Explore the vast range of titles available.

The first publication of Edna St. Vincent Millay's private, intimate diaries, providing \"a candid self-portrait of the 'bad girl of American letters'\" (Kirkus Reviews) \"Endlessly intriguing and illuminating. The publication of Edna St. Vincent Millay's diaries is a major literary event, providing astonishing insight into the great poet's art and life.\"-Chloe Honum, author of The Tulip-Flame The English author Thomas Hardy proclaimed that America had two great attractions: the skyscraper, and the poetry of Edna St. Vincent Millay. In these diaries the great American poet illuminates not only her literary genius, but her life as a devoted daughter, sister, wife, and public heroine; and finally as a solitary, tragic figure. This is the first publication of the diaries she kept from adolescence until middle age, between 1907 and 1949, focused on her most productive years. Who was the girl who wrote \"Renascence,\" that marvel of early twentieth-century poetry? What trauma or spiritual journey inspired the poem? And after such celebrity why did she vanish into near seclusion after 1940? These questions hover over the life and work, and trouble biographers and readers alike. Intimate, eloquent, these confessions and keen observations provide the key to understanding Millay's journey from small-town obscurity to world fame, and the tragedy of her demise.

On an otherwise normal weekday in the 1980s, commuters on busy Route 1 in central New Jersey noticed an alarming sight: a man in a suit and tie dashing across four lanes of traffic, then scurrying through a narrow underpass as cars whizzed by within inches.The man was William \"Holly\" Whyte, a pioneer of people-centered urban design.

The prescience of medieval English authors has long been a source of fascination to readers. Retrospective Prophecy and Medieval English Authorship draws attention to the ways that misinterpreted, proleptically added, or dubiously attributed prognostications influenced the reputations of famed Middle English authors. It illuminates the creative ways in which William Langland, John Gower, and Geoffrey Chaucer engaged with prophecy to cultivate their own identities and to speak to the problems of their age. Retrospective Prophecy and Medieval English Authorship examines the prophetic reputations of these well-known medieval authors whose fame made them especially subject to nationalist appropriation. Kimberly Fonzo explains that retrospectively co-opting the prophetic voices of canonical authors aids those looking to excuse or endorse key events of national history by implying that they were destined to happen. She challenges the reputations of Langland, Gower, and Chaucer as prophets of the Protestant Reformation, Richard II’s deposition, and secular Humanism, respectively. This intellectual and critical assessment of medieval authors and their works successfully makes the case that prophecy emerged and recurred as an important theme in medieval authorial self-representations.

A major new investigation into the Bhutto family, examining their influence in Pakistan from the colonial era to the present day The Bhutto family has long been one of the most ambitious and powerful in Pakistan. But politics has cost the Bhuttos dear. Zulfikar Ali Bhutto, widely regarded as the most talented politician in the country's history, was removed from power in 1977 and executed two years later, at the age of 51. Of his four children, three met unnatural deaths: Shahnawaz was poisoned in 1985 at the age of 27; Murtaza was shot by the police outside his home in 1996, aged 42; and Benazir Bhutto, who led the Pakistan Peoples Party and became Prime Minister twice, was killed by a suicide bomber in Rawalpindi in 2007, aged 54. Drawing on original research and unpublished documents gathered over twenty years, Owen Bennett-Jones explores the turbulent existence of this extraordinary family, including their volatile relationship with British colonialists, the Pakistani armed forces, and the United States.

Sir Oliver Lodge was a polymathic scientific figure who linked the Victorian Age with the Second World War, a reassuring figure of continuity across his long life and career. A physicist and spiritualist, inventor and educator, author and authority, he was one of the most famous public figures of British science in the late nineteenth and early twentieth centuries. A pioneer in the invention of wireless communication and later of radio broadcasting, he was foundational for twentieth-century media technology and a tireless communicator who wrote upon and debated many of the pressing interests of the day in the sciences and far beyond. Yet since his death, Lodge has been marginalized. By uncovering the many aspects of his life and career, and the changing dynamics of scientific authority in an era of specialization, contributors to this volume reveal how figures like Lodge fell out of view as technical experts came to dominate the public understanding of science in the second half of the twentieth century. They account for why he was so greatly cherished by many of his contemporaries, examine the reasons for his eclipse, and consider what Lodge, a century on, might teach us about taking a more integrated approach to key scientific controversies of the day.

The story of the longest and most complex legal challenge to slavery in American history For over seventy years and five generations, the enslaved families of Prince George's County, Maryland, filed hundreds of suits for their freedom against a powerful circle of slaveholders, taking their cause all the way to the Supreme Court. Between 1787 and 1861, these lawsuits challenged the legitimacy of slavery in American law and put slavery on trial in the nation's capital. Piecing together evidence once dismissed in court and buried in the archives, William Thomas tells an intricate and intensely human story of the enslaved families (the Butlers, Queens, Mahoneys, and others), their lawyers (among them a young Francis Scott Key), and the slaveholders who fought to defend slavery, beginning with the Jesuit priests who held some of the largest plantations in the nation and founded a college at Georgetown. A Question of Freedom asks us to reckon with the moral problem of slavery and its legacies in the present day.

Evangelical-Augsburg cemetery in Uniejów was founded in the 1870s and functioned until 1945. After the second world war the cemetery was completely demolished. Fortunately three tombstones with readable inscriptions survived. The author has made an attempt to show who these people were and to reconstruct their genealogical roots on the basis of preserved documents.

Intelligence is now acknowledged as the hidden dimension to international diplomacy and national security.It is the hidden piece of the jigsaw puzzle of global relations that cements relationships, undermines alliances and topples tyrants, and after many decades of being deliberately overlooked or avoided, it is now regarded as a subject of.

Max Steiner is one of the greatest—not to mention most prolific—composers of the Golden Age of Hollywood. The winner of three Academy Awards, Steiner’s credits include King Kong, The Informer, Gone with the Wind, Now, Voyager, Since You Went Away, Johnny Belinda, and The Caine Mutiny. Though known for timeless melodies that symbolize the glamor of Hollywood’s Golden Age, Steiner has also been hailed as a film scoring pioneer. In Max Steiner: Composing, Casablanca, and the Golden Age of Film Music, Peter Wegele unveils the man behind dozens of memorable scores, offering a portrait of the composer from a personal and professional point of view. Beginning with background on the history and techniques of film music, Wegele then examines Steiner’s musical innovations, some of which are still used today. This is followed by a thorough analysis of one of Steiner’s legendary scores—the music to Casablanca. More than eighty transcribed musical examples demonstrate how efficient, musically clever, and tremendously skilled the composer was when he wrote this score. Drawing on quotes, notes from production files, and excerpts from the original script for Casablanca, Wegele provides insight not only into the production history of the film, but also into the workings of Hollywood during the Golden Age. Including an appendix that compares Steiner with four other composers of his age—Erich Wolfgang Korngold, Alfred Newman, Franz Waxman, and Hugo Friedhofer—and a complete filmography of Steiner’s work, this book is an invaluable examination of the composer’s life and career. Film music composers, music scholars and students, directors, and anyone interested in film and music history will enjoy this detailed portrait of a musical genius.