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"Broadcast media"
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Developing dialogues
by
Forde, Susan
,
Meadows, Michael
,
Foxwell, Kerrie
in
Australia
,
Australia & Oceania
,
Communication
2009,2010
Developing Dialogues offers a new perspective on Australian community broadcasting and presents evidence of global trends in the media industry. Based on firsthand research of radio and television audiences in Australia, the authors argue that community radio and television worldwide perform an essential service for indigenous and ethnic audiences.
Positive Images
2018
A tidal wave of panic surrounded homosexuality and AIDS in the 1980s and early 1990s, the period commonly called 'The AIDS Crisis'.With the advent of antiretroviral drugs in the mid '90s, however, the meaning of an HIV diagnosis radically changed.
The Social Value of Drug Addicts
2016,2014,2013
Drug users are typically portrayed as worthless slackers, burdens on society, and just plain useless-culturally, morally, and economically. By contrast, this book argues that the social construction of some people as useless is in fact extremely useful to other people. Leading medical anthropologists Merrill Singer and J. Bryan Page analyze media representations, drug policy, and underlying social structures to show what industries and social sectors benefit from the criminalization, demonization, and even popular glamorization of addicts. Synthesizing a broad range of key literature and advancing innovative arguments about the social construction of drug users and their role in contemporary society, this book is an important contribution to public health, medical anthropology, popular culture, and related fields.
The Z factor : my journey as the wrong man at the right time
Autobiography of Subhash Chandra, born 1950, India's media tycoon and founder of Zee TV, one of the most popular satellite TV networks in India.
Bioethics in the Age of New Media
2009,2013
An examination of ethical challenges that technology presents to the allegedly sacrosanct idea of the human and a proposal for a new ethics of life rooted in the philosophy of alterity.
Bioethical dilemmas—including those over genetic screening, compulsory vaccination, and abortion—have been the subject of ongoing debates in the media, among the public, and in professional and academic communities. But the paramount bioethical issue in an age of digital technology and new media, Joanna Zylinska argues, is the transformation of the very notion of life. In this provocative book, Zylinska examines many of the ethical challenges that technology poses to the allegedly sacrosanct idea of the human. In doing so, she goes beyond the traditional understanding of bioethics as a matter for moral philosophy and medicine to propose a new “ethics of life” rooted in the relationship between the human and the nonhuman (both animals and machines) that new technology prompts us to develop. After a detailed discussion of the classical theoretical perspectives on bioethics, Zylinska describes three cases of “bioethics in action,” through which the concepts of “the human,” “animal,” and “life” are being redefined: the reconfiguration of bodily identity by plastic surgery in a TV makeover show; the reduction of the body to two-dimensional genetic code; and the use of biological material in such examples of “bioart” as Eduardo Kac's infamous fluorescent green bunny. Zylinska addresses ethics from the interdisciplinary perspective of media and cultural studies, drawing on the writings of thinkers from Agamben and Foucault to Haraway and Hayles. Taking theoretical inspiration in particular from the philosophy of alterity as developed by Jacques Derrida, Emmanuel Levinas, and Bernard Stiegler, Zylinska makes the case for a new nonsystemic, nonhierarchical bioethics that encompasses the kinship of humans, animals, and machines.
The influencing machine : Brooke Gladstone on the media
The cohost of NPR's 'On the Media' narrates, in cartoon form, two millennia of history on the influence of the media on the populace, from newspapers in Caesar's Rome to the penny press of the American Revolution to today.
De-mystifying problematics of Zimbabwe’s broadcasting frequencies spectrum allocation: case of free-to air digital terrestrial television licensing
2024
Although Zimbabwe opened its airwaves to private players in 2002, broadcasting spectrum frequency licensing has remained contentious with some stakeholders arguing the process lacks transparency and is deceptive to media reform. We therefore seek to answer two key questions in this article: What are the impediments encountered in liberating the broadcasting industry in Zimbabwe since independence? To what extent is Zimbabwe’s broadcasting frequency spectrum licensing regime transparent, open and participatory? The article analyses if the licensing regimen meets International Telecommunications Union (ITU), continental and regional benchmarks of transparency, openness, fairness and inclusivity in allocation and assignment of frequencies. It investigates and unpacks policies and principles concerning frequency spectrum allocation for broadcasting in Zimbabwe. Documentary analysis is employed in examining policy documents which outline terms of reference and requirements for frequency spectrum allocation. We also conducted in-depth interviews with broadcasting policy makers and industrial voices such as applicants who were denied licenses. Four stations (two awarded and two denied) licenses and were purposively sampled for in-depth interviews. Findings in this study reveal that the adjudication and scoring of the licensees is not transparent, neither is it open and bidders do not have a say in the licensing process. Whilst the Broadcasting Authority of Zimbabwe and the Postal Telecommunications Regulatory Authority of Zimbabwe admit that final adjudication is done by the authorities, they still claim that the Zimbabwean licensing model is open, transparent and participatory.
Journal Article