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Examining the body language displayed in works of art is a whole new way of looking at art. The gestures portrayed can reflect the mores of a particular period in history, the customs of a certain culture or a fashion in artistic styles. Exploring these with masterful subtlety, celebrated artist and anthropologist Desmond Morris uncovers fascinating insights about changing social attitudes and conventions through history and around the world, finding surprising similarities as well as now rarely used gestures.

No detailed description available for \"Stigma\".

Alessandra Lemma - Winner of the Levy-Goldfarb Award for Child Psychoanalysis! Under the Skin considers the motivation behind why people pierce, tattoo, cosmetically enhance, or otherwise modify their body, from a psychoanalytic perspective. It discusses how the therapist can understand and help individuals for whom the manipulation of the body is felt to be psychically necessary, regardless of whether the process of modification causes pain. In this book, psychoanalyst Alessandra Lemma draws on her work in the consulting room, as well as films, fiction, art and clinical research to suggest that the motivation for extensively modifying the surface of the body, and being excessively preoccupied with its appearance, comes from the person’s internal world – under their skin. Topics covered include: body image disturbance appearance anxiety body dysmorphic disorder the psychological function of cosmetic surgery, tattooing, piercing, and scarification. Under the Skin provides a detailed study of the challenges posed by our embodied nature through an exploration of the unconscious phantasies that underlie the need for body modification, making it essential reading for all clinicians working with those who are preoccupied with their appearance and modify their bodies including psychotherapists, counsellors, psychiatrists and psychologists. Alessandra Lemma is a psychoanalyst and a clinical and counselling psychologist. She is a Member of the British Psychoanalytic Society, a Senior Member of the British Association of Psychotherapists, and Associate Fellow of the British Psychological Society. She is the Trust-wide Head of Psychology at The Tavistock and Portman NHS Foundation Trust and Honorary Professor of Psychological Therapies at the School of Health and Human Sciences, Essex University. She has published widely on psychotherapy and psychoanalysis. The Body as Canvas. As You Desire Me. The Symptom of Ugliness Mirrors. Being Seen or Being Watched. Occupied Territories and Foreign Parts: Reclaiming the Body. Copies Without Originals: Envy and the Maternal Body. The Botoxing of Experience. Ink, Holes and Scars. An Order of Pure Decision. \" It is high time for clinicians to recognise that the body matters. This book is a brilliant illustration of how psychoanalytic therapy can illuminate our struggles with the physicality of our being and suggests effective solutions for the clinical management of these. With this book, Alessandra Lemma has established herself as one of the most original and creative contributors to psychoanalytic psychotherapy. The book is replete with arresting clinical insights and provides innovative theoretical integration that the field concerned with the mind in the body has lacked for a generation.\" - Peter Fonagy, Freud Memorial Professor of Psychoanalysis, University College London \"Beautifully written, this book is easily approachable by a large spectrum of readers while also addressing some deeply psychoanalytic and clinical issues. By discussing specific unconscious phantasies and the hatred of reality at work in the compelling need to modify the surface of the body, the book introduces an important psychoanalytic perspective on the complex and delicate role of early maternal responsiveness in development.\" - Dana Birksted-Breen, Training Psychoanalyst; Joint Editor-in-Chief International Journal of Psychoanalysis \" Under the Skin , is unique as an in depth psychoanalytic study of body modification, and needs to be recognized and commended for its insightfulness and the comprehensive integration of psychoanalysis with cultural studies, literature, art, and film. It is a powerful, well written treatise in the growing field of body modification...Lemma's mind, like the bodies she investigates, is worthy of exploring as she takes us on this journey through fascinating terrain. - Melanie Suchet, Ph.D., DIVISION/Review Vol.1., No. 1

This international volume draws together key research that examines visual arts of the past and contemporary indigenous societies. Placing each art style in its temporal and geographic context, the contributors show how depictions represent social mechanisms of identity construction, and how stylistic differences in product and process serve to reinforce cultural identity. Examples stretch from the Paleolithic to contemporary world and include rock art, body art, and portable arts. Ethnographic studies of contemporary art production and use, such as among contemporary Aboriginal groups, are included to help illuminate artistic practices and meanings in the past. The volume reflects the diversity of approaches used by archaeologists to incorporate visual arts into their analysis of past cultures and should be of great value to archaeologists, anthropologists, and art historians. Sponsored by the World Archaeological Congress.

The current study describes how evaluators and funeral home employers could collaborate and comprehensively evaluate funeral home hiring practices based on visible body art of prospective funeral home employees. Specifically, this study examines funeral home employers’ perceptions of hiring funeral directors with visible body art, including tattoos and piercings, as the field has historically held conservative traditions and practices. The Model for Collaborative Evaluations (MCE) was used in the current study to examine the perceptions of funeral home employers as they assessed proposed candidates based on extent of the candidates' body art or lack thereof. Findings from the current study show that potential employers have neutral perceptions regarding the hireability of employees regardless of the extent of visible body art. Implications of the study results, which are based on the MCE in evaluating funeral home employers’ perceptions of visible body art, such as the revision of employee handbooks, are discussed.

\"Clay Work and Body Image in Art Therapy provides an important addition to resources available in the field of clay work and art therapy, highlighting the unique sensory aspects of the medium and its ability to provide a therapeutic resource for women who experience body image issues. Chapters offer a comprehensive distillation of current knowledge in the field of body image, clay work, neuroscience, and art therapy, building a theoretical framework around personal narratives. Case studies examine the benefits of exploring body image through clay work within art therapy practice, providing a positive and contained way to find personal acceptance and featuring photographs of clay body image sculptures created by research participants that highlight their individual stories and experiences. As well as offering both clinical and practical implications, the text provides a full protocol for the research and evaluation methods carried out, enabling further replication of the intervention and research methods by other therapists. This book highlights clay work as a significant resource for art therapists, arts in health practitioners, and counsellors, providing an emotive yet contained approach to the development of personal body image acceptance and self-compassion\"-- Provided by publisher.

Introduction Body-art, including tattoos and piercings, is steadily increasing world-wide but with relatively limited reporting of adverse outcomes. The objective of the present study was to identify correlates that would facilitate a preventative strategy to minimize adverse effects of body-art. Methods We examined patterns of body-art, health risk and perceptions among 921 participants (54% female, mean age of 35; SD = 10.8) through in-person questionnaire. Results A significantly lower frequency of those with body-art acknowledged that not all venues (parlors, clinics, etc.) are safe in terms of health and hygiene (84.7%t vs. 96.6%, p < .001 ) as compared to those without body-art. Similarly, knowledge of the need for a Ministry of Health certification was reported with lower frequency (77.2% vs. 94.5%, p < .001 ) among those with body-art. Those who experienced medical complications reported higher frequencies of smoking cigarettes and hookah as well as using ecstasy (MDMA). The risk of medical complication after body-art was 4 times higher in those who used ecstasy (OR = 3.97; CI 1.0–14.4; p < 0.05 ). In addition, it was more than 3 times higher for street or home tattooing as compared to studio or a licensed medical center (OR = 3.59; CI 1.32–9.76; p < .01 ), as well as almost 3 times higher among those who did not receive information before performing body-art (OR = 2.70; CI 1.05–6.92; p < .05 ) and who had somebody other than themselves decide on the body-art design (OR = 2.68; CI 1.00–7.19; p < .05 ). Conclusions A targeted informational-preventative program should be developed, informed by the risks highlighted in this study. In addition, it would be necessary to draft policies related to regulation and enforcement in order to more effectively manage body-art service provision. The Ministry of Health should supervise and guide tattooists and practitioners regarding the health risks of body-art and offer training and raise awareness among potential clients.