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"Beards Fiction."
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Beard in a box
Wanting to be more like his father, a young boy spends all of his money on a product that will supposedly let him grow a beard almost instantly.
Book
\We neither are of the past nor of the future\1: Analyzing the Two Opposing Aspects of a Female Character Through Four Modern Works of Persian Fiction
Under Iran's growing contact with the West from 1925 until 1979, which caused cultural changes, modern writers were stuck between two realities: the vanishing culture of the past with its unified view of women and the modern Western-oriented culture of the present with its doubting, ironic, and fast-changing view of women. Both labels, the 'ethereal' (or inaccessible paragon) and the 'whore' (or accessible temptress) for female characters emerged in a major literary work of the 20th century in Iran, The Blind Owl (1937), by Hedayat due to these cultural changes. Furthermore, the labels appeared within some later modern Persian fictional works such as Prince Ehtejab (1969) by Golshiri, The Night of Terror (1978) by Shahdadi, and Her Eyes (1952) by Alavi. This essay aims to discuss why and how the two aspects of the ethereal and the whore appear in these four, modern works of Persian fiction. To do so, the paper displays the similarities that these female characters share with one another, the way they appear to share similarities with the male narrator's mother, and their relevance both to fine arts and with nature. Analyzing these four modern Persian fictional works in this essay is something more than just an effort to show how women were underestimated in literature even after Iran's modernization, but also to offer insights into persistent cultural assumptions, including relationships between women and men.
Journal Article
The lumberjack's beard
Big Jim Hickory is a very good lumberjack but begins to worry when his tree-felling causes his woodland friends to lose their homes. So he decides to take quick action to find them a new place to live. Luckily, Jim comes up with a creative idea that will change the way they share the forest and they way they all define home.
BOOK
The Beard, Masculinity, and Otherness in the Contemporary American Novel
This article identifies the humble beard as a device used in twenty-first-century American literature to examine the contemporary condition of American masculinity. Drawing on readings from key writers of post-9/11 fiction, such as John Updike, Moshin Hamid, and Don DeLillo, the article calls for the need to move on from the reductive rendering of the beard as an irrefutable representation of Otherness to see the beard as a device used to explore the construction of masculinities in relation to key issues such as racialization, sexuality and the queering of the Other, and nationhood in the globalized and globalizing arena of the United States. Reading Amy Waldman's nuanced engagement with the beard in The Submission (2011) alongside key works on hegemonic masculinity, whiteness, and globalized masculinities, the article underlines the power of the beard in the contradictions and complexities of a changing American masculinity now performed beyond the physical borders of “the nation” on the global stage.
Journal Article
Beard boy
\"Young Ben wants a beard of his very own so he can look like the coolest guy around--his dad\"-- Provided by publisher.
Book
THE DESERT IS OUR NEIGHBOUR
Helen Oyeyemi’s Mr Fox rewrites gothic and fairytale tropes to expose patriarchal and colonial lines in sand encoded in fiction that legitimise the subjugation of women. Drawing on the work of Mayra Rivera, Sara Ahmed, and Kamala Visweswaran, this article argues that Oyeyemi’s work enacts a postcolonial feminist ethic of encounter that foregrounds and challenges gendered and colonial power relations. The article examines Oyeyemi’s metafictive storytelling, her use and critique of feminist revisioning and voicing, and genre play as strategies that call into question processes of representation and meaning-making in encountering others.
Journal Article
Rhizomatic Horror: Eclipsed Narrative and Experimental Weird Fiction in Steve Beard's Digital Leatherette
Bruce Sterling recently criticized the fiction of Steve Beard as \"being based in quote, Theory, unquote\" and that this academicism is ineffective for slipstream fiction. This article suggests that Beard's novel, Digital Leatherette (1999), is not slipstream fiction but rather an intervention in New Weird fiction. Beard employs the conceptual structure, the rhizome, formulated by Gilles Deleuze and Felix Guattari as the diegetic framework for his novel. The result is an assemblage of fictions that refer to a constitutive narrative; yet, this unified diegesis remains eclipsed and unnamable. Digital Leatherette confronts H.P. Lovecraft's cosmic horror in an age where the \"inability of the human mind to correlate all its contents\" is more of a formal axiom than aphorism. [PUBLICATION ABSTRACT]
Journal Article
