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The Edinburgh book of twentieth-century Scottish poetry
Selected for the pleasure and interest they offer these 400 or so poems from more than 150 poets span the entire century. While the major figures - MacDiarmid pre-eminently, and others such as Norman MacCaig, Iain Crichton Smith, and George Mackay Brown - are generously represented, there are many other voices, from the master balladeer of the Yukon, Robert Service, to the internationally-known psychiatrist R D Laing, the distinguished economist Sir Alec Cairncross, and the troubled but deeply eloquent Rayne Mackinnon. Women are given due prominence. Readers unfamiliar with Helen Adam will experience a frisson at the sexual tensions of her ballad-poems while Naomi Mitchison reveals her intimate self. The admirable Marion Angus, Violet Jacob, and Helen B Cruickshank show their talents, while contemporary poets Liz Lochhead, Carol Ann Duffy, Janet Paisley, Jackie Kay, and many others, are well represented.In a century of unprecedented change, the poems also act as a commentary on their times - and Scotland's war poets such as Charles Hamilton Sorley and Hamish Henderson, with their anger and eloquence, are included. With its lively engagement with the real world as well as the world of private creativity, this anthology will contribute to an ongoing sense of Scottish cultural identity.Key Features* Includes more than 400 poems (compared to the 300 in the Faber volume)* Represents more than 150 poets (compared to the 70 or so in the Faber volume)* EUP's anthology spans the entire C20th century (while the Faber volume was published in the early 1990s)* The EUP volume includes more women poets than the Faber volume * The EUP volume is alphabetically arranged for ease of use (compared to the chronological arrangement of the Faber volume)* The EUP anthology includes biographjcal notes on each of the poets (which the Faber volume does not have)
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London and the Making of Provincial Literature
In the early nineteenth century, London publishers dominated the transatlantic book trade. No one felt this more keenly than authors from Ireland, Scotland, and the United States who struggled to establish their own national literary traditions while publishing in the English metropolis. Authors such as Maria Edgeworth, Sydney Owenson, Walter Scott, Washington Irving, and James Fenimore Cooper devised a range of strategies to transcend the national rivalries of the literary field. By writing prefaces and footnotes addressed to a foreign audience, revising texts specifically for London markets, and celebrating national particularity, provincial authors appealed to English readers with idealistic stories of cross-cultural communion. From within the messy and uneven marketplace for books, Joseph Rezek argues, provincial authors sought to exalt and purify literary exchange. In so doing, they helped shape the Romantic-era belief that literature inhabits an autonomous sphere in society.
London and the Making of Provincial Literaturetells an ambitious story about the mutual entanglement of the history of books and the history of aesthetics in the first three decades of the nineteenth century. Situated between local literary scenes and a distant cultural capital, enterprising provincial authors and publishers worked to maximize success in London and to burnish their reputations and build their industry at home. Examining the production of books and the circulation of material texts between London and the provincial centers of Dublin, Edinburgh, and Philadelphia, Rezek claims that the publishing vortex of London inspired a dynamic array of economic and aesthetic practices that shaped an era in literary history.
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Extraordinary Aesthetes
The fin de siècle not only designated the end of the Victorian epoch but also marked a significant turn towards modernism. Extraordinary Aesthetes critically examines literary and visual artists from England, Ireland, and Scotland whose careers in poetry, fiction, and illustration flourished during the concluding years of the nineteenth century.
This collection draws special attention to the exceptional contributions that artists, poets, and novelists made to the cultural world of the late 1880s and 1890s. The essays illuminate a range of established, increasingly acknowledged, and lesser-known figures whose contributions to this brief but remarkably intense cultural period warrant close attention. Such figures include the critically neglected Mabel Dearmer, whose stunning illustrations appear in Evelyn Sharp’s radical fairy tales for children. Equally noteworthy is the uncompromising short fiction of Ella D’Arcy, who played a pivotal role in editing the most famous journal of the 1890s, The Yellow Book . The discussion extends to a range of legendary writers, including Max Beerbohm, Oscar Wilde, and W.B. Yeats, whose works are placed in dialogue with authors who gained prominence during this period. Bringing women’s writing to the fore, Extraordinary Aesthetes rebalances the achievements of artists and writers during the rapidly transforming cultural world of the fin de siècle.
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The Ching Room & Turbo Folk
A dual volume of plays by acclaimed Scottish playwright Alan Bissett.
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The Edinburgh companion to Scottish women's writing
Explores the richness of women's contribution to Scottish literature. By combining historical spread with a thematic structure, this volume explores the ways in which gender has shaped literary output and addresses the changing situations in which women lived and wrote. It places the work of established writers such as Margaret Oliphant, Naomi Mitchison and A.L. Kennedy in new contexts and discusses the writing of critically neglected figures such as Sìleas na Ceapaich, Mary Queen of Scots, Anne Grant, Janet Hamilton, Isabella Bird, F. Marion McNeill and Denise Mina. There are chapters on women in Gaelic culture, women's relationship to oral traditions and to key literary periods, women's engagements with nationalism, with space, with genre fiction and with the activity of reading. Includes innovative scholarship from leading critics of gender and Scottish Studies, including Sarah Dunnigan (Edinburgh), Carol Anderson (Open University), Pam Perkins (Manitoba), Florence Boos (Iowa). Responds to current developments in the field of feminist and literary studies. Includes an authoritative introduction and a guide to further reading.
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The Enlightenment and the book
The late eighteenth century witnessed an explosion of intellectual activity in Scotland by such luminaries as David Hume, Adam Smith, Hugh Blair, William Robertson, Adam Ferguson, James Boswell, and Robert Burns. And the books written by these seminal thinkers made a significant mark during their time in almost every field of polite literature and higher learning throughout Britain, Europe, and the Americas. In this magisterial history, Richard B. Sher breaks new ground for our understanding of the Enlightenment and the forgotten role of publishing during that period. The Enlightenment and the Book seeks to remedy the common misperception that such classics as The Wealth of Nations and The Life of Samuel Johnson were written by authors who eyed their publishers as minor functionaries in their profession. To the contrary, Sher shows how the process of bookmaking during the late eighteenth-century involved a deeply complex partnership between authors and their publishers, one in which writers saw the book industry not only as pivotal in the dissemination of their ideas, but also as crucial to their dreams of fame and monetary gain. Similarly, Sher demonstrates that publishers were involved in the project of bookmaking in order to advance human knowledge as well as to accumulate profits. The Enlightenment and the Book explores this tension between creativity and commerce that still exists in scholarly publishing today. Lavishly illustrated and elegantly conceived, it will be must reading for anyone interested in the history of the book or the production and diffusion of Enlightenment thought.
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