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"Black feminism"
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Everyday Violence
Everyday Violence is based on ten years of scholarly rage against catcalling and aggression directed at women and Lesbian, Gay, Bisexual, Transgender and Queer (LGBTQ) people of New York City. Simone Kolysh recasts public harassment as everyday violence and demands an immediate end to this pervasive social problem. Analyzing interviews with initiators and recipients of everyday violence through an intersectional lens, Kolysh argues that gender and sexuality, shaped by race, class, and space, are violent processes that are reproduced through these interactions in the public sphere. They examine short and long-term impacts and make inroads in urban sociology, queer and trans geographies, and feminist thought. Kolysh also draws a connection between public harassment, gentrification, and police brutality resisting criminalizing narratives in favor of restorative justice. Through this work, they hope for a future where women and LGBTQ people can live on their own terms, free from violence.
eBook
Ubuntu relational love : decolonizing Black masculinities
\"Ubuntu is a Bantu term meaning humanity. It is also a philosophical and ethical system of thought, from which definitions of humanness, togetherness, and social politics of difference arise. Devi Dee Mucina is a Black Indigenous Ubuntu man. In Ubuntu Relational Love, he uses Ubuntu oratures as tools to address the impacts of Euro-colonialism while regenerating relational Ubuntu governance structures. Called 'millet granaries' to reflect the nourishing and sustaining nature of Indigenous knowledges, and written as letters addressed to his mother, father, and children, Mucina's oratures take up questions of geopolitics, social justice, and resistance. Working through personal and historical legacies of dispossession and oppression, he challenges the fragmentation of Indigenous families and cultures and decolonizes impositions of white supremacy and masculinity.\"--Back cover
Book
Beyoncé's Super Bowl Spectacles and Choreographies of Black Power in the Movement 4 Black Lives
In this article, I argue that the spectacle of American football, and the performance practices of HBCU dance lines birthed within it and seasoned in queer nightclubs, propelled Black “femme-inintiy” from the sidelines to the center of choreographic and discursive practices of Black liberation. I wed queer Black feminism with Yoruba cosmology to analyze three protests instigated during three NFL events in 2016: Beyoncé's Super Bowl performance, the direct actions of Black Lives Matter activists at the Super Bowl, and Assata's Daughters’ protest at the NFL Draft. Ultimately, I theorize the generative potential of spectacle and uplift the organizing and labor of queer Black femmes and gender nonconforming people in the Movement 4 Black Lives.
Journal Article
Intersectionality : origins, contestations, horizons
\"Intersectionality intervenes in the field of intersectionality studies: the integrative examination of the effects of racial, gendered, and class power on people's lives. While \"intersectionality\" circulates as a buzzword, Anna Carastathis joins other critical voices to urge a more careful reading. Challenging the narratives of arrival that surround it, Carastathis argues that intersectionality is a horizon, illuminating ways of thinking that have yet to be realized; consequently, calls to \"go beyond\" intersectionality are premature. A provisional interpretation of intersectionality can disorient habits of essentialism, categorial purity, and prototypicality and overcome dynamics of segregation and subordination in political movements. Through a close reading of critical race theorist Kimberle Williams Crenshaw's germinal texts, published more than twenty-five years ago, Carastathis urges analytic clarity, contextual rigor, and a politicized, historicized understanding of this widely traveling concept. Intersectionality's roots in social justice movements and critical intellectual projects--specifically Black feminism--must be retraced and synthesized with a decolonial analysis so its radical potential to actualize coalitions can be enacted\"-- Provided by publisher.
Book
On the Uses of Black Feminism
This essay reflects on the theoretical and pedagogical utility of centering a Black feminist approach in the queer/sexuality studies classroom, an antiracist praxis the author conceptualizes as Black feminism as sexuality study.
Journal Article
The crunk feminist collection
\"For the Crunk Feminist Collective, their academic day jobs were lacking in conversations they actually wanted-relevant, real conversations about how race and gender politics intersect with pop culture and current events. To address this void, they started a blog. Now with an annual readership of nearly one million, their posts foster dialogue about activist methods, intersectionality, and sisterhood. And the writers' personal identities-as black women; as sisters, daughters, and lovers; and as television watchers, sports fans, and music lovers-are never far from the discussion at hand. These essays explore \"Sex and Power in the Black Church,\" discuss how \"Clair Huxtable is Dead,\" list \"Five Ways Talib Kweli Can Become a Better Ally to Women in Hip Hop,\" and dwell on \"Dating with a Doctorate (She Got a Big Ego?).\" Self-described as \"critical homegirls,\" the authors tackle life stuck between loving hip hop and ratchet culture while hating patriarchy, misogyny, and sexism. Brittney Cooper is an assistant professor at Rutgers University. In addition to a weekly column in Salon.com, her words have appeared in the New York Times, the Washington Post, Cosmo.com, and many others. In 2013 and 2014, she was named to the Root.com's Root 100, an annual list of Top Black Influencers. Susana M. Morris received her Ph.D. from Emory University and is currently an associate professor of English at Auburn University. Robin M. Boylorn is assistant professor at the University of Alabama. She is the author of the award-winning monograph Sweetwater: Black Women and Narratives of Resilience (Peter Lang, 2013)\"-- Provided by publisher.
Book
Intersectionality's Definitional Dilemmas
The term intersectionality references the critical insight that race, class, gender, sexuality, ethnicity, nation, ability, and age operate not as unitary, mutually exclusive entities, but rather as reciprocally constructing phenomena. Despite this general consensus, definitions of what counts as intersectionality are far from clear. In this article, I analyze intersectionality as a knowledge project whose raison d'être lies in its attentiveness to power relations and social inequalities. I examine three interdependent sets of concerns: (
a
) intersectionality as a field of study that is situated within the power relations that it studies; (
b
) intersectionality as an analytical strategy that provides new angles of vision on social phenomena; and (
c
) intersectionality as critical praxis that informs social justice projects.
Journal Article
The Sisterhood : how a network of Black women writers changed American culture
\"On February 6, 1977, Toni Morrison, Alice Walker, Ntozake Shange, and several other Black women writers met at June Jordan's Brooklyn apartment. Naming itself \"The Sisterhood,\" the group would meet over the next two years to discuss the future of Black literary feminism, how to promote and publicize their work, and the everyday pressures and challenges of being a Black woman writer. This network of individuals, which would also come to include Audre Lorde, Paule Marshall, Toni Cade Bambara and Margo Jefferson, as well as other Black women, shaped the direction of Black women's writing and Black literary culture in the post-Civil Rights and post-Black Arts Movement era and its reception in popular culture, the literary marketplace, and the academy. Drawing on meeting notes, interviews with participants their writings, and correspondence, Courtney Thorsson's history of \"The Sisterhood\" recounts the personal, political, and professional bonds and motivations that shaped the group's history and its dissolution. Turning to the group's legacy, she considers the critical and popular success of Alice Walker and Toni Morrison in the 1980s, the uneasy absorption of Black feminism into the academy, and the racist and misogynistic backlash these writers faced and the limits of mainstream success. Though \"The Sisterhood\" only formally existed for two years, its impact on American literature and culture, as Thorsson demonstrates, has been profound even as it reveals the limitations of its success\"-- Provided by publisher.
Book
Throwing our bodies against the white background of academia
This paper addresses the difficulty of conducting research about non‐white racialised persons while working within predominantly white academic institutions. Specifically, I examine how to conduct research without representing Black bodies as a fixed, exoticised Other that is oppositional to a disembodied white Self. To do so, I use double consciousness alongside Black feminist work on dialogues as a methodological framework to centre Black Muslim women as knowledge producers. This novel approach moves away from simply describing (and fixing) racialised bodies to a particular performance/experience, and instead explores how performances shift as we negotiate different bodies, objects, and spaces. The paper advances discussions in critical race studies and the ethics of geographical research by illustrating how the situated experiences of the researcher and the participant are embedded in processes of knowledge production: I look to subvert the fixing of racialised bodies as deviations from the normative white background of academia. This paper addresses the difficulty of conducting research about non‐white racialised persons while working within predominantly white academic institutions.
Journal Article