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"Blankets Fiction"
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That's my blanket, baby!
Bella has had her special blanket, named Blanket, since she was a baby. She and Blanket did everything together-painting, singing, and playing in mud puddles. Now Bella has a new baby brother who has his own brand-new blanket. But he prefers Bella's old, muddy, smelly blanket! What's a big sister to do?
Book
The poky little puppy and the patchwork blanket
The poky little puppy loves his blanket so much that he takes it outside, even though he's not supposed to. But too much rough play soon leaves his blanket in shreds. What will he do now?
Book
The princess's blankets
A princess who cannot get warm or feel warmth tries all sorts of blankets until she finds the one which will warm her forever.
Book
Labrador
A relationship is put to the test when a young couple visits a family member on an isolated island.
Journal Article
The blanket
Unable to find the blanket he always takes to bed with him, a child enlists the aid of his family to help him look for it.
Braille
Getting Started with Graphic Novels: A Guide for the Beginner
Demonstrating her commitment to student outreach, she is the co-chair of the libraries' annual open house, an event that welcomes more than four thousand students to the libraries each year, and is involved in the library's pilot effort at providing remote reference services in the university's student union building (the HUB). 1 With roots in the serial comic strip, during the 1970s and '80s, comics began to take on a more literary tone; many publishers moved away from the serial publication of short comic books to focus on more complex book-length titles, and as a result, comic readership expanded from children to young adults and adults, who found their preferred format maturing along with them. The evolution of comics from Sunday-morning strips to comic books to graphic novels-\"book-length comic books that are meant to be read as one story\"-has drawn much critical attention.3 Several titles have won prestigious book awards, beginning with Art Spiegelman's Maus, which won the 1992 Pulitzer Prize. Graphic Novels Are Never Dull-Try Saying that About Most Works of Prose Fiction,\" in which writer Nick Hornby relates (when comparing his pile of \"proper books\" to his pile of comic books) \"[C]omic books are never dull, in the excruciating way that prose fiction can be, and it's as hard to imagine half-reading most graphic novels . . . as it is to imagine half-reading a sonnet.
Journal Article
