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191 result(s) for "Beauty, Personal, in literature."
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Women, beauty and power in early modern England : a feminist literary history
Divided into three sections on cosmetics, clothes and hairstyling, this book explores how early modern women regarded beauty culture and in what ways skin, clothes and hair could be used to represent racial, class and gender identities, and to convey political, religious and philosophical ideals.
Beauty poetry : \she walks in beauty\
\"Explores beauty-themed poetry, including famous American and European poets and their poems, as well as literary criticism, poetic technique, explication, and prompts for further study\"--Provided by publisher.
Beauty: Exploring Critical Perspectives
This volume was first published by Inter-Disciplinary Press in 2016. Rather than accept society's 'preferred metaphors' about beauty at face value, the authors in this volume question the fact that beauty can also surprise us in the least foreseeable setting, at the most unexpected moment and in the most surprising or unsettling ways. Their work underscores beauty's ephemeral, transitory, fleeting and at times confounding nature. The way beauty reveals itself to us, they point out, may challenge or even contradict established conventions, norms and values about aesthetics. The emergence of unconventional metaphors and analogies about beauty in these chapters calls on us to pay attention to competing and seemingly intractable connotations of fear, darkness, ugliness, oppression, repression, callousness and dejection that won't leave us indifferent to their appeal. How we, as researchers, envisage beauty as a topic of investigation tells us as much about our conceptualization of beauty arising from particular scientific perceptions as about the language and symbols that express this perception. It raises the important question about why we rely on conceptual constructs to explain beauty and whether beauty remains a mystery to be explored or, ultimately, one best left unexplained.
Kissing the Wild Woman
Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman , Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in which she fashioned a new type of narrative that combined elements of the romance and the novella and included a polemical treatise on the moral implications of portraiture and the role of women in the arts. Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporary writer Pietro Aretino and the painter Titian. Kissing the Wild Woman 's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature.
The ugly duckling returns
The ugly duckling finds that as a beautiful swan he can't get the right kind of publicity needed for an anti-pollution campaign, so he decides to change back to his old self to help save the forest.
Kissing the Wild Woman
Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature.
Women, beauty and power in early modern England : a feminist literary history
\"Divided into three sections on cosmetics, clothes and hairstyling, this book explores how early modern women regarded beauty culture and in what waysskin, clothes and hair could be used to represent racial, class and gender identities, and to convey political, religious and philosophical ideals\"-- Provided by publisher.
Embodying Beauty
This study argues that twentieth-century American women writers' textual representations of female beauty generally recognize a link between beauty standards and aesthetic ideology, exploring female beauty as a symptom of prevailing ideas about art and esthetics.