Explore the vast range of titles available.

From the mid-Ming to early Qing dynasties, Mount Jizu 雞足山 in Yunnan achieved unexpected prominence within China’s Buddhist sacred landscape—an event of regional, national, and transnational significance. Employing an explicit comparative lens that juxtaposes Jizu with China’s core-region sacred sites like Mount Wutai and Emei, this study investigates the timing, regional dynamics, institutional mechanisms, and causal drivers behind the rapid ascent. Rejecting teleological narratives, it traces the mountain’s trajectory through four developmental phases to address critical historiographical questions: how did a peripheral Yunnan site achieve national prominence within a remarkably compressed timeframe? By what mechanisms could its sacred authority be constructed to inspire pilgrimages even across vast distances? Which historical agents and processes orchestrated these transformations, and how did the mountain’s symbolic meaning shift dynamically over time? Departing from earlier scholarship that privileges regional and secular frameworks, this work not only rebalances the emphasis on religious dimensions but also expands the analytical scope beyond regional confines to situate Mount Jizu within national and transnational frameworks. Eventually, by analyzing the structural, institutional, and agential dynamics—spanning local, imperial, and transnational dimensions—this study reveals how the mountain’s sacralization emerged from the convergence of local agency, acculturative pressures, state-building imperatives, late-Ming Buddhist revival, literati networks, and the strategic mobilization of symbolic capital. It also reveals that Mount Jizu was not a static sacred site but a dynamic arena of contestation and negotiation, where competing claims to spiritual authority and cultural identity were perpetually redefined.

In late imperial China, a type of painting known as “panoramic maps” (shengjing tu 聖境圖, literally “sacred realm maps”) depicted Buddhist sacred sites. Often surviving as woodblock prints, examples from Mount Wutai and Mount Putuo are particularly representative. Previous research has often viewed these images as pilgrimage guides or focused on the relationship between pictorial perspectives and actual geography. This study centers on panoramic maps of Mount Wutai and Mount Putuo, examining both vertical and horizontal layouts, to offer a preliminary understanding of this genre. This study argues that: (1) Unlike urban maps, panoramic maps emphasize significant monasteries and landscape features, incorporating local legends and historical narratives, thus possessing strong narrative qualities. (2) These images likely functioned as pilgrimage souvenirs. Diverging from practical roadmaps, their primary goal was not strict realism but rather to convey the site’s sacredness and associated information through landscape painting conventions, allowing viewers to perceive its sacredness. (3) The woodblock print medium facilitated affordable reproduction, accelerating the circulation of the sacred site’s significance among the populace and aiding in its promotion. This research contends that the panoramic maps primarily function as folk landscape paintings reflecting the sacred site, capable only of approximating the relative positions of features. The widespread adoption of late-period woodblock printing enabled the low-cost reproduction and dissemination of the sacredness inherent in these Buddhist landscapes, constructing idealized spatial representations shaped by religious belief and geomantic principles.

Hidden Lands in Himalayan Myth and History showcases recent scholarship, photo essays, maps, and translations about hidden lands (sbas yul) across the Himalaya, from historical and contemporary perspectives.

The Dalai Lama has said that Tibetans consider themselves “the child of Indian civilization” and that India is the “holy land” from whose sources the Tibetans have built their own civilization. What explains this powerful allegiance to India? In The Holy Land Reborn¸ Toni Huber investigates how Tibetans have maintained a ritual relationship to India, particularly by way of pilgrimage, and what it means for them to consider India as their holy land. Focusing on the Tibetan creation and recreation of India as a destination, a landscape, and a kind of other, in both real and idealized terms, Huber explores how Tibetans have used the idea of India as a religious territory and a sacred geography in the development of their own religion and society. In a timely closing chapter, Huber also takes up the meaning of India for the Tibetans who live in exile in their Buddhist holy land. A major contribution to the study of Buddhism, The Holy Land Reborn describes changes in Tibetan constructs of India over the centuries, ultimately challenging largely static views of the sacred geography of Buddhism in India.

This book brings together essays by anthropologists, scholars of religion, and art historians to explore some of the most fundamental challenges that religious groups face as they expand from their homeland or confront the demands of modernity. The chapters span a broad geographical area that includes India, Nepal, Thailand, Indonesia, and China, and address issues from the classical and medieval period to the present. They show how sacred places have a plurality of meanings for all religious communities and how in their construction, secular politics, private religious experience, and sectarian rivalry can all intersect. A Buddha Dharma Kyokai Foundation Book on Buddhism and Comparative Literature.

This Presidential Address explores Korean Buddhist travel undertaken for religious training, missionary propagation, and devotional pilgrimage. By traveling to India and throughout East Asia, as well as to the mythic undersea bastion of the faith, Koreans demonstrated their associations with the wider world of Buddhist culture, whether it be terrestrial or cosmological. Simultaneous with continued travel overseas to the Chinese mainland and the Buddhist homeland of India, Koreans also brought those sacred sites home through a wholesale remapping of the domestic landscape. As local geography became universalized, there was less need for the long, dangerous journeys overseas to Buddhist sacred sites: instead, the geography of Buddhism became implicit within the indigenous landscape, turning Korea into the Buddha-land itself. Once this “relocalization” of Buddhism had occurred, Korean Buddhists were able to travel through the sacred geography of Buddhism from the (relative) comfort of their own locale.

Gendun Chopel is considered the most important Tibetan intellectual of the twentieth century. His life spanned the two defining moments in modern Tibetan history: the entry into Lhasa by British troops in 1904 and by Chinese troops in 1951. Recognized as an incarnate lama while he was a child, Gendun Chopel excelled in the traditional monastic curriculum and went on to become expert in fields as diverse as philosophy, history, linguistics, geography, and tantric Buddhism. Near the end of his life, before he was persecuted and imprisoned by the government of the young Dalai Lama, he would dictate the Adornment for Nagarjuna’s Thought, a work on Madhyamaka, or “Middle Way,” philosophy. It sparked controversy immediately upon its publication and continues to do so today. The Madman’s Middle Way presents the first English translation of this major Tibetan Buddhist work, accompanied by an essay on Gendun Chopel’s life liberally interspersed with passages from his writings. Donald S. Lopez Jr. also provides a commentary that sheds light on the doctrinal context of the Adornment and summarizes its key arguments. Ultimately, Lopez examines the long-standing debate over whether Gendun Chopel in fact is the author of the Adornment; the heated critical response to the work by Tibetan monks of the Dalai Lama’s sect; and what the Adornment tells us about Tibetan Buddhism’s encounter with modernity. The result is an insightful glimpse into a provocative and enigmatic work that will be of great interest to anyone seriously interested in Buddhism or Asian religions.

Birla House, the residence in New Delhi where Gandhi was staying at the time of his assassination on January 30, 1948, has a small gallery abutting the lawn where the Mahatma was to hold his last prayer meeting. This gallery contains a long mural covering three walls, depicting Gandhi’s life in the context of India’s history, from the very beginnings of the Indic world in myth and legend, to the day of his tragic death. As already described in Chapter 1, the mural was painted in 1973 by Ram Kripal Singh from Shekhawati, a region in Rajasthan known for its

The increasing demand for exotic items such as cloves, cinnamon, and sandalwood during the 1st century CE encouraged Indian merchants to raise the volume of trade with Southeast Asia. Besides, Indian merchants were also in search of gold (Cœdès 1968: 20; Sumadio 1984: 11). Not only did Indian gold mines produce insufficient amounts of gold,¹ but various movements of populations in Central Asia mean that Indian merchants had also lost contact with their gold suppliers in Siberia. This situation was favourable to the spread of Buddhism; Buddhists began to travel on trade ships, serving as propagators of Buddhism. The spread

We saw in the last chapter that one of the earliest responses to the programmatic writings of Chiplunkar and Rajwade was a frenetic search for documents: letters, treaties, and bakhars from the seventeenth and eighteenth centuries. Armed with this new archive, Marathi writers produced scores of biographies, monographs, articles in newspapers and literary journals, and speeches at conferences on the Maratha period. Many of these were biographies of individual figures; others were studies of military campaigns and diplomatic tactics; still others were explorations of socioreligious life.¹ This body of nationalist interpretations emphasized the idea that the Marathas were not a