proved the opposite. Gunnar Decker weaves together previously unavailable sources to offer a unique interpretation of the life and work of Hermann Hesse. Drawing on newly discovered correspondence between Hesse and his psychoanalyst Josef Lang, Decker shows how Hesse reversed the traditional roles of therapist and client, and rethinks the relationship between Hesse's novels and Jungian psychoanalysis. Readers who can now explore Hesse's correspondence with Thomas Mann and Stefan Zweig--the latter recently unearthed--will come away with a better understanding of the author's profound sense of alienation from his contemporaries.-- Provided by publisher
In the shadow of the magic mountain
2008
A biography of Thomas Mann's two eldest children that provides intriguing insight into both their lives and the political and cultural shifts at the same time.
Thomas Mann's two eldest children, Erika and Klaus, were unconventional, rebellious, and fiercely devoted to each other. Empowered by their close bond, they espoused vehemently anti-Nazi views in a Europe swept up in fascism and were openly, even defiantly, gay in an age of secrecy and repression. Although their father's fame has unfairly overshadowed their legacy, Erika and Klaus were serious authors, performance artists before the medium existed, and political visionaries whose searing essays and lectures are still relevant today. And, as Andrea Weiss reveals in this dual biography, their story offers a fascinating view of the literary and intellectual life, political turmoil, and shifting sexual mores of their times.
In the Shadow of the Magic Mountain begins with an account of the make-believe world the Manns created together as children—an early sign of their talents as well as the intensity of their relationship. Weiss documents the lifelong artistic collaboration that followed, showing how, as the Nazis took power, Erika and Klaus infused their work with a shared sense of political commitment. Their views earned them exile, and after escaping Germany they eventually moved to the United States, where both served as members of the U.S. armed forces. Abroad, they enjoyed a wide circle of famous friends, including Andre Gide, Christopher Isherwood, Jean Cocteau, and W. H. Auden, whom Erika married in 1935. But the demands of life in exile, Klaus's heroin addiction, and Erika's new allegiance to their father strained their mutual devotion, and in 1949 Klaus committed suicide.
Beautiful never-before-seen photographs illustrate Weiss's riveting tale of two brave nonconformists whose dramatic lives open up new perspectives on the history of the twentieth century.