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Rakes, highwaymen, and pirates : the making of the modern gentleman in the eighteenth century
Erin Mackie explores the shared histories of the modern polite English gentleman and other less respectable but no less celebrated eighteenth-century masculine types: the rake, the highwayman, and the pirate.
Mackie traces the emergence of these character types to the seventeenth and early eighteenth centuries, when traditional aristocratic authority was increasingly challenged. She argues that the development of the modern polite gentleman as a male archetype can only be fully comprehended when considered alongside figures of fallen nobility, which, although criminal, were also glamorous enough to reinforce the same ideological order.
In Evelina’s Lord Orville, Clarissa’s Lovelace, Rookwood’s Dick Turpin, and Caleb Williams's Falkland, Mackie reads the story of the ideal gentleman alongside that of the outlaw, revealing the parallel lives of these seemingly contradictory characters. Synthesizing the histories of masculinity, manners, and radicalism, Rakes, Highwaymen, and Pirates offers a fresh perspective on the eighteenth-century aristocratic male.
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Romantic Women's Life Writing
This book explores how the publication of women's life writing influenced the reputation of its writers and of the genre itself during the long nineteenth century. It provides case studies of Frances Burney, Mary Wollstonecraft, Mary Robinson and Mary Hays, four writers whose names were caught up in debates about the moral and literary respectability of publishing the 'private'. Focusing on gender, genre and authorship, this study examines key works of life writing by and about these women, and the reception of these texts. It argues for the importance of life writing-a crucial site of affective and imaginative identification-in shaping authorial reputation and afterlife. The book ultimately constructs a fuller picture of the literary field in the long nineteenth century and the role of women writers and their life writing within it.
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Jane Austen's bookshelf : a rare book collector's quest to find the women writers who shaped a legend
From rare book dealer and guest star of the hit show Pawn Stars, a page-turning literary adventure that introduces readers to the women writers who inspired Jane Austen--and investigates why their books have disappeared from our shelves. Long before she was a rare book dealer, Rebecca Romney was a devoted reader of Jane Austen. She loved that Austen's books took the lives of women seriously, explored relationships with wit and confidence, and always, allowed for the possibility of a happy ending. She read and reread them, often wishing Austen wrote just one more. But Austen wasn't a lone genius. She wrote at a time of great experimentation for women writers--and clues about those women, and the exceptional books they wrote, are sprinkled like breadcrumbs throughout Austen's work. Every character in Northanger Abbey who isn't a boor sings the praises of Ann Radcliffe. The play that causes such a stir in Mansfield Park is a real one by the playwright Elizabeth Inchbald. In fact, the phrase \"pride and prejudice\" came from Frances Burney's second novel Cecilia. The women that populated Jane Austen's bookshelf profoundly influenced her work; Austen looked up to them, passionately discussed their books with her friends, and used an appreciation of their books as a litmus test for whether someone had good taste. So where had these women gone? Why hadn't Romney--despite her training--ever read them? Or, in some cases, even heard of them? And why were they no longer embraced as part of the wider literary canon? Jane Austen's Bookshelf investigates the disappearance of Austen's heroes--women writers who were erased from the Western canon--to reveal who they were, what they meant to Austen, and how they were forgotten. Each chapter profiles a different writer including Frances Burney, Ann Radcliffe, Charlotte Lennox, Charlotte Smith, Hannah More, Elizabeth Inchbald, Hester Lynch Thrale Piozzi, and Maria Edgeworth--and recounts Romney's experience reading them, finding rare copies of their works, and drawing on connections between their words and Austen's. Romney collects the once-famed works of these forgotten writers, physically recreating Austen's bookshelf and making a convincing case for why these books should be placed back on the to-be-read pile of all book lovers today. Jane Austen's Bookshelf will encourage you to look beyond assigned reading lists, question who decides what belongs there, and build your very own collection of favourite novels.
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Frances Burney and Narrative Prior to Ideology
Frances Burney and Narrative Prior to Ideology works between Burney's Journals and Letters and her fiction more thoroughly than any study of her in the past twenty-five years. By doing so, it offers significant reinterpretations of Burney's four novels: Evelina, Cecilia, Camilla, and The Wanderer. It describes Burney's eluding the major modern-isms through which critics have tried to read her: Feminism (with its \"gendering\" of beauty and reversal of gender roles); Capitalism and its Marxist critique (here the details of Burney's housekeeping become important); Professionalism (as a response to status inconsistency and class conflict); and Ian Watt's \"Formal Realism\" (Burney perhaps saved the novel from a sharp decline it suffered in the 1770s, even as she tried to distance herself from the genre).Burney's most successful writing appeared before the coining of \"ideology.\" But her standing \"prior to ideology\" is not a matter of chronological accident. Rather, she quietly but forcefully resisted shared explanations-domesticity as model for household management, debt as basis for family finance, professional status as a means to social confidence, the novel as the dominant literary genre-that became popular during her long and eventful life.Frederic Jameson has described Paul de Man, \"in private conversation,\" claiming, \"Marxism . . . has no way of understanding the eighteenth century.\" Frances Burney and Narrative Prior to Ideology conjoins Burney's \"eighteenth-centuryness\" with her modernity.Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
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The Cambridge Companion to Frances Burney
Frances Burney (1752–1840) was the most successful female novelist of the eighteenth century. Her first novel Evelina was a publishing sensation; her follow-up novels Cecilia and Camilla were regarded as among the best fiction of the time and were much admired by Jane Austen. Burney's life was equally remarkable: a protegee of Samuel Johnson, lady-in-waiting at the court of George III, later wife of an emigre aristocrat and stranded in France during the Napoleonic Wars, she lived on into the reign of Queen Victoria. Her journals and letters are now widely read as a rich source of information about the Court, social conditions and cultural changes over her long lifetime. This Companion is the first volume to cover all her works, including her novels, plays, journals and letters, in a comprehensive and accessible way. It also includes discussion of her critical reputation, and a guide to further reading.
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Early Journals and Letters of Fanny Burney, Volume 1
Volume One is the first of a projected twelve-volume edition of Burney's early journals and letters and covers the years 1768-73. This edition reproduces her earliest journals in their original form, replacing omitted and altered passages. It shows her development as an artist and contains typically vivid sketches of her family, friends, and acquaintances in London and the country. Further volumes will cover the so-called \"Streatham Years\" (1778-86, 4 vols.) and \"Court Years\" (1786-91, 6 vols.). These will carry her through the period of her greatest fame as the author of the novels Evelina (1778) and Cecilia (1782), and will end with her exit from the Court of King George III and Queen Charlotte after five exhausting years of service to the Queen as Second Keeper of the Robes. Eighteenth-century scholars generally regard Fanny's early journals as her freshest and most appealing. This edition complements Joyce Hemlow's Oxford edition of Burney's letters and journals from 1791 to 1840 (12 vols., Oxford, 1972-84). While the early journals have been printed before, Lars Troide's edition will provide the first full text of Fanny's early journals, accompanied by thorough and accurate annotations which fully explicate the context in which the journals were written.
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Early Journals and Letters of Fanny Burney, Volume 2
The years 1774-77 saw Fanny Burney's increasing occupation with Evelina, which she finally completed and presented to the publisher Thomas Lowndes. Like her novel, the journals and letters of this period reveal her artistic powers, as she continues to sketch characters with economy and precision and create convincing narratives out of the events of her life. Among the more memorable figures she meets at her father's London house are the \"noble savage\" Omai, the first Tahitian brought back to England; the famed explorer James \"Abyssinian\" Bruce, who returned from Africa with tales of natives who ate raw flesh; and Prince Aleksei Orlov of Russia, who had Czar Peter III murdered in order to permit Peter's wife, Catherine \"the Great,\" to ascend the throne. Other notable figures include Dr Samuel Johnson and the great singer Lucrezia Agujari, admired by Mozart. Also in these pages, the usually diffident Miss Burney takes charge of her destiny by rebuffing her suitor Thomas Barlow, who has wealth, education, good looks, and the vehement approval of most of her family, but whom she finds a total bore. The journals and letters of Fanny Burney are an invaluable source for anyone interested in the social and literary history of late eighteenth- and early nineteenth-century England. Lars Troide has supported the texts with thorough and detailed annotations.
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