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"Bellows, George, 1882-1925 Criticism and interpretation."
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George Bellows Revisited
This essay collection, by scholars from both the United States and Europe, carefully examines the artwork of one of the most important 20th-century American painters and printmakers, George Bellows. It builds on the Columbus Museum of Art's 2013 exhibition, George Bellows and the American Experience, and the National Gallery of Art's 2012 exhibition, George Bellows. The volume offers innovative research that explores his oeuvre from multiple viewpoints. The essays challenge widely held perceptions of Bellows, such as his Americanness, hyper-masculinity, patronage, response to the World War I, and his relationship to fellow artist Edward Hopper. This is an essential collection for any serious study on Bellows' work.
Figuring and Disfiguring: Joyce Carol Oates on Boxing and the Paintings of George Bellows
1998
Addressing debates about the effects of representing bodily pain, this essay focuses on writings about boxing by Joyce Carol Oates and paintings by George Bellows. Emphasis is on the way that such representation can be an act of engagement that unmakes aesthetic barriers but can also increase rather than reduce the distance between actor and beholder.
Journal Article
The use and abuse of realism
1989
Bradley Bloch reviews a display of 75 lithographs at the National Academy of Design in New York City NY by George Bellows.
Magazine Article
The art of sports. (touring exhibit from The National Art Museum of Sport, Indianapolis, Indiana)
by
Rhodes, Reilly
in
Art exhibits
,
Bellows, George Wesley (1882-1925)
,
Criticism and interpretation
1992
The National Art Museum of Sport in Indianapolis, IN, opened in 1991 with an exhibit of painting and sculpture based on sports and athletes. The exhibit, now on tour, represents artists as varied as Thomas Eakins, Childe Hassam and Andy Warhol.
Magazine Article