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"Baroque architecture"
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Ethno-baroque
In post-1991 Macedonia,Barokfurniture came to represent affluence and success during a period of transition to a new market economy. This furniture marked the beginning of a larger Baroque style that influenced not only interior decorations in people's homes but also architecture and public spaces. By tracing the signifier Baroque, the book examines the reconfiguration of hierarchical relations among (ethnic) groups, genders, and countries in a transnational context. Investigating how Baroque has come to signify larger social processes and transformations in the current rebranding of the country, the book reveals the close link between aesthetics and politics, and how ethno-national conflicts are reflected in visually appealing ornamentation.
eBook
Baroque & Rococo
'Baroque and Rococo' is a perfect detailed introduction to two styles of art, architecture and expression that bridged the Renaissance with the Enlightenment period. 'Baroque and Rococo' explores the key artists and works of the period, such as Rembrandt and Bernini, while expanding it's reach to include Asia and Latin America. 'Baroque and Rococo' contains excellent illustrations, maps, glossaries and biographies to capture the diversity of two art forms growing against the backdrop to a world of plague, war, rioting, rebellion and religious dissent. 'Baroque and Rococo' encompasses all arts - religious and profane painting and sculpture, church architecture and interiors, public buildings, palaces, domestic interiors, festivals, gardens, theatres, music, ceramics and furniture - to provide the reader with a thorough understanding of this great period in art history.
Book
The Baroque Religious Architecture of Paredes de Coura, Portugal, and the Transformation of the Territory
This study explores the intricate relationship between Baroque religious architecture and the transformation of the territory in Paredes de Coura, Portugal. Between the second half of the 17th century and the first half of the 19th century, Paredes de Coura, located in northern Portugal, gradually transformed its religious spaces and buildings. Parish communities and private initiatives, driven by a deep religious motivation and favourable conjuncture factors, rebuilt, enlarged, and built dozens of chapels and churches from scratch, mostly in Baroque configuration but with differentiating characteristics. This process gradually gave the rural landscape a unique singularity, i.e., a transformation of significant cultural and historical importance. Numerous artisans constructed these buildings and filled their interior spaces with works of sacred art, mainly carved altars, originating primarily from Paredes de Coura and Alto-Minho municipalities. This systematic study, based on the analysis of contemporary documentation of religious buildings and extensive fieldwork, ensures the thoroughness and reliability of our research and aims to disseminate the data related to this process, presenting an overall reading of religious architecture and seeking to understand the reasons which were at the base of the construction of such a large number of temples in the municipality of Paredes de Coura during this period that changed the territory. This also highlights how Baroque religious architecture was a product of artistic and spiritual ambitions and a powerful agent of territorial reconfiguration, affecting settlement patterns, infrastructure, and social hierarchy. The legacy of these transformations continues to influence the region’s cultural landscape today.
Journal Article
Ottoman Baroque : the architectural refashioning of eighteenth-century Istanbul
A new approach to late Ottoman visual culture and its relationship with the West.
Book
A Transitory Star
Examining Bernini's works from 1665 on, from Paris and Rome, this book demonstrates the wealth of material still to be drawn from close visual and material examination, archival research, and comparative textual analysis.
eBook
Historical dictionary of Baroque art and architecture
The baroque period deals with the art created roughly between the end of the 16th and the early years of the 18th centuries. The masters of the era include Caravaggio, Gianlorenzo Bernini, Rembrandt, Vermeer, Diego Velazquez, and Nicolas Poussin. The Historical Dictionary of Baroque Art and Architecture, Second Edition covers the most salient works of baroque artists, the most common themes depicted, historical events and key figures responsible for shaping the artistic vocabulary of the era, and definitions of terms pertaining to the topic at hand.
This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events. This book is an excellent resource for students, researchers, and anyone wanting to know more about Baroque art.
eBook
Rome 1600 : the city and the visual arts under Clement VIII
\"Rome in 1600 was the centre of the artistic world. This book examines the art and architecture of the city around that date, at a time when major innovations especially in painting, were being made, largely due to the presence of Annibale Carracci and Caravaggio. 1600 was a Jubilee year, which offered numerous opportunities for artistic patronage, whether in major projects such as St Peter's, or in lesser schemes such as the restoration of older churches, as part of an growing interest in the early church. New religious orders, such as the Jesuits and Oratorians, also required new forms of decoration for their recently built churches. The book considers the patronage of the pope and his nephew, Cardinal Pietro Aldobrandini, as well as major families including the Giustiniani, Mattei and Farnese. Rome was a magnet for artists and architect from all over Europe, who came to study the remains of antiquity and the works of Michelangelo, Raphael and Bramante. The sheer variety of artists working in the city, who came from other parts of Italy, as well as northern Europe, ensured a wide variety of styles, and at times innovative cross-influences. The numerous patrons of the city were spoiled for choice. The book draws on a wide range of contemporary sources and images to reconstruct a snapshot of Rome at this significant time\"-- Provided by publisher.
Book
Visual Communication and Evangelizing Art in the Temple of San Francisco of La Paz (Bolivia)
The temple of San Francisco de La Paz is one of the best examples of the mestizo baroque style in Bolivia. The richness of the interior of the temple contributes to creating a theatrical and symbolic space, intending to evangelize and transmit the new values of the Catholic faith, through its iconographic programme. Our analysis highlights the differentiation of interior space using altarpiece programmes, thus evidencing how interior architecture is used for communication purposes. We conclude that interior space is transformed for evangelizing purposes.
Journal Article