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Cutting Edges: Professional Hierarchy vs. Creative Identity in Nicolas de Launay’s Fine Art Prints
In 1783, Nicolas De Launay copied Les Baignets by Jean-Honoré Fragonard, stating it was made “by his very humble and very obedient servant”, an evidence of the hierarchical tensions between painters and printmakers during the eighteenth-century. However, De Launay’s loyalty is not absolute, since a critical artistic statement is found at the edge: an illusory oval frame heavily adorned with leaves and fruits of Squash, Hazelnuts, and Oak. This paper wishes to acknowledge this meticulously engraved frame, and many more added to copies throughout De Launay’s successful career, as highly relevant in examining his ‘obedience’ and ‘humbleness’. With regard to eighteenth-century writings on botany and authenticity, and to current studies on the print market, I offer a new perspective in which engravers are appreciated as active commercial artists establishing an individual signature style. In their conceptual and physical marginality these decorations allow creative freedom which challenges concepts of art appropriation and reproduction, highly relevant then and today.
Journal Article
Botanical revolutions : how plants changed the course of art
\"This lush volume unearths plants' representation in and impact on art, advocating for the botanical world's rightful place in art history\"-- Provided by publisher.
BOOK
Visible empire
Between 1777 and 1816, botanical expeditions crisscrossed the vast Spanish empire in an ambitious project to survey the flora of much of the Americas, the Caribbean, and the Philippines. While these voyages produced written texts and compiled collections of specimens, they dedicated an overwhelming proportion of their resources and energy to the creation of visual materials. European and American naturalists and artists collaborated to manufacture a staggering total of more than 12,000 botanical illustrations. Yet these images have remained largely overlooked—until now.
In this lavishly illustrated volume, Daniela Bleichmar gives this archive its due, finding in these botanical images a window into the worlds of Enlightenment science, visual culture, and empire. Through innovative interdisciplinary scholarship that bridges the histories of science, visual culture, and the Hispanic world, Bleichmar uses these images to trace two related histories: the little-known history of scientific expeditions in the Hispanic Enlightenment and the history of visual evidence in both science and administration in the early modern Spanish empire. As Bleichmar shows, in the Spanish empire visual epistemology operated not only in scientific contexts but also as part of an imperial apparatus that had a long-established tradition of deploying visual evidence for administrative purposes.
eBook
Shakespeare's Botanical Imagination
Writing on the cusp of modern botany and during the heyday of English herbals and garden manuals, Shakespeare references at least 180 plants in his works and makes countless allusions to horticultural and botanical practices. Shakespeare's Botanical Imagination moves plants to the foreground of analysis and brings together some of the rich and innovative ways that scholars are expanding the discussion of plants and botany in Shakespeare's writings. The essays gathered here all emphasize the interdependence and entanglement of plants with humans and human life, whether culturally, socially, or materially, and vividly illustrate the fundamental role plants play in human identity. As they attend to the affinities and shared materiality between plants and humans in Shakespeare's works, these essays complicate the comfortable Aristotelian hierarchy of human-animal-plant. And as they do, they often challenge the privileged position of humans in relation to non-human life.
eBook
Shakespeare's Botanical Imagination
Writing on the cusp of modern botany and during the heyday of English herbals and garden manuals, Shakespeare references at least 180 plants in his works and makes countless allusions to horticultural and botanical practices. Shakespeare's Botanical Imagination moves plants to the foreground of analysis and brings together some of the rich and innovative ways that scholars are expanding the discussion of plants and botany in Shakespeare's writings. The essays gathered here all emphasize the interdependence and entanglement of plants with humans and human life, whether culturally, socially, or materially, and vividly illustrate the fundamental role plants play in human identity. As they attend to the affinities and shared materiality between plants and humans in Shakespeare's works, these essays complicate the comfortable Aristotelian hierarchy of human-animal-plant. And as they do, they often challenge the privileged position of humans in relation to non-human life.
eBook
Faces in the Forest
In Faces in the Forest Michael Blackstock, a forester and an artist, takes us into the sacred forest, revealing the mysteries of carvings, paintings, and writings done on living trees by First Nations people. Blackstock details this rare art form through oral histories related by the Elders, blending spiritual and academic perspectives on Native art, cultural geography, and traditional ecological knowledge. Faces in the Forest begins with a review of First Nations cosmology and the historical references to tree art. Blackstock then takes us on a metaphorical journey along the remnants of trading and trapping trails to tree art sites in the Gitxsan, Nisga'a, Tlingit, Carrier, and Dene traditional territories, before concluding with reflections on the function and meaning of tree art, its role within First Nations cosmology, and the need for greater respect for all of our natural resources. This fascinating study of a haunting and little-known cultural phenomenon helps us to see our forests with new eyes.
eBook
Rattling spears : a history of indigenous Australian art
Large, bold, and colorful, indigenous Australian art-sometimes known as Aboriginal art-has made an indelible impression on the contemporary art scene. But it is controversial, dividing the artists, purveyors, and collectors from those who smell a scam. Whether the artists are victims or victors, there is no denying the impact of their work in the media, on art collectors and the art world at large, and on our global imagination. How did Australian art become the most successful indigenous form in the world? How did its artists escape the ethnographic and souvenir markets to become players in an art market to which they had historically been denied access? Beautifully illustrated, this full stunning account not only offers a comprehensive introduction to this rich artistic tradition, but also makes us question everything we have been taught about contemporary art.
eBook
The Neotoma Paleoecology Database, a multiproxy, international, community-curated data resource
The Neotoma Paleoecology Database is a community-curated data resource that supports interdisciplinary global change research by enabling broad-scale studies of taxon and community diversity, distributions, and dynamics during the large environmental changes of the past. By consolidating many kinds of data into a common repository, Neotoma lowers costs of paleodata management, makes paleoecological data openly available, and offers a high-quality, curated resource. Neotoma’s distributed scientific governance model is flexible and scalable, with many open pathways for participation by new members, data contributors, stewards, and research communities. The Neotoma data model supports, or can be extended to support, any kind of paleoecological or paleoenvironmental data from sedimentary archives. Data additions to Neotoma are growing and now include >3.8 million observations, >17,000 datasets, and >9200 sites. Dataset types currently include fossil pollen, vertebrates, diatoms, ostracodes, macroinvertebrates, plant macrofossils, insects, testate amoebae, geochronological data, and the recently added organic biomarkers, stable isotopes, and specimen-level data. Multiple avenues exist to obtain Neotoma data, including the Explorer map-based interface, an application programming interface, the neotoma R package, and digital object identifiers. As the volume and variety of scientific data grow, community-curated data resources such as Neotoma have become foundational infrastructure for big data science.
Journal Article
Edible Plants
For over a decade, artist Jimmy Fike traveled across the
continental United States in an epic effort to photograph wild
edible flora. Edible Plants is the culmination of that
journey, featuring over 100 photographs that Fike has selectively
colorized to highlight the comestible part of the plant.
While the images initially appear to be scientific illustrations
or photograms from the dawn of photography when plants were placed
directly on sensitized paper and exposed under the sun, a closer
look reveals, according to Liesl Bradner of the Los Angeles
Times , \"haunting [and] eerily beautiful\" photographs. Beyond
instilling wonder, Fike's contemporary, place-based approach to
landscape photography emphasizes our relationship to the natural
world, reveals food sources, and encourages environmental
stewardship. His clever and beautiful method makes it easy to
identify both the specimen and its edible parts and includes
detailed descriptions about the plant's wider purposes as food and
medicine.
Sumptuously illustrated and delightfully informative, Edible
Plants is the perfect gift for anyone curious about unlocking
the secrets of native North American plants.
eBook