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"Botanical illustration History."
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The Premise of Fidelity
The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of \"the real\" in the decades before photography was introduced. This intellectual history is informed by a careful examination of a network of local scholars-from physicians to farmers to bureaucrats-known as Shōhyaku-sha. In their archival materials, these scholars used the termshashin (which would, years later, come to signify \"photography\" in Japanese) in a wide variety of medical, botanical, and pictorial practices. These scholars pursued questions of the relationship between what they observed and what they believed they knew, in the process investigating scientific ideas and practices by obsessively naming and classifying, and then rendering through highly accurate illustration, the objects of their study.
This book is an exploration of the process by which the Shōhyaku-sha shaped the concept of shashin. As such, it disrupts the dominant narratives of photography, art, and science in Japan, providing a prehistory of Japanese photography that requires the accepted history of the discipline to be rewritten.
eBook
The beauty of the flower : the science and art of botanical illustration
\"In a world flooded with images designed to create memories, validate perceptions and influence others, botanical illustration is about creating technically accurate depictions of plants. Reproductions of centuries-old botanical illustrations frequently adorn greetings cards, pottery and advertising, to promote heritage or generate income, yet their art is scientific: its purpose is to record, display and transmit scientific data. The Beauty of the Flower shows us how scientific botanical illustrations are collaborations among artists, scientists and publishers. It explores the evolution and interchanges of these illustrations since the mid-fifteenth century, the ways in which they have been used to communicate scientific ideas about plants and how views of botanical imagery change. Featuring unique images rarely seen outside of specialist literature this book reveals the fascinating stories behind these remarkable illustrations.\" -- From dust jacket.
Book
Visible empire
Between 1777 and 1816, botanical expeditions crisscrossed the vast Spanish empire in an ambitious project to survey the flora of much of the Americas, the Caribbean, and the Philippines. While these voyages produced written texts and compiled collections of specimens, they dedicated an overwhelming proportion of their resources and energy to the creation of visual materials. European and American naturalists and artists collaborated to manufacture a staggering total of more than 12,000 botanical illustrations. Yet these images have remained largely overlooked—until now.
In this lavishly illustrated volume, Daniela Bleichmar gives this archive its due, finding in these botanical images a window into the worlds of Enlightenment science, visual culture, and empire. Through innovative interdisciplinary scholarship that bridges the histories of science, visual culture, and the Hispanic world, Bleichmar uses these images to trace two related histories: the little-known history of scientific expeditions in the Hispanic Enlightenment and the history of visual evidence in both science and administration in the early modern Spanish empire. As Bleichmar shows, in the Spanish empire visual epistemology operated not only in scientific contexts but also as part of an imperial apparatus that had a long-established tradition of deploying visual evidence for administrative purposes.
eBook
Flora mirabilis : how plants have shaped world knowledge, health, wealth, and beauty
Combines the history of botanical exploration with more than 200 rare botanical illustrations, many never published in modern times.
Book
Painted Herbarium
Her story, however, stands alongside those of countless women throughout history whose contributions have yet to be recognized. The beautiful reproductions of her work in this volume give us our first view of Terry's painted herbarium.
eBook
Painting paradise : the art of the garden
Gardens are where man and nature meet. They change by the hour, day-to-day, and with the seasons. They carry associations about the status, approach to life, and sometimes even the political affiliations of the creator. Gardens can be intended for public enjoyment or private delectation; they can be open to the masses or closed to all but a few. They may be places of scientific study; havens for the solitary thinker; spaces for frolicking and games, for flirtation and for love. Presented with the many faces of the garden, artists in Western Europe have looked at the garden in different ways, extracting and emphasising those facets of the garden unique to their culture and their time. At the same time individual elements drawn from the garden - whether architectural or botanic - have at certain periods come to the fore and taken their place in the decorative arts of Western Europe. This book explores the way in which the garden has inspired artists and craftsmen in Europe between 1500-1900. Exhibition: Royal Collection, London, UK (2015).
Book
The Beauty of the Flower
Blooming with rare archival images, the story of scientific botanical illustrations over nearly seven hundred years. In a world flooded with images designed to create memories, validate perceptions, and influence others, botanical illustration is about something much more focused: creating technically accurate depictions of plants. Reproductions of centuries-old botanical illustrations frequently adorn greeting cards, pottery, and advertising, to promote heritage or generate income, yet their art is scientific: intended to record, display, and transmit scientific data. The Beauty of the Flower tells the backstory of these images, showing us how scientific botanical illustrations are collaborations among artists, scientists, and publishers. It explores the evolution and interchanges of these illustrations since the mid-fifteenth century, how they have been used to communicate scientific ideas about plants, and how views of botanical imagery change. Featuring unique images rarely seen outside of specialist literature, this book reveals the fascinating stories behind these remarkable illustrations.
eBook
Botanical art from the golden age of scientific discovery
\"Gives the humble wall chart its due, reproducing more than two hundred of them in ... full color. Each wall chart is accompanied by captions that offer accessible information about the species featured, the scientists and botanical illustrators who created it, and any particularly interesting or innovative features the chart displays. And gardeners will be pleased to discover useful information about plant anatomy and morphology and species differences\"--Amazon.com.
Book
The orchids of John Henry Lance (1793–1878)
John Henry Lance, a British barrister, spent a ten-year term in Surinam as Judge appointed to the ‘Mixed Court’ in Paramaribo, a post created to supervise the compliance of the Dutch authorities with a treaty signed between the Netherlands and England in 1818 prohibiting the slave trade in the Dutch colonies. During his term in Paramaribo, Lance, a friend of Bateman and Lindley, collected several new orchid species. However, his collection of watercolors depicting plants from Surinam, many of them orchids, would appear to be more important. Some of these were painted by himself, others by the Surinamese artist Gerrit Schouten. The orchids of this collection, never published, were supplied by the Lindley Library of the R.H.S. and are reproduced here with its kind permission. Key Words: botanical illustration, history of botany, Orchidaceae, Surinam
Journal Article