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\"This book explores the 'invisible' impact whiteness has on the lived 'black' experience in the UK. Using education as a philosophical and ethical framework, the author interrogates the vision of Black Radicalism proposed by Kehinde Andrews, exploring its potential applicability to grassroots activism. Clennon uses an interdisciplinary theoretical framework to draw together his previous writings on 'blackness,' in effect crystallising the links between commercial (urban) blackness, the pathological structures of whiteness and institutional control. Drawing inspiration from Robbie Shilliam's cosmologically related 'hinterlands' as an antidote to the nature of colonial (Eurocentric) epistemologies, the author uses the polemical chapters as gateways to theoretical discussion about the material effects of whiteness felt on the ground. This controversial and unflinching volume will be of interest to students and scholars of race studies, particularly within education, and the lived black experience\"--Back cover.

With erudition, wit, and grace, Henry Louis Gates, Jr. elucidates the roots and limitations of cultural studies.

Since the mid-1990s, the black experience in Britain has begun to be (re)negotiated intensely, with a strong focus on history. Narrative Projections of a Black British History considers narratives that construct, or engage with, aspects of a black British history. Part I poses the question of what sort of narratives have emerged from, and in turn determine, key events (such as the iconic 'Windrush' moment) and developments and provides basic insights into theoretical frameworks. It also offers a large number of comparative readings, considering both 'factual' and 'fictional' forms of representation such as history books, documentary films, life writing, novels, and drama, and identifies main strands, 'official' narratives and countercurrents. Part II embarks on close readings and analyses of a selection of narratives that can be classed as reactions to the 'established' historical culture. Overall, the book draws attention to collective currents and individual positions, affirmative and critical approaches: Together, they form a representative image of a specific moment in the ongoing debate about a black British history.

This book is the first archive-based account of the charged debates around race in the women's movement in England during the 'second wave' period.Examining both the white and the Black women's movement through a source base that includes original oral histories and extensive research using feminist periodicals, this book seeks to unpack.

01 02 Race, Gender and the Body in British Immigration Cont ro l provides the most detailed account of the virginity testing controversy in the late 1970s, and demonstrates that this abusive practice, which was endured by South Asian women for more than a decade, was part of a wider culture of mistreatment and discrimination that occurred within the immigration system authorized by the state. Using recently opened government documents, Smith and Marmo offer a unique insight into this matter and uncover the extent to which these women were scrutinized, interrogated and subject to physical examination at the border. Combining cutting-edge criminological theory and historical research, this book proposes that the contemporary British immigration control system should be viewed as an attempt to replicate colonial hierarchies upon migrants in the post-imperial era. For this reason, the abuses of human rights at the border became a secondary issue to the need of the post-imperial British nation-state to enforce strict immigration controls. 04 02 Introduction 1. Decolonisation and the Creation of the British Immigration Control System 2. The Border as a Filter: Maintaining the Divide in the Post-Imperial Era 3. Reorienting the South Asian Female Body: the Practice of 'Virginity Testing' and the Treatment of Migrant Women 4. Deny, Normalise and Obfuscate: the Government Response to the Virginity Testing Practice and Other Physical Abuses 5. The Postcolonial World Stage: Immigration and Britain's International Reputation 6. Discrimination by other Means: Further Restrictions on Migrant Women and Children under the Conservatives Conclusion 02 02 This book analyses the practice of virginity testing endured by South Asian women who wished to enter Britain between the late 1960s and the early 1980s, and places this practice into a wider historical context. Using recently opened government documents the extent to which these women were interrogated and scrutinized at the border is uncovered. 08 02 \"An important and revelatory study of a shameful episode in 20th century British immigration history that was shaped by Imperial racism.\" - Alan Travis, Home Affairs Editor, The Guardian \"It is impossible to over-estimate the importance of Smith and Marmo's study. Their chilling documentation of abuses permitted – and vigorously denied – by the Home Office represents feminist scholarship at its best.\" - Philippa Levine, Mary Helen Thompson Centennial Professor in the Humanities, University of Texas at Austin, US \"This historical study examines the intertwining of 'race', gender and the body in the application of immigration controls in Britain since the 1970s. Drawing on research in British Government archives, 'Race, Gender and the Body in British Immigration Control' begins with the shocking case of virginity testing of a 35 year old woman, who arrived at Heathrow Airport, London in 1979 to marry her fiancé. Smith and Marmo unpick these obscene practices as symptomatic of the de-humanising treatment of migrants from the former colonies and the dense racialized, sexual politics of British border controls. Crucially, Smith and Marmo also explore the incredible resistance of South Asian women and anti-deportation activists against the discriminatory practices of the British state. This important new history of immigration control speaks directly to the contemporary situation of border securitisation in Britain and beyond. It will be of interest to, and will be widely read by all interested in migration, citizenship, human rights, post-colonial migration, and histories of resistance to unjust border controls.\" - Dr Imogen Tyler, Senior Lecturer in Sociology, Lancaster University, UK 13 02 Evan Smith is Vice-Chancellor's Postdoctoral Research Fellow in the School of International Studies at Flinders University, Australia. He has written widely on the British immigration control system, the politics of race in Britain and the British far left. Marinella Marmo is Associate Professor in Criminology at Flinders University Law School, Australia. Her research interests include international criminal justice, transnational crime and comparative criminology.

Black British Culture and Society brings together in one indispensable volume key writings on the Black community in Britain, from the 'Windrush' immigrations of the late 1940s and 1950s to contemporary multicultural Britain. Combining classic writings on Black British life with new, specially commissioned articles, Black British Culture and Society records the history of the post-war African and Caribbean diaspora, tracing the transformations of Black culture in British society. Black British Culture and Society explores key facets of the Black experience, charting Black Britons' struggles to carve out their own identity and place in an often hostile society. The articles reflect the rich diversity of the Black British experience, addressing economic and social issues such as health, religion, education, feminism, old age, community and race relations, as well as Black culture and the arts, with discussions of performance, carnival, sport, style, literature, theatre, art and film-making. The contributors examine the often tense relationship between successful Black public figures and the media, and address the role of the Black intellectual in public life. Featuring interviews with noted Black artists and writers such as Aubrey Williams, Mustapha Matura and Caryl Phillips, and including articles from key contemporary thinkers, such as Stuart Hall, A. Sivanandan, Paul Gilroy and Henry Louis Gates, Black British Culture and Society provides a rich resource of analysis, critique and comment on the Black community's distinctive contribution to cultural life in Britain today. Kwesi Owusu is a freelance lecturer, writer and film-maker and editor of Black British Culture and Society.

Psychology has had a number of things to say about black and coloured people, none of them favourable, and most of which have reinforced stereotyped and derogatory images. Beyond the Masks is a readable account of black psychology, exploring key theoretical issues in race and gender. In it, Amina Mama examines the history of racist psychology, and of the implicit racism throughout the discipline. Beyond the Masks also offers an important theoretical perspective, and will appeal to all those involved with ethnic minorities, gender politics and questions of identity.

Four overarching themes underscore the essays in this book. These are the creation of African diaspora community and institutional structures; the structured and shared relationships among African immigrants, host, and homeland societies; the construction and negotiation of diaspora spaces, and domains (racial, ethnic, class consciousness, including identity politics; and finally African migrant economic integration, occupational, and labor force roles and statuses and impact on host societies. Each of the thematic themes has been chosen with one specific goal in mind: to depict and represent the critical components in the reconstitution of the African diaspora in international migration. We contextualized the themes in the African diaspora as a dynamic process involving what Paul Zeleza called the “diasporization” of African immigrant settlement communities in global transnational spaces. These themes also reflect the diversities inherent in the diaspora communities and call attention to the fluid and dynamic boundaries within which Africans create, diffuse, and engage host and home societies. In this context, the themes outlined in this book embody the diaspora tapestries woven by the immigrants to center African social and cultural forms in their host societies and communities. Collectively, the themes represent pathways for the elucidation of understanding African immigrant territorialization. Our purpose is to map out and identify the sources and sites for the contestations of the myriad of cultural manifestations of the new African diaspora and its depictions within the totality of the shared meanings and appropriations of the essences of African-ness or African blackness. The vulnerabilities, struggles, threats (internal or external to the immigrant community), and opportunities emanating from the diasporic relationships that these immigrants create are accentuated within the nexus of African global migrations. We view the African diaspora in terms of spatial and geographic constructions and propagations of African cultural identities and institutional forms in global domains whose boundaries are not static but rather dynamic, complex, and multidimensional. Simply stated, we approach the African diaspora from a perspective that incorporates the historical, as well as contemporary postmodern constructions of the Africa’s dispersed communities and their associated transnational identity forms.

The Companion to Contemporary Black British Culture is the first comprehensive reference book to provide multidisciplinary coverage of the field of black cultural production in Britain. The publication is of particular value because despite attracting growing academic interest in recent years, this field is still often subject to critical and institutional neglect. For the purpose of the Companion , the term 'black' is used to signify African, Caribbean and South Asian ethnicities, while at the same time addressing the debates concerning notions of black Britishness and cultural identity. This single volume Companion covers seven intersecting areas of black British cultural production since 1970: writing, music, visual and plastic arts, performance works, film and cinema, fashion and design, and intellectual life. With entries on distinguished practitioners, key intellectuals, seminal organizations and concepts, as well as popular cultural forms and local activities, the Companion is packed with information and suggestions for further reading, as well as offering a wide lens on the events and issues that have shaped the cultural interactions and productions of black Britain over the last thirty years. With a range of specialist advisors and contributors, this work promises to be an invaluable sourcebook for students, researchers and academics interested in exploring the diverse, complex and exciting field of black cultural forms in postcolonial Britain. 'This companion will be welcomed by anyone interested in black British culture - it fills a gap, and is unequalled in its comprehensiveness and depth. This remarkable companion is packed with information and revelations, and will surely become an indispensable guide to anyone researching black British cultural production.' - Modern Humanities Research Association 'Contributors give a very personal view of the subjects and do not shy away from controversy or issues such as racism. Fascinating...this volume deserves to be in all collections on culture or contemporary British society.' - Choice Alison Donnell is a senior lecturer in postcolonial literatures at Nottingham Trent University. She is co-editor of The Routledge Reader in Caribbean Literature (1996) and joint editor of Interventions: International Journal of Postcolonial Studies . Entries include: L^Oswald Boateng David A. Bailey Bhangra Naomi Campbell Channel 4 Feminism Live Art Jungle Hanif Kureishi Photography Notting Hill Carnival SuAndi The Voice Windrush Youth culture